Throughout history, literary works have symbolized a sense of society. From religious texts to historical documents, nationality, community, and personal identity are often at the forefront of literacy. In the United States, the Constitution and Declaration of Independence are undoubtedly linked to the near ubiquitous sense of freedom and patriotism that radiates across the nation. For the people of the Jewish faith, the Tanakh both their faith and communal heritage. While novels do not signify nationality in the same manner, the fictional stories embedded within them are often laced with undertones that strongly imply the state of the world at the time they were written. In the case of Herman Melville’s classic novella Benito Cereno, the state of the United States during its publishing in 1855 is heavily represented as the racial tension and struggle over slavery at the time is symbolized through Captain Delano’s blatant racism as well as Babo’s role on the San Dominick. During the mid-19th century, racial tensions were on the rise as questions over the morality of slavery began to take hold in the United States. To capture this clash, Melville utilizes Captain Delano as a catalyst to spark the discussion of racism as the country was on the verge of Civil War. Throughout the entire course of the novella, Delano uses subtle derogatory terminology and an abundance of racial metaphors. However, on occasion Delano is seen utilizing verbalism that conspicuously illustrates the
Every text is made up of tremendously important parts called literary devices or techniques. In those texts, those literary devices are a necessary part, that help develop the text in a large amount of ways. In “Response to executive order 9066” by Dwight Okita and “Mericans” by Sandra Cisneros both develop the common theme of American identity by using literary devices such as, simile, imagery, and personification.
While Delany was walking back to his seat after winning an award for “Aye, and Gomorrrah” fellow writer Isaac Asimov pulled him aside and jokingly said,”You know, Chip, we only voted you those awards because you're negro”(18). Delany, although realizing that Asimov was using satire to say that the color of his skin had no part in the voting decision. Realized that unintentionally or not, Asimov was saying that no matter Delany's achievements he will always be “Negro”. This fits in to Delany’s explanation of what systematic racism does, it acclimates people of color to be comfortable with the isolation of races. Because Delany is a black writer he will foremost be know as a black writer before anything else, and will always be grouped in that category. This well intentioned joke fuels the system that is racism.
America’s individuality is constructed with a various number of circumstances. The most important circumstance is the injustice of the people. Throughout history America has had many forms of injustice like slavery, kidnapping, public shame, rights and many more. We see some of these situations in Equiano, On Being Brought from Africa to America and The Scarlet Letter. Injustice comes in many distinct forms, in Equiano it talks about the injustice of African slaves and the way they were treated. In Of Plymouth Plantation it talks the injustice that the Pilgrims had on the Indians. And last but not least in The Scarlet Letter it talks about the injustice of women's rights and also public opinion and how is the unjust to judge a person before you get to know the situation.
Often heralded as the world’s greatest nation, the United States is also considered home to the world’s greatest authors. Reputable authors such as Fitzgerald, Twain, and Steinbeck remain relevant even through the washing waves of time. One such timeless author, Ray Bradbury, ventured the hazardous path of taboo to write of change. Through his novels of innocent youths evolving into children enlightened beyond their years, Bradbury utilizes the motif of time, innocence, and the philosophical movements of existentialism, transcendentalism, and romanticism to describe catastrophic events the American culture could face if existing destitute judgments continue to prevail. Ray Bradbury dared to reveal his voice.
Herman Melville is an author whose work has been so hotly debated by many people for many different reasons. One of his finest short stories that were criticized a lot was Benito Cereno and this paper is going to focus on racial profiling. He has written a lot and at the center of his most famous work, a juxtaposition of gender in America, an odd scrivener, and his much-discussed story of a slave mutiny in “Benito Cereno”; the meaning behind Melville’s work has remained mysterious. The reason there is so much contention about his work is that Melville was not writing as an all-knowing observer of American society, but as one of the masses trying to define an ever-evolving America. In Melville’s short stories, he used symbolism and characterization to define not only the one-of-a-kind America but also his own feelings of disillusionment and guilt living in a time and a place that he was able to capture beautifully through literature.
In Herman Melville’s mysterious novella, “Benito Cereno”, Captain Amasa Delano observes, what appears to be, a distressed Spanish slave ship navigating into the harbor of St. Maria. Disregarding the opposition from his crew, Captain Delano leaves his ship, Bachelor's Delight, and approaches the foreign vessel, San Dominick, via a whaleboat. In addition to offering water and provisions to the vessel in distress, Captain Delano encounters—who appears to be in command of the vessel—Don Benito Cereno, and his “faithful” negro servant Babo. Throughout the novella, Captain Delano witnesses many suspicious behaviors from Benito Cereno, Babo, and the other slaves on board. Although Captain Delano has mixed feelings about Benito Cereno, in which he often views him as a “paper captain” who has “little of command but the name”, Captain Delano fails to latch onto his intuition of who is truly in command of the ship until it’s almost too late.
The works of Herman Melville and Frederick Douglass are both centered on the topic of slavery. Although both texts are similar in the sense that they focus directly on the theme of slavery, the functions of each work differ drastically. The differences in the works stem from both the style of the text, and the way that this style functions in accordance with the reader. Although Herman Melville’s Benito Cereno is drawn from an actual event, Melville embellishes and alters the event in the style of prose. The prose style used by Melville invites the reader to question the story while understanding that the majority of the work is fictional. The confusion of Captain Delano is brought onto the reader, and therefore engages the reader because of the limited point of view the story is told in. Frederick Douglass’s Narrative of the Life of Frederick Douglass tells of actual events that occurred using twentieth and twenty-first century plain style. This style of writing does not ask the reader to question what he is saying, but feel his emotions as they read the narrative. Although readers may understand both works to be stories about slavery written differently in terms of style, I argue that the way the texts are written sets up the readers interpretation of them. Melville and Douglass differ because Melville’s work invites the reader to think, whereas Douglass’s work invites the reader to feel.
Captain Amasa Delano is an interesting embodiment of white complacency about slavery and it's perpetuation. Delano is a human metaphor for white sentiment of the time. His deepest sensibilities of order and hierarchy make it impossible for him to see the realities of slavery. Delano's blindness to the mutiny is a metaphor for his blindness to the moral depravity of slavery. The examination of Captain Delano's views of nature, beauty, and humanity, allow us to see his often confusing system of hierarchical order which cripples his ability to see the mutiny and the injustice of slavery.
Ghostly representations of “the other” imagine a social evil that has not been put to rest. These images reoccur in the Western canon, marking the persistence of slavery long after its abolition. Haunting, ghosts and skeletons in Benito Cereno act as a vehicle through which the suppressed return to the stage with a message. The ghosts carry with them all that the imperialists wanted to control, including emotions, and more precisely, the emotions of the oppressed. I argue that ghosts and skeletons comprise an area of tension in which the appearance of the “other” reveals that the dominant party’s control is incomplete. Yet, the presence is merely ghostly due to the constant policing and lack of respect for the Other. These ghosts also break through the boundaries of the dominant culture’s paradigms and identities (Harpham 17), signaling potential political crisis. This text signals the fear of the retaliation of the Other through ghostly representations by projecting on to the other, their own identities of brutality and irrationality. “Benito Cereno” by Herman Melville overturns the racist images of the colonized by relocating evil in the order of slavery. Hauntings carry the perspectives and powers of the slaves by preserving the dead amidst the living and the past amidst the present, they muddle up the concept of time and therefore defy the Western dream of complete control.
Herman Melville was born in New York in 1819 so he grew up in a time where slavery was still common and accepted, but in an area in which blacks were treated with much more respect than they were in the south. His father 's relatives could be traced back to a man who was a part of the Boston Tea Party and both his mother and father had relatives who fought with the union in the Revolutionary war (Johnson). Melville had many jobs growing up, including teaching, being a bank clerk, and sailing on a whaling ship, which is what jump started his writing career (Johnson). Many of the stories that Melville writes take place out on the sea and tend to be quite adventurous and unexpected, much like Benito Cereno. This style is more than likely
“A Tale Intended to be After the Fact…” is how Stephan Crane introduced his harrowing story, “The Open Boat,” but this statement also shows that history influences American Literature. Throughout history, there has been a connection among literary works from different periods. The connection is that History, current events, and social events have influenced American Literature. Authors, their literary works, and the specific writing styles; are affected and influenced by the world around them. Authors have long used experiences they have lived through and/or taken out of history to help shape and express in their works. Writing styles are also affected by the current trends and opinions of the period they represent. By reading American
“The greatest writers and the best readers know that literature is not always mere sugar candy;it can sometimes be a strong medicine:sour perhaps-at least to the untrained taste - but necessary for continued health” (1). A statement written by Professor Thomas Scarseth shows how without value in books, a reading life would never reach its intended purpose. By learning to apply knowledge that books provide through characters, we can improve ourselves as individuals. This particular book, Of Mice and Men, has values such as linguistics, sociological value, and historical value. Linguistics are shown through Steinbeck’s use of poetic devices such as imagery and repetition. Sociological value is given through the perspective of Crooks, who shows the struggle of achieving the great American Dream of having a place to call your own. Finally, historical value is provided through racism and how it affected Crooks, or any other black man at the time.
Cultural stereotypes are not often the main focus in literature, however the undertones of these stereotypes shape stories and help us better understand underlying meaning. Identifying stereotypes is not always clear unless one is familiar with the culture that the stereotype encompasses, however when they are identified it gives the reader an advanced understanding of the text. Two literary works, Benito Cereno by Herman Melville and The Yellow Wallpaper by Charlotte Perkins Gilman use stereotypes as a literary technique to deepen the plot, but are used in each story in a particularly different way. Literature is a good mechanism to help explore cultural stereotypes and exploit the positive and negative consequences associated with them. In Benito Cereno, Melville encaptures a typical American sailor who is blindly trusting of others which leads him to be ignorant to situations around him. Similarly, in The Yellow Wallpaper Perkins Gilman uses the character of the ignorant husband to show the harm his carelessness causes his wife, however unintentional. Melville enforces an American stereotype of being ignorant throughout the story to keep readers in the dark with what is actually happening in the story, in comparison to Gilman’s style of displaying an American stereotype of not taking mental illness seriously at the beginning of the story; which could be easily missed. Also, Melville and Gilman use characters in power to convey deeper understanding to the characters.
Moral power held by literature or art has often smashed against some form of material power and censorship. For instance, books against the ideas of the Nazi regime such as Marx’s “The Communist Manifesto” were burnt in the Nazi’s book burning of 1933 and The Bible is currently banned from North Korea. Authors have therefore been pressured into finding a method to avoid the strict restrictions forced by material power. In this paper, I will argue that Philip K. Dick was able to criticize the government and the situation of America in the 1960s, without suffering consequences, thanks to the generation of a time shift in his novel and the construction of a parallel between story and history hence manipulating the line between fiction and reality.
In Herman Melville’s grey novella, “Benito Cereno”, Captain Amasa Delano observers, what appears to be, a distressed Spanish slave ship navigating into the harbor of St. Maria. Disregarding the opposition from his crew, Captain Delano leaves his ship, Bachelor's Delight, and approaches the stranger vessel, San Dominick, via a whaleboat. In addition to offering water and provisions to the vessel in distress, Captain Delano encounters—who seems to be in command of the vessel—Don Benito Cereno, and his “faithful” negro servant Babo. Throughout the novella, Captain Delano witnesses many suspicious behaviors from Benito Cereno, Babo, and the other slaves on board. Although Captain Delano has mixed feelings about Benito Cereno, in which he often views him as a “paper captain” who has “little of command but the name”, Captain Delano fails to latch onto his intuition of who is truly in command of the ship until it’s almost too late.