Punishment In Dante's Inferno

In Dante’s Inferno, part of The Divine Comedy, Canto V introduces the torments of Hell in the Second Circle. Here Minos tells the damned where they will spend eternity by wrapping his tail around himself. The Second Circle of Hell holds the lustful; those who sinned with the flesh. They are punished in the darkness by an unending tempest, which batters them with winds and rain. Hell is not only a geographical place, but also a representation of the potential for sin and evil within every individual human soul. As Dante travels through Hell, he sees sinners in increasingly more hideous and disgusting situations. For Dante, each situation is an image of the quality of any soul that is determined to sin in

To merely say that Dante was interested in the world of hell would be an understatement. His needs to explore and write about the nine different realms could best be described as an obsession. It’s an adventure, a tale, a dream (or nightmare) of different historical, biblical, and Greek gods and creatures living their lives in the afterlife of the underground world. Each level has its own form of punishment fitting the crime one has committed.

Dante’s The Inferno is his own interpretation of the circles of hell. The people that Dante places in hell tried to validate their offenses and have never seen the injustice of their crime or crimes. They were each placed in a specific circle in Hell, Dante has nine circles in his hell. Each circle holds those accountable for that specific crime. Each circle has its own unique and fitting punishment for the crime committed. There are three different main types of offenses; they are incontinence, violence, and fraud. These offenses are divided into Dante’s nine rings of Hell. Each of these rings has a progressively worse punishment, starting with crimes of passion and

Dante's Inferno explores the nature of human suffering through a precautionary light. As Dante and Virgil move through the Inferno, Dante sees what has become of people who overindulged in things such as, lust, gluttony, violence, and bribery. Few of the punishments described in the Inferno have a direct correlation to the sin that the souls committed while they were living. Rather, they are a representation of what happens when we commit those crimes against ourselves and others. We create hells for not only ourselves, but those who we have sinned against. These hells are almost impossible to come back from as most of these sins cannot be taken back or undone. Some of the punishments that were clear representations were the punishments of

Central to “Inferno” is the concept of contrapasso, the idea that the punishment one experiences in Hell is the reversal of one’s sin on earth: gluttons are forced to consume filth against their will; prophets and soothsayers have their bodies disfigured to turn their heads backwards; adulterers are forever forced to couple with their lovers; it is a poetic, medieval take on Exodus’s reciprocal punishment of “eye for eye, tooth for tooth, hand for hand, foot for foot” (King James Bible, Exodus 21:24). Within Canto XIII Dante meets those who have committed suicide: those that have taken their lives are “reborn” into bleeding, deformed trees upon which harpies feed and onto which harpies nest. There they remain forever, subject to all forms of abuse--and completely unable to abuse themselves again (as they did in life). While Dante’s intent may be to illustrate the justice of God’s punishment for sins done on earth, the forest of suicides found in Canto XIII questions the punishments delivered by God through the words and actions of the unfortunate souls found in this level, the words of our guide, Virgil, and our the words of our protagonist, Dante.

limbo, 2. lust, 3. gluttony, 4. greed, 5. anger, 6. heresy, 7. violence, 8. fraud, and 9. treachery. Dante journeys through hells layers and as he gets closer to the center of hell, the sins, and their penalties get crueler. In the first level, limbo, all the individuals who died before becoming Christians reside, including famous philosophers Plato, Aristotle, and Socrates. After limb, arrives the part of hell which is comprised of sins of the flesh: greed, anger, gluttony, and lust. In the last remaining circles, Dante witnesses’ souls that have committed severer sins such as; violence against God, fraud, false prophets, violent against nature, thieves, and hypocrites. The punishments for these sins are extremely painful, including souls being submerged in boiling blood and fire. The last circle of hell is treachery. This round is separated into four compartments corresponding to the gravity of their sins and all of the sould are stuck in the frozen

In Dante's Inferno, Dante proposes an intriguing order for his nine circles of hell. Ignoring Limbo, Dante, intending to list the circles from the least grievous sin to the most grievous sin, orders the circles starting from lust, going to gluttony, greed, then wrath. Dante provides a thought provoking experience for the reader causing one to redefine his understanding of sin and God's judgement. After limbo, Dante presents the first circle of hell as the punishment for the lustful.

In the modern day society that we live in there are no real punishments for the sins defined in Dante’s society. According to Dante, the sinners of Bolgia 1 & 2 were those that have spent their lives on earth being panderers, seducers, or flatterers. The panderers and seducers of Bolgia 1 were people who sold women as prostitutes or lured people into having sex with them. The flatterers of Bolgia 2 would dehumanize others by using foul language. In The Inferno, their punishments were to be whipped by “horned demons with enormous lashes (Dante 145),” or to be “crust[ed] with slime... in a river of excrement (Dante 147).”

Dante sees the brutality that is depicted in the Circles as needed. He views sin and transgression as the result of rejecting the world of the divine. If any of the transgressors had come to God and asked for forgiveness, Dante would see them as being forgiven. Asking God for forgiveness is when the sinners would get redemption. They are condemned to eternal suffering in the underworld because they failed to take God in their hearts and souls.

In Dante’s Inferno, Dante narrates his descent and observation of hell through the various circles and pouches. One part of this depiction is his descriptions of the various punishments that each of the different sinners has received.  The various punishments that Dante envisions the sinners receiving are broken down into two types. The first type he borrows from various gruesome and cruel forms of torture and the second type, though often less physically agonizing, is Dante’s creative and imaginative punishment for sins. The borrowed torturous forms of punishments create a physical pain for the shades, whereas the creative punishments are used to inflict a mental and psychological suffering. However, it is possible for the creative

In Dante's view the next circle of sin consists of acts of fraud. He classifies these sinners as seducers and panderers, flatterers, simoniacs, fortune tellers, grafters, hypocrites, thieves, evil counselors, sowers of discord, and counterfeiters or falsifiers. These are the souls who in life betrayed the confidence of another. They preyed on other people solely for gain and knowingly deceived without concern for their victims' psyche or physical being.

In many classic works of literature, heroes venture to the depths of hell. Hell is a place found in literature of all kinds. Why is hell such a common theme found in several literary works? A majority of people believe that there is some kind of hell, and that hell is a form of punishment for things done on Earth after death. Dante Alighieri of Florence in the 1300s created modern society’s viewpoint on hell. He wrote his Divine Comedy, which consisted of Inferno, Purgatorio, and Paradiso. In The Inferno, Dante discusses Dante the Pilgrim’s journey through the Underworld in order to reach Heaven. A leopard, lion, and she-wolf block Dante’s way to Heaven, so he follows the poet Virgil through hell in order to reach Heaven. Deborah Parker

In the middle ages, Christian beliefs set the dominant standard of moral reason. Sin was crime. Dante, in his Inferno, created a hypothetical structure of hell, based on the deadly sins, encompassing nine levels. Each level of hell has a theme – a sin, a punishment, and the tormented. Dante put great consideration into the creation of his underworld, fitting each crime to an appropriate punishment.

“The Christian church … conceived of hell as a place where the good were separate from the evil, and the deeds on earth were weighed and judges.”(Bondanella XXXIII) Hell is a place that was created as a punishment for those people who died with mortal sins and did not ask for forgiveness. In this case Dante’s hell in the Inferno is divided into three sections and nine circles. These circles within hell were based off of the seven deadly sins: lust, gluttony, greed, sloth, wrath, envy, and pride. Along with the seven deadly sins Dante’s Catholic religion also influenced him in his choices about who to put and where to put people in Hell. According to his beliefs, if you were not a Christian, you automatically went to Hell. (Trotter) As well even though Dante's hell affected all people no matter their religion, the representation of how Hell

In Dante's Inferno, Dante places people of all types into one of the nine different circles depending on what they had done in their life and what punishments they deserve. His religion is what said which sins made someone have to spend eternity in Hell and what sins were worse than others. Some of the sins Dante chose to be included in his own version of Hell are wrath, sloth, greed, lust, and gluttony. These sins were seen as some of the worst in the Catholic religion, which influences Dante’s decision to have them in Dante's Inferno. Some of the other sins Dante chose also exemplified his strong Catholic faith. For example, the people who fall in Limbo did not believe in God and in the Catholic religion, this means they were not saved and would therefore end up in Hell (Brantl 208). Dante, just like all catholics, believed that going against God was a sin. In Dante's Inferno, there are punishments for people who go against the catholic religion and the Lord as well as betray them. Dante’s religion also influenced his choices for whom he put in hell and where. According to Dante, no madder how good of a person you are, if you didn't believe in God and Christianity, you were sent to hell. Hawkins says that “…Limbo, the first circle of hell. It is beautiful, refined, civil, and dead. Knowledge may well be perfection, but it is the knowledge of God, the beatific vision, that is the journey’s true end” (107).