Puerto Rican Music as Representation of Their History and Culture

The genre bachata was developed in the Caribbean island of Dominican Republic. This genre was created based on boleros (slow-tempo Latin music), son cubanos, waltzes, Mexican music and merengue. Bachata is well known as love and depressing songs in which many people describe them self with this genre. At one point back in the earlier 1960s, bachata was considered vulgar and low-class. “Acceptance of the music has increased significantly in the last two decades, although some dominicans, both individuals living on the island and stateside, still do not accept the music because of the implication of its lower-class origins and associations with such themes as crime, poverty, drinking, and prostitution’’(Stavans 47). The genre Bachata has spread and grown so quickly for the past few years that is has become very famous in the United States, Europe, China, and South America. The genre bachata is well known to attract people with its lyrics, instruments, and dance since it identifies many people with real life events.

Moreno asserts that ““Too many times, we have read our history books that have been written by Europeans, and it has had a tremendous impact in the way we view our culture and listen to our music. I do think that our identity is lost with it and at some point, we try to find it again later in life” (7). Students are able to see a different point of view rather than only the perspectives of textbook writers who at times deprive students from the full truth and the media who exaggerates or embellishes the truth. Many artists and musicians express their anger and oppression through music and students are able to listen to this and get the complete synopsis of problems happening in the world. For instance, in “The Embodiment of Salsa: Musicians, Instrument and the Performance of a Latina Style and Identity,” Patria Roman-Velasquez argued that the embodiment of salsa develops through specific practices whereby instruments, performance techniques, vocal sounds, bodily movements and ways of dressing are encoded and experienced as part of a particular Latin identity. Therefore, this expressing that music has much of an influence in Latin identity and the construction of identity and

Dworkin, y M. K, and Nelsy Echávez-Solano. Spanish and Empire. Nashville, Tenn: Vanderbilt University Press, 2007. Print.

African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.

Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New

There are multitudinous types of Chicano music that include all types of instruments, verses, backgrounds, and purposes. According to Tatum (2001), “The popular Hispanic folk music has deep roots in Spain and Mexico, but it is a living cultural form that is forever changing and adapting to new social conditions and musical currents (Robb 1980, 5)” (p.15). Modernization also plays a key role in the diversion of Chicano music. For example, as new instruments were being invented, they were then incorporated into the music, making it sound more different and attractive. The types of Chicano music range from romance which could narrate an event, corridos, which was a form of cultural differentiation, alabanzas, which were specifically religious, and the canción, in which lovers expressed their deep adoration for each other (Tatum 2001). If a man who was lost in his woman’s eyes wanted to choose a song for their

Born in Lake Jackson, Texas on April 16, 1971, Selena Quintanilla-Perez would come to be known as the “Queen of Tejano music.” With the help of different sources to provide evidence and support to my argument, the aim of this paper is to examine how Tejana singer, Selena was able to impact those around her with her career as a musician and through the medium of music. Selena rose to success by continuously crossing over to different markets. She not only impacted her fans one by one, but also brought about social and cultural changes by fleshing out tensions between Anglo and Latino communities by bringing people together through music.

In my personal experience, Mexican music has revolved around my life for as long as I can remember. Growing up in a bordertown has its Hispanic heritage. Whether I was at home, school, or even in public places, I would hear Spanish related music playing in the background. I believe Spanish music holds many values when it comes to different occasions. The music can manipulate the minds of its listeners using love, passion, and outstanding rhythms. After reading an article online, I can explain how three different genres of traditional Mexican music influence people’s culture.

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

Throughout the Mexican revolution, songs from northern Mexico emerged telling stories of heroism and defeat. Moreover, these corridos, translated into English meaning ballads, were influenced by 14th-century romantic Spanish notes. Further, these ballads, commonly performed by individuals who lack formal musical training and embrace the use of the accordion and tuba in the melody (Madrid 2013, 92). The result of these factors is a musical genre considered unrefined and unsophisticated by most of Mexico until the music’s growth in popularity in the 1970s.

In the 19th Century, Merengue was being introduced in saloons and ballrooms everywhere on the island. However, this new music found its opposition among Europeans at the time. The custom style of dancing at this time was the Tumba, a cultural dance of the time which was danced in groups. The Merengue was embraced and accepted by the Dominican people and evolved within the country according to region. An example of this is the region of the Dominican Republic known as “El Cibao” has taken its influence from merengue and specified it to a particular sound and style influenced by that region a style which has been come to be known as “Perico Ripiao”. This dance eventually came to be revered by many as a sound relative to the Dominican Republic, it showed nationalism and was used to unify Dominicans.

Mariachi is one of the most popular and influential music styles in the world. Mariachi stems deep in the roots of Mexican culture, as it has become a major staple of the nation's identity. Mariachi is not only a cultural icon at home, but abroad as well, especially for those who have migrated to the United States. In a place like Los Angeles, Mariachi has a heavy influence on the Mexican population, but what conformities or standardizations did Mariachi go through in its transition to a different place like Los Angeles. In my research, I wanted to go to Mariachis origin in order to fully understand how it has become standardized through its many innovations of style and music. Mariachi has been and continues to be influenced by social, political,

First there are different kinds of music that can be considered Puerto Rican. In general, Salsa is considered to be Puerto Rican music of today, but a famous musician by the name of Tito Puente says he plays Cuban music. (Waxer, Oct., 29). The reason for this is that he believes Salsa originated in Cuba, and Puerto Ricans just play their

At the beginning of the twenty-first century, popular music and culture became significant influences on the lives of many individuals within the city of Los Angeles. East Los Angeles (“East L.A.” or “the Eastside”), in particular, was a center of flourishing musical, cultural, and social scenes with strong connections to the changing Chicano/a identity. Under this environment in which the Chicano movement (moviemiento) continued to prevail, a large number of socially aware and politically active, Latin-fusion “Chicano” bands were developed. One of such was the Ozomatli band, who strived to express their activist viewpoints through popular music. The spatial context of the band’s emergence, their links to past musical movements, and their implementation of a wide array of musical styles and genres all define their impact on Chicano identity in Los Angeles. Through their music, the Ozomatli band has showed much about the importance of the changing Chicano culture and served as the framework for cultural and social dynamics of present-day Los Angeles.

In this essay I will be considering how diaspora has impacted upon the musical world. I will review examples of how the movement of people within a diaspora influenced and affected musical culture and techniques and describe the resulting changes that the diaspora had on the areas of the world that these people moved to.