Purple Hibiscus Analysis

For several decades, females have been victims of sexism, violence and prejudice. Many cultures nationwide still display discrimination against women, especially in the Middle East and African culture. One book in particular Things Fall Apart, by Achebe portrays Igbo Society and examines masculinity from an African perspective. Throughout the novel, women were voiceless and struggled against injustice; which is set in the era of the first wave feminism. As most are aware, this period of history highlights the inequalities between females and males. A topic that has been analyzed by Chinu Acebe, Levine Nett, J.Case Tompkins, and other feminist theorists. Thus, this paper argues that feminist literary theory is a useful tool to analyze

Imagine living in dramatic fear, someone who loves you, puts you through abuse, depression, and demolishing your self-esteem. How does a person grow from such a traumatic experience and become brave? Chimamanda Ngozi Adichie was born on September 15, 1977 in Enugu, Nigeria. During her senior year at Eastern, she started working on her first novel, Purple Hibiscus, which was released in October 2003. Adichie demonstrates bravery and growth in humanity. Kambili and her family’s lives are followed throughout Purple Hibiscus. Kambili and her family live through fear of Papa, they are silent and are afraid to stand up for themselves. Fear suppresses our individuality and confidence- thus; it controls humanity and hinders us from bravery and growth.

In the monograph, Ain’t I A Woman: Black Women and Feminism, the author describes the complexity of black womanhood from a black women’s perspectives. This book shows the impact of sexism on the lives of black women, discussing the persistent racism of the women’s movement. Even with the many present issues, “scholars in this field are in a unique position because of their ability to explore the intersection of race, sex, and class as experienced by black women in ways that are impossible for other segments of the population” (Sheftall

We live in the year 2017, yet we still see a major gap in the treatment and outlooks towards men and women. This however is not a newly implemented construct but has been prevalent since the beginning of time, as demonstrated in the novel Their Eyes Were Watching God. In this novel we see many examples in which the protagonist of the novel, Janie, is shamed and outcasted due to her identity and actions. Janie in many ways experiences racism, sexism, and stereotyping in which corresponds and propezies the treatment of women in the 21st century.

By expressing this with the African American society of women who are continuously torched by the demanding words of men, McLune appeals strongly to all American women’s intellect of equality and respect. Women should not have to be judged by men and expect to be treated as if they owe anyone something, let alone have to be mistreated and belittled, if that were to be the case then men should be treated the same, therefore McLune’s audience, should understand that that is not how you define a black woman in any terms.

Chimamanda Adichie’s Purple Hibiscus is a story set in Nigeria told from the perspective of Kambili and her journey towards independence; along the way, she looks to the female role models in her life, each which aid her path to liberation. Mama and Aunty Ifeoma are two vital female characters to the development of the story but with stark contrasts; Mama’s submissive and reserved demeanor provides a perfect foil to Aunty’s outgoing and independent personality. They both influence Adichie’s bildungsroman, but how they aid Kambili’s endeavor is strikingly different. Mama and Aunty Ifeoma represent the female figures in Kambili’s life; Mama shows Kambili to submit to the men in her life, while Aunty Ifeoma opens up the idea of being independent and free thinking. Mama stresses submission and dependency as a sacrifice to tradition while Aunty Ifeoma emphasizes independent thought to embrace oneself and progress over all others. The way that these two women uphold themselves throughout the novel, demonstrates how these patriarchal societies, like the one in Nigeria, restrict women like Mama, while women like Aunty are deemed rebellious to society.

During the novel “Purple Hibiscus”, we witness the transformation of Kambili Achike from a silenced, repressed and wary girl into a more confident, mature and happy young woman. This change is brought upon by significant characters in the story, who help show Kambili how joyous the world can be and how she also has a place within this joyous world. And through this Kambili finds a way to slowly crack through her father’s hold over her and come into her own.

An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to

The novel Purple Hibiscus, by Chimamanda Ngozi Adichie, is a story of a young girl , who tries to find her own voice and speak out against her violent oppressive father. The novel is set in post-post-colonial Nigeria, in a time in which the government was run by a military dictatorship. There are a number of symbols used to help develop ideas in the text; the three most important ones being purple and red hibiscuses and Mama’s figurines. The red hibiscuses are symbolic of the violence in Kambili’s life while the purple hibiscuses symbolise freedom, defiance and the freedom to speak out. The figurines are symbolic of Mama’s quiet character and of the violence in her home. These symbols are there to show the

She describes how white women “ignore their built-in privilege of whiteness” when they ignore the black female’s point of view and focus solely on the white female’s view (117). She points out the hypocrisy of white feminists, in that they will refuse to read black females’ works because they are “too difficult to understand,” but will read the works of Shakespeare, Molière, Dostoyefsky, and Aristophanes (117) There’s an obvious contradiction between white feminists’ “incorporation” of black females into their movement and the exclusion of their literature, which Lorde later analyzes and determines is because white women would feel guilt upon recognizing and validating their experiences. Furthermore, the exclusion of black writings from the feminist movement weakens the strength of the movement, offering the opposite effect as desired. Lorde writes how “ignoring the differences of race between women and the implications of those differences presents the most serious threat to the mobilization of women’s joint power.” (117) Since the feminist movement seeks to apply social pressure to achieve social change, it would make sense to try to gain strength in numbers by including the most people possible; Lorde sees this strength in numbers and calls into question the consistency of the white side of the feminist movement with its

According to Ark of Hope for Children 40 million children subjected to abuse each year internationally. Mama was abused by papa all the time and Kambili and Jaja watched it and felt bad they couldn’t do anything, because they would get beat also. Chimamanda Ngozi Adichie wrote a book called Purple Hibiscus talking about Kambili’s life. Kambili experienced many challenges in her life. In the beginning of the book she was shy, then my the middle she learned to stand up for family, and by the end she was standing up for herself.

1) Five major issues explored in purple hibiscus are; domestic violence, oppression, religion, education and love.

As African-American women address social issues that are important to their life experiences, such as class and race, instead to acknowledge “common oppression” of gender inequality, they are often criticized by “white bourgeois feminists” (hooks, 2000). Their ability to gain any form of equality within society is tarnished by such groups as they develop a “fear of encountering racism” from simply joining this movement (hooks, 2000). As white men, black men, and white women oppress them, their issues are often ignored due to reoccurring stereotypes and myths that claim black women are strong, independent, and “superhuman” (hooks, 2000). It becomes extremely difficult to seek liberation and equity within a “racist, sexist, and classist” society, as their gender and race causes them to be at the “bottom of the occupational ladder” and “social status” (hooks, 2000, pg. 16). As black women are perceived to demonstrate strength and dynamic qualities as white women perpetrate the image of being

Kambili and Jaja break free from their father, Eugene’s, abusive and controlling ways in the novel Purple Hibiscus. Kambili is a shy and scared girl at the beginning, but by the end she was changed into a beautiful outgoing girl who develops her voice and her laughter. Jaja is more outgoing in the beginning and becomes more protective of his family throughout the book. The change didn’t come to Kambili and Jaja naturally; it came through Aunty Ifeoma and their time away from Eugene. Ifeoma’s rejection of Eugene’s Catholic-driven control inspires Kambili and Jaja to break free.

In the novel Purple Hibiscus, Chimamanda Ngozi Adichie, the Nigerian author explores a number of issues such as religious absolutism, egalitarianism, feminism, domestic violence, politics and colonialism which in turn all highlight the main ideology of patriarchal power. By referring to the Oxford dictionary, the adjective ‘Patriarchal’ is described as “something relating to or denoting a system of society or government controlled by men.” In this specifically powerful novel, it refers to an organized society where the males are the heads of the families and the men are considered the “Fathers of the human race.” Adichie exposes a society that suffers devastation as an effect of total patriarchal control and intolerance within the family, the Roman Catholic Church, as well as the education and the state. Through the representation of the characters, she promotes the principle of a political system in which unrestricted power is in a dictator, and she identifies contrasting perceptions of religion, race, culture, spirituality, gender roles and the abuse of power. Throughout the novel, the reader is