Raina's Instinct In The Awakening

That job has very little honor in this community. “Three years, Three births and that’s all. After that they are Laborers for the rest of their adult lives, until the day that they enter the House of the Old… The Birthmothers never even get to see new children” (p. 22). Today, some women decide to become surrogate mothers of other women’s babies because of several reasons, such as sympathy for the couples who cannot have children of their own or financial reason. However, to carry other women’s children gives surrogate moms great senses of responsibility. They writhe in not only soreness of body, but also agony of mentality. The psychological pain by giving their babies to other women is greater than that of body. Thus, some surrogate mothers refuse to give up their babies sometimes.

Motherhood was an expected part of the wife’s life. Woman would have a large number of babies right after each other although some babies would not survive. “High mortality rates must have overshadowed the experience of motherhood in ways difficult to

In her story she used the old lady to represent her. The old lady makes a condition with this knight and they get married but he did not want to marry her. While they are married the old lady has these talks with the knight about being a respectful and accepting her as her: “No shame in poverty if the heart is gay, As seneca and all learned say./Lastly you taxed me with being old.Yet even if you never have been told by ancient books, you gentlemen engage,yourselves in honour to respect old age”(290).The knight becomes ashamed of her for all her flaws, but the old lady tells him that this should not matter to him and being a knight these virtues should be obvious to him. She gives him a choice of how their marriage will continue on: “You have two choices; which one will you try? To have me old and ugly till I die, but still a loyal, true, and humble wife that never would displease you all her life, or would you rather I were young and pretty and chance your arm what happens in a city where friends will visit you because of me, yes and in other places too maybe”(291). In this scenario she gives him two choices for the fate of their marriage. He explains to her whatever she wants to do he will submit: “And have i won the mastery? Said she, since i'm to choose and rule as i think fit? Certainly wife, he

He is different from all the other guys that she ever had a bad luck to know, but nonetheless all she wants of him is «a non-pressure bang, once a week, on the sly, with a man who's been through it all and is nicely cooled out.» (p. 40). She plays her role, she satisfies him like no other woman ever before, sho doesn't want anything else from him, no expectations, no feelings, no true relationship, she's becoming his Voluptas.

In the twentieth century, there was much debate on women’s public sexual relationship versus her private sexual relationship. The American society only believed in pure sex, and premarital sex was viewed as a sin. From a feminist’s point of view, there should be no pressure on the woman to reproduce according to the husband’s wishes. The feminists at the time “... were assured that they were sexual beings, but their sexuality was defined by male standards” (341-342). Also, certain situations did not provide the atmosphere necessary to raise a baby.

She gets all the men all hot and bothered meanwhile, she is just cleverly using them up and buying time for Odysseus’ to return and subsequent vengeance.

The article is structured in three parts: “Oedipal Asymmetries and Heterosexual Knots”; “The Cycle Completed: Mothers and Children”; and “Gender Personality and Reproduction of Mothering”.

The modern world is in the midst of reconstructing gender roles; debates about contraception, reproductive freedom, and female inequality are contentious and common. The majority now challenges the long established assertion that women’s bodies are the eminent domain of patriarchal control. In the past, a woman’s inability to control her reproductive choices could come with ruinous consequences. Proponents of patriarchal control argue against reproductive independence with rhetoric from religious texts and with anecdotes of ‘better days,’ when women were subservient. Often, literature about childbearing fails to acknowledge the possibility of women being uninterested in fulfilling the role of motherhood.

The essence of the relationship between a mother and child is a mutual ascendency in regards to identity. Children are subject to an instinctive longing for a mother. It is the mother’s influence that guides them in their process of discovering all the realities the world posses and in that processing discerning their identity. Conversely when a woman becomes a mother the presence of her child causes her to evaluate and develop her identity under the pretense of motherhood. Paula Nicolson touches on the value of both these scenarios in her article “Motherhood and Women’s Lives” where she expresses how the mother child relationship gives the pretense for both parties to find their authentic identities (Nicolson). Sue Monk Kidd evaluates the

“Later that night when Thomas roller over and lurched into her, she would open her eyes and think of the place that was hers” this proves the point that she cannot even express herself sexually because she does not feel as if she has control in the situation.  Her mind wanders elsewhere, in a place where she is her own master, instead of what is reality. Additionally, the main character’s husband shows some selfish tendencies in the fact that he may not notice his wife’s discontentment with his affection.  However, this may also present the lack of communication between man and wife and therefore may cause a sense of isolation from her husband.

What would you do, most noble Empress? LOUKA. I would marry the man I loved, which no other queen in Europe has the courage to do. If I loved you, though you would be as far beneath me as I am beneath you, I would dare to be the equal of my inferior.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her

Unlike her friend, Nora, Mrs. Linde has more freedom to do what she wants, however she is not entirely satisfied. In this culture, a woman’s role is normally to do housework and to raise their children, but Mrs. Linde is exempt from this. She does not have to conform into this picture, but she is not content with her lifestyle until she meets up with her lost love, Krogstad. “I want to be a mother to someone, and your children need a mother. We two need each other.”1 This quote exemplifies that Mrs. Linde is only content with her life when she fits in the role of being a mother and a wife.

Helena is a very desperate and aroused woman who loves Demetrius with her life. Even though she shows a great passion of love for him, Demetrius rejects this and therefore piles another burden of sorrow onto Helena’s shoulders. She is fed up with Demetrius rejecting her, but Helena is not tempted to give up yet.