Visit to the Metropolitan Museum of Art and Viewing the Asian Art Collections
The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.
Walking into the Hall of the Buddhas, there was a sense of peace and
…show more content…
As I left, I felt a sense of piety, a piety that I must visit again and again. The Hall of Buddhas gave me a sense of peace: a thought of quietness to gather myself, a peace that I have long forgotten or not shared.
The next corridor was an exhibit of ceramics of everyday life in the Neolithic period of the Majlayao culture (Machong phase, CA 2300-2000BC Metropolitan Museum plaque). The pottery of this period expresses similarities in the color and shapes to the art found amongst the indigenous cultures elsewhere in the world. On the side was another room with two guardian lions (6th dynasty 220-589). Lion statues were status symbols for great dwellings that were placed outside of main entranceways to promote good and to stop evil from entering in (Feng Shui, Lam 38). In the room at the Museum they guard lacquer images and woodcarvings of Buddhas. Buddha images executed in dry lacquer were highly valued by the Chinese because of the costly time-consuming process required to produce them (Metropolitan Museum wall-plaque). Possibly the lions do serve a purpose here: to prevent any evil beings from entering a room filled with prized lacquer Buddhas.
The Han dynasty (25-220 CE) exhibit outside in the corridor demonstrated remarkable uniformity. Common pottery such as models of houses and farm structures, were created as funerary objects for burials. The Han period has deeply shaped and cast its roots in contemporary burial rituals. Today,
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
New York City, one of the greatest cities of the world, is remarkable because of its history, culture, and diversity. It is world renowned for its skyscrapers, Statue of Liberty, Empire State Building, Madison Square Garden, Broadway entertainment, Radio City Music Hall, Central Park, and even restaurants specializing in ethnic foods. However, the thing that most intrigues and excites me about New York City is the Metropolitan Museum of Art.
Last Sunday, I went to the Museum of Fine Arts and walked through the marble corridors in pursuit of Percy’s “it.” I was accompanied by a friend who was in pursuit of taking candid photos. I came in with a set of expectations as Percy writes, “the sightseer measures his satisfaction by the degree to which the [museum] conforms to the preformed complex” (473). When I entered the museum, the quietude of the atmosphere caused me to become drowsy and I quickly looked for the café to drink coffee. Feeling energized, I wandered aimlessly for close to an hour, amazed by the museum’s architecture and rustic paintings displayed. However, being surrounded by great artistic pieces of history, I did not gain the sense of being enriched or enlightened. Due to the nature of the assignment, I was not nearly as interested and felt that I could have been lost in the moment if I had entered on my own free will. That was until I stumbled upon the “Showdown! Kuniyoshi vs. Kunisada” art
noted by the Metropolitan Museum of Art, “The art of the ancient Near East exhibits a great
A third thing that I remembered seeing at the Philadelphia Art Museum was a big Ganesha statue. In class I learned that the large head of the elephant symbolizes wisdom, understanding and a selected intellect that must attain perfection in life. The large mean that a perfect person is the one who listens to other and assimilates ideas. And the four arms mean that the load is omnipresent and omnipotent.
During the first week of September, I made a trip with a friend to the Asian Art Museum in San Francisco. Every first Sunday of the month, admission into the museum is free. It is my first time to visit there and I was most impressed with the huge number of Buddhas on display. Most of the pieces are in excellent condition. It is amazing 600-year-old pottery and all these stone statues of Buddha that looks like it was made yesterday. What really brings this place to life for me are the brilliant combination of social mixers and live performance events mixed with cultural education.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
The purpose of this paper is to visit The Metropolitan Museum of Art and write a reaction paper about art works at the museum based on my impressions about them. To begin, I will start by giving you a little of background information about this interesting museum.
In beginning was the image. Before each of us learned to speak and speak on a topic, we started see and perceive the world through images. We tried to analyze what the world has to pass us. The same is true now, when as adults we choose, for example, to an art gallery. Looking at the work of art, at first glance, we can very quickly determine if that something we like or not, whether evokes in us an emotion. The model can also be in terms face or frontally, in profile or three-quarters, as shown in the image of Leonardo da Vinci’s The Head of the Virgin.
Jan van Eyck was active since 1422 and died in 1441. He was the most celebrated painter of the fifteen-century in Europe. One of his famous works is “The Last Judgment”. At first sight this work immediately attracted my attention. The painting’s stunning colors and the fact that it reminded me of a previous similar work I have seen, triggered in my mind. The material that is used is oil on canvas, transferred from wood. The size of this work is 22 1/4 *7 2/3 in. (56.5 * 19.7cm).
This exhibition of Japanese works of art is at The MET. The exhibition opened fall of 2016. In this exhibition, that is featuring works of art drawn from the recent landmark gift to the Museum by the Mary and Jackson Burke Foundation. Which opened on October 20th, is a tribute to the discerning New York City collector who built what is widely regarded as the finest and most encompassing and private collection outside Japan. The works on the exhibition will includepaintings, sculpture, ceramics, calligraphy, lacquerware, and so more from the 10th to the 20th century. Among the highlights are a powerful representation of the Buddhist deity Fud & My, from the studio of the celebrated sculptor Kaikei, a sumptuous set of early 17th-century screens showing Uji Bridge from Kyoto, and It ?Jakuch? 's tour-de-force ink painting of plum blossoms in full bloom illuminated by Moonlight. I think this was organized by a theme and
Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.
A tour through Taliesin West would start at his office. But right before you enter, your attention is interrupted by the vibrant, yet complex Asian sculpture that stood in front of the entryway. The idea of him incorporating Asian art within his structure did not surprise me however. Ever since his visit to the Columbian exhibition in Chicago, Wright was closely influenced by Asian architecture and art, and had symbolized his appreciation for the arts by incorporating them throughout his buildings. The sculpture that lies by the front entrance of Taliesin West is one of many sculptures that’s scattered around the building, and it symbolizes a transition into the following area.
At first, I didn’t want to go to the museum. That day, I was exhausted after finishing school, so going all the way to San Francisco wasn’t exactly my idea of relaxing. Thankfully, my mom insisted we go that day, since it was my dad’s day off. I felt frustrated that we had to go right then, but my mom forced us.