The first time I ever read this story was actually several years ago. At the time I remember thinking that it was confusing, especially towards the end, and perhaps because Hemingway wrote in a different time period and I was reading it in contemporary society there would be some disconnect. As a result I had to do some background research on the short story. Now, reading it there are several relatable elements, especially during the beginning. It reminds me of a hot summer day, where all you want to drink is something cold like beer, even though you know it will make you more thirsty, the idea of it sounds delicious. The next part where the American man and Jig are bickering with each other about the hills, reminds me of every conversation with a romantic partner that has ever turned sour over almost nothing, and afterward you can't remember why you started arguing in the first place. Then out of nowhere they start talking about her getting an abortion, "just let the air in," (Hemingway 2), and suddenly the setting and the tone of the story make sense. My initial reaction to this part of the story; where the American man is trying to convince Jig to get the abortion without coming off as forceful, and Jig is trying to figure out whether she should do it just to make him happy so he won't leave, or not to do it because she doesn't really want to, is where I got confused the first time around. The language for describing the abortion is quite archaic, and someone not
Wyche disputes all the critics who suggested that the text was either about whether Jig should carry the pregnancy to a full term or have an abortion. Wyche feels that the text was a metaphor representing pain which comes as a result of an end of a relationship between two people. One of his main ideas was therefore to dispute some of the ideas that critics had put forward in the past and bring forward a new meaning to the short story. As Wyche noted most of the critics saw a metaphor of abortion but failed to see that the abortion could also be used as metaphor to mean something else which in this case means the pain of a breakup. By bringing other critic’s point of view into play, he successfully acknowledges what they wrote and their ideas but also presents him with a point to dispute the same. Even if he does not refuse the ideas produced by earlier critics, the author presents a different point of view from whatever was presented before.
Ernest Miller Hemingway is known for his unique style and theories of writing, especially the iceberg theory. In the Death of the Afternoon, Hemingway says that “The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.” (92) Simple words, vivid images, rich emotions and deep thoughts are the four basic elements of the iceberg theory. Talk about how these stories illustrate four elements of theory. In both short stories, Hemingway describes scenery and characters with simple words directly to give readers a vivid image. Under this sketch, readers can know characters’ emotion and get the theme through their imagination and analysis.
“Perfectly simple” is restated a couple of times in the conversation which tells us that out of the two only one wants the child and the other doesn’t want the child (Hemingway). The American man thoughts are not more important than Jig’s. Even if the American man is supporting her to get an abortion it’s still Jigs decision. His opinion does matter to her because she wants his thoughts about what’s best for them and their unborn child. Jig is torn between remaining reckless and carefree and making a family with the man she loves. “‘Because I don’t care about me’” states that she is willing to do almost anything for the American man but is blocked by her mother instinct to protect her child (Hemingway). Jig is indecisive in what she wants because she questions herself and the American man what if questions. “‘I realize…can’t we maybe stop talking’” this tells us Jig finally realizes that by asking a lot of rhetorical questions to the American man she has the answer she needs even if it’s not the answer that she wants (Hemingway).
Although Jig and Sheri were both dealing with the same issue of not wanting to have an abortion, they both interacted with their partners differently. While the American spoke with Jig over some alcohol, he downplayed the seriousness of the procedure. Jig was easily influenced by what the American was telling her and she even said, “Then I’ll do it. Because I don’t care about me” (Hemingway 637). While Jig did not want to have the procedure done, the way she interacted with her partner shows she cares more about his approval than she cares about herself. Also, it shows that when Jig interacts with her boyfriend, she is not willing to communicate her true feelings. Unlike Jig, Sheri is sure of herself and was not seeking her boyfriend’s approval. While Sheri did not speak in the short story, Lane had a vision of her saying, “This is her own decision and obliges him to nothing” (Wallace 258). Lane’s vision of their interaction shows that Sheri is not afraid to
“Hills Like White Elephants”, by Ernest Hemingway, is a short story published in 1927 that takes place in a train station in Spain with a man and a woman discussing an operation. Most of the story is simply dialogue between the two characters, the American and Jig. This couple is at a critical point in their lives when they must decide whether or not to have an abortion. Certain themes arise from this story such as choices and consequences, doubt and ambiguity, and how men and women relate. Hemingway also uses many examples of symbolism in “Hills Like White Elephants”, including descriptions of the surrounding scenery, the hills themselves, and the station where the action takes place.
He tells her that she does not have to have the operation, but tells her it is the best thing to do. The girl begins to think, “And if I do it you'll be happy and things will be okay like they were and you'll love me” (Hemingway 107)? He reassures her that he loves her now. Jig is more realistic about the situation and the consequences in front of her. She knows that she is going to make the ultimate decision, although she is asking for reassurance from the American(Short Stories for Students). The girl also knows that regardless of her situation, their relationship might not work out anyway. The choice to abort or not abort the baby ultimately leaves her with the same consequence: life without the American.
Enerest Hemingway’s short story titled Hills Like White Elephants, is a story that may seem as simple and plain as if not much is going on. However, the story is actually very intricate; the author was able to say a lot without using many words. The story is about a conversation between a man and girl who are waiting for a train in Spain. The couple are both distressed about how they should make a decision of whether to keep their baby, or terminate the pregnancy. Hemingway is able to say indirectly that the conversation is about abortion with clearly stating it by using literary elements. Some of the elements Hemingway uses are ones such as symbols to show different meanings for concision, irony to talk about something complicated in a clear way, and he uses an objective 3rd person point-of-view to make the reader feel as if he or she is observing the event themselves. This story is a great way to show how one can tell a story in a simple and economical way to reveal something very complex.
To conclude, the epic use of words relating to different, more complex ideas, the author of this story, Ernest Hemingway has amazingly delivered a message for readers that is appraisable about classifying the characterization of the two characters, Jig, being a typical ‘bitch goddess’ who is a sympathizing character and the American being a typical man, who cares about what he wants in life and evades the fact of getting into fatherhood with his expected baby.
“Jig” is a young, modern woman who is faced with the decision of prolonging her freedom and the stability of her relationship or accepting motherhood and the responsibility that comes with it. It is not to say that motherhood is a prison; it is that motherhood would be the death of everything she loved, mainly travelling, and the very stability of her relationship with her lover, “the American”. “The American” says, “‘That’s the only thing that bothers us. It’s the only thing that’s made us unhappy.’” (Hemingway 115) which unequivocally shows that the center of conflict inside of their relationship is the presumed pregnancy.
In “Hills Like White Elephants” by Ernest Hemingway, the author utilizes various fictional elements to provide his readers with the information necessary to further explore and discover the depth of the short story’s significance. The story is set up as a dialogue between two characters, the American and Jig. The American has gotten Jig pregnant and the two are debating on whether or not to keep the baby, and inevitably become parents, or have an abortion and try to rehabilitate their relationship. Having to make a decision will have an impact on each of the characters and their lives, but most importantly Jig. Through setting, symbols, and characterization, Hemingway provides his readers with the essentials needed to effectively analyze how Jig’s character transforms from an accommodating young girl into an independent woman with maternal instincts as a result of the couple’s unplanned predicament.
From the beginning of Hemingway’s “Hills Like White Elephants”, Jig has been a character of mystery, even until the very end of the short story. During the American’s and Jig’s whole conversation, it seemed as though everything was uneasy; and that’s because it was. The whole text was a conversation about the American wanting Jig to abort her baby during a time when abortion was still fairly new.
Just by scraping the surface of the story, it is obvious that the man is trying to sound clear headed and knowledgeable. The author writes more terse sentences for the mans dialogue which in the right context shows how grounded he is; on the other hand, the girl talks with a more friendly tone(Holladay). The man does this deliberately because if he sounds more knowledgeable, he will hold more power over Jig. From his perspective, it is crucial that he holds power over her since he wants to convince her to abort the baby so that they can go back to their old lifestyle. On page 4, Jig asks the man if he would “please please please please please please please stop talking.” This sentence is spoken as if a question, however, it is meant as a command. This adds to the reader's perception of Jig as having less power than the man(Link). Since the decision to keep or terminate the baby is so difficult, it is likely that Jig will listen to any voice that seems reasonable. Judging by pieces of conversation the man has with Jig like “‘It's really an awfully simple operation, Jig," the man said. "It's not really an operation at all." The girl looked at the ground the table legs rested on. " I know you wouldn't mind it, Jig. It's really not anything. It's just to let the air in(Hemingway).’" and
The conversation between them begins as a thinly veiled, simple and shallow one, with each being quite sarcastic at times. With little or no emotion, the American tries to convince the girl that an abortion is the right choice for her to make, under the circumstances. When pressed for confirmation that he will continue to love her after such an operation, the American continuously stays uncommitted to anything except that the procedure is safe and should be her act of choice. The girl looks for any word or gesture that would symbolize real love or anything deeper than just a casual relationship between them, though finds none, so the apparent disappointment continues to prevail in her attitude. At one point he becomes very condescending "Come on back in the shade," he said. "You mustn't feel that way" (para. 83). The significance of this conflict is that the American really seems not to love the girl, though he tells her he does. He also repeats several times that she does not need to go through with the abortion, if she prefers not to, though he never commits to raising a child with her. This sets up conflict within herself emphasized by Jig declaring she will not care about herself any longer "Oh, yes. But I don't care about me. And I'll do it and then everything will be fine"
The couple must choose a path to take and deal with the consequences of that choice. In this time period abortions were rarely heard of. Because of the lack of knowledge of abortions in this time period, the decision becomes much harder for the couple to make. Jig is afraid of what
The short story "Hills Like White Elephants" morphs into a desperate story of a woman socially dependent on an American man if the story were to unfold in the eyes of Jig herself. It's insinuated that she's bearing the child of the American man who pleads for her to have the "awfully simple operation" that "lots of people have done" (331). If the story were in first person for Jig, she would show the reader her anxiety about undergoing an abortion and the possible ramifications of the procedure. It's inferred that both of these characters never received ample sex education, and that during this time period contraceptives were seen in a negative light.