Racial Identity In Quicksand

Our personal identities represent the culmination of our past, the influence of the present that we live in, and what we will be in the future. Jeanne Wakatsuki Houston, in the short story Double Identity, describes the evolution of her gender and racial identity in her youth and later life. She struggles to balance her female identity within Japanese and American societies, initially within her high school and college years and later during her marriage. Through her experience in school, she seeks harmony between her two identities by conforming to the cultural standards required by the situation at hand. As time passes, she decides that acting according to whichever racial identity she feels suits

Aristotle once theorized, “Happiness is the meaning and the purpose of life, the whole aim and end of human existence.” The book, “The Color of Water” describes the lives of James and Ruth McBride and their journeys to find this happiness. Both of these characters, among other characters in the book struggled for the majority of their lives with the issues of race. They felt as if they were caught between two different worlds; the world of blacks and the world of whites. These struggles left all of the characters feeling forlorn. In McBride’s memoir it is made clear that in order to find happiness, the characters must first be able to confront and then overcome the racial divisions that were so prominent in their lives.

Everyone in the world has their own identity but some are still searching for it. Many base their identity on race, religion, culture and language because it’s easier to belong to a certain group. However, there are some people who struggle with finding where they belong. For instance, James McBride in The Color of Water wonders who he is through most his childhood and some of his adult life. Mcbride tries to find himself by learning about his mother's background. After evaluating his mom’s past,culture and race his own issues with himself were made clearer because now he finally knows where he came from.

Small Beauty by Jia Qing Wilson-Yang is about the experiences of Mei, a mixed-race trans woman, who moves from the city to rural modern-day Canada as she deals with past and present trauma. The text is an exploration of personal identity and how one connects with the place they live. Colonization still impacts how people shape their identity today; in Wilson-Yang’s Small Beauty the lasting impacts of colonialization shape how Mei views aspects of her identity through the novel including gender identity and race. First, this essay will set the definitions that set the foundation, second it will explore colonization in relation to Mei’s gender identity, third it will examine the impact of colonialization on Mei’s racial

Characters, in Heidi Durrow’s The Girl Who Fell from the Sky, force the protagonist, Rachel, to choose between her white and black side. They only acknowledge her black side while only celebrating her white qualities. Consequently, Rachel feels the obligation to accept the roles that have been thrust upon her and ignores part of her race because of the commentary from her family and peers. Rachel adapting to the portrayal of her racial identity to appeal to the normalized opinions of her appearance, demonstrates her tendency to comply with the categorization people of color face throughout society. Ultimately, leading Rachel to pick and choose the parts of her racial identity that most please the people she is with.

James McBride’s memoir The Color of Water, compares two troubled, young lives in which they are victims of racial prejudices and alienation. In this novel, Ruth McBride, the mother of the author, encounters the most alienation of all characters mentioned because of her religion and family decisions and social circumstances. Ruth endured several struggles that impacted her perspective on her religion, Judaism, and the society where she feels unwelcome. Ruth’s relationship with Dennis, a black man, was an impediment to her keeping close contact with her family. Coming from a Jewish heritage, “They said kaddish and sat shiva. That’s how Orthodox Jews mourn their dead” (McBride 2). Realizing that starting a new life would be better than tending

James McBride can tell you firsthand about man verse racial identity. Journalizing his experience in his New York Times Bestseller novel the Color of Water simply outlined his struggles of finding who he was. His upbringing included a black father and a Jewish white mother. His background made it hard for him to understand why his home was different than others on the street. Although McBride experience shows an older outtake of racial identity, some may say this still is a problem today. Offspring feels the need to pick a race in society to succeed in the generation and it may be the step to understands them more. Notice in the subtitle of the book "A black Men tribute to his white mother" he label himself as just black as if there was a barrier between his mother and himself because the so different. Today we need to not let racial identity become a big part of our lives.

According to Brenda Shoshanna, an author and psychologist, “Unless we base our sense of identity upon the truth of who we are, it is impossible to attain true happiness” Everyone on Earth has their own unique identity, and if they do not have an identity they will always be struggling to find it. In The Color of Water by James McBride, the author tries to understand his mother’s identity in hopes that it will help him find his own as well. After learning his mother’s life story and going back to her hometown, James finds that Ruth’s family made the most impact on her identity because of her hypocritical father, kind mother, and her evasive siblings.

In the passages from Quicksand by Nella Larsen and The Autobiography of an Ex-colored man by James Weldon Johnson, both the narrator in The Autobiography of an Ex-colored man and Helga from Quicksand are leaving a big city on a cruise liner. Helga Crane is of Danish origin and comes to America with her mother and a few years later, Helga is leaving America and heading back to Denmark. The narrator from an Ex-colored man is also leaving New York harbor to rid himself of a murder case that he feels “responsible for the tragic end of a widow.”

On the other end of the spectrum, the black end, is the story of Shirlee’s father and his family history. This narrative, Haizlip tells with pride; she mentions how she would have very much liked to meet her Native American grandmother from years back and how she too would have loved to have a name like “White Cloud.” In this narrative there is no shame, no abandonment, and no sadness. This is a story of a family and it’s success despite their skin color and the changing times around them. Her father, as his father before him, had inspired her with confidence and pride in the way she was, dark or light, and from this end of the spectrum she learned to love the dark pigment in her skin. Haizlip tells various stories of black communities in which her father grew up and how her grandfather was respected by his fellow citizen. This is a completely different story than that of her mother. Instead of running away from their darkness, her father’s family reached for it, yearned

Though Helga finds “peace and contentment” (1553) in Harlem, she establishes here her flight from anxiety that is to become characteristic. When she meets Dr. Anderson again, Helga notes the return of her “vague yearning” (1558) for the man. She does not precisely explain why she runs away from him despite her “long[ing] to stay,” (1559) but she probably chooses to leave instead of testing the reality of her feelings. Though Helga seems to regret this decision in retrospect, citing her “disappointment” (1559) over the missed opportunity, she does not take responsibility for her actions and consequent feelings, as she

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

Throughout the poem, “White Lies”, Natasha Tretheway was able to show the difficulty of growing up biracial by using different literary elements that include puns, irony, and flashbacks to demonstrate how self-love is required in order to find one’s identity. By using first person, the author was able to connect with her audience on a deeper level by letting them experience what she did by taking them on a journey as she reflects back on her tough childhood.

Racial identity is an important concept that everyone must deal with in their life. It is an individual’s sense of having their identity be defined by belonging to a race and or ethnic group. How strong the identity is depending on how much the individual has processed and internalized the sociological, political, and other factors within the group. In some instances, people do not identify with their race and they will “pass” as another. Nella Larsen, an African American writer and prominent member of the Harlem Renaissance movement, she explores the consequences of “passing”. Larsen’s Passing is a novel that challenges the concept of ethnicity, race and gender while revolutionizing the idea of what we describe as identity. The novel explores the issue of race through vivid plotting that depicts a mentally touching story of affecting boundaries in the early American society. The novel also explores the effects of racial construction on a person through multiple levels. Through Larsen’s characterization and setting she is able to bring out the social construction of race in an enjoyable and educated format in which race, class distinction and identity themes are intertwined. Larsen herself often struggles with identity, as she grew up being raised by an all-white household after her father, a black West Indian, disappeared from her life. Larsen depicts the theme of racial identity by using two women characters, both of which are attractive, and are “light” enough to be able

In the film Skin and the novel Looking for Alibrandi, there are many main and important themes such as family, discrimination. However, the idea that I can easily feel and see in both of them is identity crisis, which is the theme to make these stories successful. The main characters of each story – Sandra and Josie always ask themselves “Who are they?” , “Where is the right place for them in this society?”. Because of the struggle for their identity, both women have to deal with many problems in their life.