Quaint Abstractions: CRG Gallery Analysis

Art galleries are essential to the art world, however, is not the only source for audiences to view art. To begin with, art and artwork is defined as the application of human skill, creativity and imagination. Taking this into consideration, individuals need to examine the nature and purpose of art galleries as a facility to collaborate, organize and display a collection of artworks. As art however, is any expression of human creativity, its presence is not bound to art galleries and is evidently present in the world around us be it in photographs, the internet or even in graffiti.

Museum/Gallery Critique: A museum, gallery, or private collection visit followed by a written critique, two-page minimum, typed and double-spaced are required for this course. Detailed instructions will be distributed and

The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.

This source is about the Palace of fine arts how it shows off Chicago to rest of the world. The Palace of fine arts is located in Jackson Park neighborhood. Also, this building has over 10,000 artworks from across the world. Some of the history displays in this museum take more people’s attention. This building is unique because It allows a safe place for exhibits, and so it is easier to check out amazing paintings and

Organized and spacious interior design was an important feature applied in QAGOMA as it is such a big gallery that exhibited various collections at the same time. QAGOMA is very considerable for the viewers as they provided various booklets for newcomers to know more information about the gallery. This includes QAGOMA MAPS that clearly map out where each exhibition is located and services that are available for the viewers, QAGOMA JOIN which provide memberships to keep viewers up to date with current exhibitions, QAGOMA WHAT’S ON provide a more detailed information about specific programs and events highlight on current exhibitions shown on QAGOMA MAPS as well as QAGOMA CINEMA shows the current film exhibited in QAGOMA.

In 1984, the Gallery entered into a unique partnership with the City of Regina to take over the civic gallery in the Neil Balkwill Arts Centre. This relationship has proven to be tremendously successful, and become a model for community partnering. This partnership with the City of Regina thrives in a number of ways. The AGR, a tenant in the Neil Balkwill Civic Arts Centre, pays rent for our space at lower than market value, in return the AGR adds much cultural value to the

Philadelphia Museum, a three-floored building, has different artwork distributed chronologically, conceptually and according to nationality. The exhibitions are classified in different categories ranging from American Art, Asian art, European art, to Arms and armor, Prints drawing and photographs, Modern and contemporary art, Special Exhibitions, and Textiles. The ground floor is composed of two types of artwork: prints, drawing, and photography; specifically, the Honickman and Berman Galleries, and modern and contemporary art. The Honickman and Berman Galleries and a section of the modern and contemporary art occupy the west wing while the rest of the modern contemporary art occupies the east wing. The classical splendor is the most significant showcase in the Honickman and Berman Galleries designed by Benjamin Henry in 1808. Inspired by the classical art of ancient Greece, the showcase is one of the best achievements of the early national periods.

This facility features an art gallery from some local artists, such as Marcela Arguelles Lawler, Fafi Melguizo, and Ariana Lash. The paintings vary from abstracts, landscapes, and portraits. The hall in which the gallery serves usually as a showcase on average days. However, for special occasions, the hall can then be used as an event center. Through its selection of paintings and natural light from its immense windows, the hall maintains a sense of class.

Public art encapsulates a large part of Chicago’s history, and engages many different people in varying ways. Recently, I was in the city observing art and came across a woman who was seeing the same pieces I was. She proceeded to tell me she had just gotten off a plane, that morning, from New York, keep in mind it was around noon when I saw her, and wanted to show her daughter the great pieces of public art in Chicago. She passionately relayed the rich historical context of a few works of art: her main point being that Chicago is a hub for a booming culture of art. She noted that great artists from Europe, such as Picasso, Chagall, and Dubuffet, wanted to be a part of the modern art trends happening in Chicago in the twentieth century. She went as far to say that “these [pieces of artwork] are unique in the world,” meaning they are so well known and respected that their popularity extends beyond the city of Chicago. It is curious to think about what makes a successful work of public art, and why artists and observers alike are so intrigued with the art in Chicago. In my opinion, two works of Chicago’s public art, Monument with Standing Beast and Cloud Gate, serve as effective works of public art due to their complexity and appropriate placement in space, however Cloud Gate is more effective because of its personal appeal to the audience.

Promoting art education, the Rubell Family maintains one of the largest privatized contemporary art collections in the world. The showcase of the Rubell Family art collection is the Rubell Family Collection/Contemporary Art Foundation. It's a 45,000 exhibition of renowned, contemporary artists. The Contemporary Art Foundation includes sculptures, and paper works from Taft Green, Patrick

Book Review: Art on the Block by Ann Fensterstock It is a good choice to read Ann Fensterstock’s book Art on the Block at the end of my Introduction to Galleries & Museum of N.Y.C class. Over the course of the semester, we visited various galleries in the different art blocks. The density of galleries in Chelsea, the small loft spaces in the Lower East Side, the luxuriant townhouses in the Madison Avenues district, and the commercial ambience in the SOHO, those art districts present a wide variety of artworks and tell the story about the revolution history of New York's galleries. However, focusing more on individual galleries and artworks during the classes, I didn’t get my thoughts about the art district’s differences into shape. It is

My first impressions as I pulled up into the museum’s parking lot was that it was the very small place, it looked like a store that sold art pieces. As I walked inside I noticed that it was a bigger than I thought. The gallery has 3 big open space rooms filled with dozens of pieces of art. As I you walk inside you will find the Atrium where the retail gallery is located, as you go inside there is the Grand gallery which is the biggest room and at the end, it is the project gallery.

The Museum of Modern Art in New York City is the world’s leading modern art. Its exhibits have been a major influence in creating and stimulating popular awareness of modern art and its accompanying diversity of its styles and movements. The museum’s outstanding collections of modern painting, sculpture, drawings, and prints range from Impressionisms to current movements. Moreover, there are exhibits of modern architecture, industrial design, sculpture, photography, prints and electronic media. The museum presently has a modern art library of 300,000 books and impressive collections of films that are shown regularly. The Museum is said to be the complementary of the Metropolitan Museum

A tour through Taliesin West would start at his office. But right before you enter, your attention is interrupted by the vibrant, yet complex Asian sculpture that stood in front of the entryway. The idea of him incorporating Asian art within his structure did not surprise me however. Ever since his visit to the Columbian exhibition in Chicago, Wright was closely influenced by Asian architecture and art, and had symbolized his appreciation for the arts by incorporating them throughout his buildings. The sculpture that lies by the front entrance of Taliesin West is one of many sculptures that’s scattered around the building, and it symbolizes a transition into the following area.

Hidden in the upper east side of Manhattan is a new interactive exhibit that will leave you both motivated and humbled. The rare viewing of pieces by French modernist designer Pierre Chareau will be displayed to the American public for the first time in history. This is a once in a lifetime opportunity to experience such an empowering exhibit such as this.