I attended a live classical music concert on October 11th, 2017. The concert was held in the Art Gallery at Marlboro Hall and was a piano trio. A piano trio is an ensemble that typically includes a piano and two other string instruments. The piano trio in this concert consisted of pianist Hyeeun Hahm, violinist Benedict Sin, and cellist Pecos Singer. They performed four selections, “Trio Op.1, No.1” by Ludwig van Beethoven, “La Calesita” by Mariano Mores, “Milonga” by Alberto Ginastera, and “La vi Llegar” by Enrique Francini. Beethoven’s composition, “Trio Op.1, No.1,” will be the composition discussed for the rest of this paper.
All of the instruments that were present played in “Trio Op. 1, No.1.” This specific selection was chamber music. Chamber music is music that is meant to be played in a small room by small orchestra or ensemble. This type of music is usually separated into a fast movement, a slow movement, a dance-inspired movement, and a final fast movement. “Trio Op.1, No.1” has a fast movement, titled Allegro, a slow movement titled Adagio Cantabile, a dance-inspired movement titled Scherzo, and a fast movement titled Finale. This piece was also in sonata form as it had an exposition, a development, and a recapitulation. None of the compositions in this concert featured a composer. Instead, all of the performers worked together to make sure each of their parts were heard equally.
“Trio Op.1, No.1” was published by Beethoven in 1795. It was dedicated to and
The Concert opened with “String Quartet in F Major” by Maurice Ravel. The piece was divided into four movements. The first Movement, Allegro moderato - Très doux, sets the tone for the entire piece. It opens in a warm, inviting tone played by all members of the quartet. Then, it immediately leads into somewhat of an exciting climax, with the first violin taking control and the other three instruments playing similar harmonies, but quickly the music quiets. This same, quick intensity transforming to a slower, quiet melody is continuously repeated throughout the entire first movement. The second theme presented in the opening
The evolution of the Sonata form in the Classical period and the Romantic era gave composers a platform to encourage and indulge their curiosity. Theses composers took a form an exploited it as limitless. They introduced new elements that combined the classical and romantic era bridging them like star crossed lover’s. In this essay, my aim with this paper is to present how one of the greatest forms in music inspired genius throughout the classical era and beyond.
For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see
I chose the genre string quartet and attended a concert at First Presbyterian church on October 19th, 2014. Because of its location the sanctuary where the concert took place had many stained glass windows. It was marvelous and in my opinion well suited the feel of classical music. The audience was very responsive and attentive. They applauded when the musicians appeared, in between pieces, and at the very end. They were quick to join in the sing along portion of the concert. Overall the people attending were an older crowd but you could tell they truly appreciated the music. The concert’s duration was around an
Dr. Carol Williams’s organ plays were just fantastic. Despite the fact that seeing the instrument called, “organ” was my first time, it was pretty impressive how that instrument worked. All the pedals and the three layers of keyboards were just as complicated as a calculus math problem. The concert was played at the Spreckels Organ Pavilion at Balboa Park. The surrounding was not too bad. Although the concert day was Sunday, it was quite crowded. Besides the crowdedness, the surroundings were not too rough. All ages were welcome to seat and enjoy the sounds of organ. I saw mostly old aged audiences and I saw a little amount of college aged audiences with the music report information on their hands.
The music played throughout all of the concerts adhered to be diverse. The instruments, the individuals performing, and the conductor all proved to be outstanding. The concerts proved to be interesting as I witnessed them, first hand.
When the concert first began, the three instrumentalists walked with energy despite their age. The first song, “Sonata I in G-Major Op. 2, Nr. 1” by Michel Blavet, was a Baroque Sonata. There were five movements and was played by the harpsichord, flute, and cello. All movements of the song were polyphonic because of the three instruments that had different parts and equal importance. In the first movement, I noticed that the flute tended to rise in pitch. In the second movement, I noticed that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to slow and the flute would usually take the lead. On the last movement, the cello and the harpsichord
Musical Time Period: As far as the musical time period we haven’t covered the Classical era yet in class. However, new developments such as Mozart’s daring harmonies and the rise of opera music were characteristics new to the classical era.
This afternoon at 12:30, I went to the listening hour, a free noontime concert, at the Music Building. The concert of the day is SJSU Saxophone Studio and Dr. Victoria Lington’s Saxophone Ensemble Concert. Since it is just a one-hour noontime concert, most of the students there just where their t-shirts and jeans to the concert. The SJSU Saxophone Studio students have played six pieces of music in one hour. They began the concert with Sonata no.3 composed by George Frideric Handel (1685-1789). The second piece is Quartett (Allegro de Convert) composed by Caryll Florio (1843-1920). Then the third piece they played is Saxophone Concerto. After that, they played Premier Quartet op. 53 that composed by Jean Baptiste Singelee and Cello Suite No.1 BVW 1007 that composed by Johann Sebastian Bach. The last piece is Rondo, composed by Zdenek Lukas (1928-2007). All of the music performed today is classical music. Only the first and third piece play by alto saxophone with piano accompaniment. And the second, fifth and sixth piece is quartet that include soprano, alto, tenor and baritone. At the concert, I think I am a referential listener. I would think of a scene when I heard the music to understand the music and its mood according to the dynamic changing. For example, in the piece of Premier Quartet op. 53, I would image that people are dancing in the ballroom. When I heard the slow tempo, I think that people just began to dance or have the rest during dancing. When I heard a
On the 5th of December, I attended my second concert in Cypress Recital Hall. It was an amazing experience. I got to fully appreciate the sounds of the violin and the piano. Erika Salas, played the Violin accompanied by Yoko Mizuno, Doris Wang and Michael Cooper each individually performed a different piece on the piano. The first song was Sonata in D major HWV 371 by George Frideric Handel and performed by Erika Salis and Yoko Mizuno. The structure of this sonata was made up of four movements. Affetuoso feeling, tenderly, Allegro lively, fast, Larghetto slowly, steadily, and Allegro energetic, fast. Each section had a specific form the first movement reminds one of a slow symphony. The Allegro is written in a fugue, polyphonic style. The
On Thursday April 25, 2013 , I attended a jazz vocal concert at the Music Concert Hall. The first vocal ensemble opened up the performance with a slow rhythmic song called Blue Skies. It began with vocals and I noticed a light auxiliary percussion and drum rhythm. Also, the bass guitarist used walking bass and the piano and electric guitar joined in as well. The first song also consisted of two soloist Regina and Chantel who took the front stage to show off their chops. After the solo performances they fell back into the vocal sections and finished off the song as a complete band. The second performance had a piano opening which led to vocals joining in at the same time as the rhythm section. This performance
This semester I have experience many live musical performances. Some of these performances have let me down but for the most part, these performances have been everything I ever expected. My two favorite performances this semester were Festival Vallenato and Ultra Music Festival. Although these two types of music are different in every way possible, the people and the performers are exactly where I feel I am in the right place.
As we all waited in line to go into the concert there was a thrill of
For my second concert report I thought that I would write about my only experience hearing songs of the Beatles live. The Rib America Festival was hosted by The Beatles Live Repertoire. The group dressed exactly like the Beatles, even had the same names, John, Paul, George, and Ringo. I had never heard any Beatles songs live before, so that was enough to get me off my butt. Not to mention, it was free entertainment, not a bad time at all.
This afternoon, I went to the music concert hall where is located in the music building for the listening hour, a small noon-time concert which is performed by the staff and students from the music majors. Since it is a free noon-time concert, most of the audiences just wear the t-shirts and jeans to the concert. Dresses are not required for the concert. The performance today is given by the Ananda Jazz Ensemble. They have played “Running Away”, composed by Bob Marley; “Madalena”, composed by Ivan Linz; “Conejitos y Ananda”, composed by Abi Romero; “La Bikina”, composed by Ruben Fuentes; and “Chukaro”, also composed by Abi Romero. Because this is a Latin Americdan Journey, all of the music performed is jazz music. All pieces played in the concert are an ensemble of piano, bass, and drums. During the concert, I was trying to be a perceptive listener; I enjoyed the music with concentration and paid attention to the music’s unity and variety, such as the dynamics and tempos. I also tried to associate the music with a picture when I listened to it and understand the emotion in the music.