Rembrandt's Christ On The Sea Of Galilee

Chapter 1. 1995(?): in Pennsylvania, math teacher Cornelius Englebrecht burns the painting in his fireplace; 1942: in Amsterdam, from the Vredenburg home, German soldier Otto Engelbrecht loots the painting, hides it, and absconds with it to America.

This essay will analyze, The Calling of St Matthews, an oil on canvas painting made between the years of 1599-1600 by the artist, Caravaggio. Descriptive details of this painting will follow, which will allow an in-depth look into the elements and principles of design that are evident in this Caravaggio’s work. The Calling of St Matthew illustrates a religious scene where Jesus initially encounters Saint Matthew.

The Icebergs is an incredible piece which I believe has almost every single element of art to give it its glorious touch of life. It was created by Frederic Edwin Church in 1861. The medium used by Church is oil on canvas, and the element of art that really caught my eye while looking at this painting is texture. Church did an incredible job giving the paint a texture which gives the effect that the piece of art is 3 dimensional. The almost rough texture of the icebergs give an illusion that the viewer is not looking at a painting but it almost makes you feel like you are standing right inside the image looking at the real amazing view.

Upon entering the room, visitors’ eyes dart to that mysteriously empty frame centered on the opposite wall. In such a painstakingly designed museum, this frame looks out of place. On these walls hang the memoirs of revered artists, but the empty frames scattered throughout remember something more tragic: the largest property theft in world history (Menconi, 2012). Head of security at the Gardner, Anthony Amore, refers to these empty frames as “placeholders, not memorials” and urges visitors to see them as a “testament” to their belief that they will reacquire the stolen paintings someday (Menconi, 2012). Whether they do or not, the 1990 Gardner theft greatly impacted

Les Choristes was first released in 2004; directed by Christophe Barratier. Produced in Germany, Switzerland, and France. A French film that includes the battle between troubled children, and the headmaster Rachin. And others involved whom reside within the building known as the "Bottom of the Pond." Between all chaos and resentment; something inside the children sparks a passion for music thanks to a new supervisor named Clemente Mathieu. By far my favorite scene in the film I watched on June 22, 2017; will be when Clemente Mathieu focuses his attention on one particular child named Pierre Morhange. I found the song "Vois Sur Ton Chemin"; sung by Pierre Morhange, and the rest of the choir in the film Les Choristes breath-taking. I was simply fascinated due to the discovery of a troubled child who possesses such talent buried within him (p.4).

Christian symbolism, especially images that refer to the crucifixion of Christ, is present throughout The Old Man and the Sea. During the old man’s battle with the marlin, his palms are cut by his fishing cable. Given Santiago’s suffering and willingness to sacrifice his life, the wounds are suggestive of Christ’s stigmata, and Hemingway goes on to portray the old man as a Christ-like martyr. As soon as the sharks arrive, Santiago makes a noise one would make “feeling the nail go through his hands and into the wood.” And the old man’s struggle up the hill to his village with his mast across his shoulders is evocative of Christ’s march toward Calvary. Even the position in which

human body and architecture of two- dimensional surface in the 1400s. Horizon line, vanishing point and parallel lines are the system to linear perspective. Objects are smaller to represent depth, smaller objects are back into space and larger objects are bigger. Also using shadowing to create an illusion of depth. A great artist was Masaccio, who began to explore the idea of depth and volume in their art. Masaccio painted his fresco of the Holy Trinity in 1424. The title come from the three religious figures: Christ of the cross, the holy spirit and God the Gather standing behind Christ. God the father is standing behind Christ, we would traditionally

Kehinde Wiley, African American painter exclusively working in portraiture, creates gigantic works of art displaying african americans fused into iconic works created by the masters of art; Andrea Mantegna, Peter Paul Ruben, Jacques Louis David and many others. His process of selecting his muse in his paintings are scouring throughout the streets of Brazil,China, Israel and New york, starting conversation with people he finds interesting, these civilians are the ones Wiley chooses for his models. After the photoshoot he has hundreds and hundreds images and narrows them down to fifty, fifty go fifteen. He matches them up with historical backgrounds, wallpapers and textiles and they will become the paintings for his show.

Van Gogh got excited over the look of these trees and painted them. Some of his paintings of the trees represented life, others represented how he felt about Christ in Gethsemane, and others represented a combination of both of these things. An example of an art piece that had a lot to do with religion was Olive Trees with Alpilles in the Background (Fig. 6). This piece was painted with Christ in Gethsemane in mind. He wanted to create a piece that used a more purer and serence sense of nature without using religious imagery. With this piece “he wanted to show it was possible to paint the meaning of Christ in the Garden of Olives, the garden of Gethsemane where Christ prayed the night before his crucifixion, without aiming straight for the historical Garden of Gethsemane.” Vincent had done religious paintings before, he actually painted Christ in the arden of Olives twice before, but both times he decided not to paint the images of Christ since, as he said in a letter to his brother Theo, he did not want to “do figures of such importance without a model.” Van Gogh actually had begun to avoid doing religious work around this time for both aesthetic and moral reasons. Van Gogh had rejected what he believed to be his parents’ narrow religionious views and went for a much different view, one where life itself almost didn’t seem to matter of have purpose, something close to Nihilism. Vincent instead tried to find meaning in the cycles of nature and how they related to the

In the early morning hours of March 18, 1990, a pair of thieves disguised as Boston police officers entered the Isabella Stewart Gardner Museum and roamed the Museum’s galleries, stealing thirteen works of art. The stolen works are valued at $500 million, which made the lottery the largest art theft in American history. There were 14 pieces of art that was stolen on the March 18, 1990. There is a reward of $5 million for information leading to the recovery of these works in good condition. No one has found out, it has been 25 years of theories as to what happened.

In Thomas C. Foster’s How to Read Literature Like a Professor he outlines the importance of a christ figure in a novel and eighteen important traits that can be used to identify a christ figure in a novel. In Ken Kesey’s One Flew Over the Cuckoo’s Nest many of these traits are seen in the character Ronald Patrick McMurphy, a man who pretended to be insane to escape his sentence at a work farm, because he believed the hospital would be easier. Although he is at first sight a physically intimidating man, he is often looked at as a role model by the other patients in the hospital. The three conditions in the novel that make McMurphy an undeniable christ figure are he was crucified, He was followed by twelve disciples, and his rare normalcy allowed him to be a savior in a dysfunctional setting.

Michelangelo's David is a timeless sculpture that some may argue is one of the most famous artworks in history. The 14 ft. Tall marble statue of the biblical figure of David, this massive carving took place from 1501 to 1504, the statue was originally created for the cathedral of Florence but in 1873 was moved to the Galleria dell'Accademia in Florence. My contemporary artwork is 'Map Of Truths And Beliefs' by Grayson Perry which was created in 2011. This 290 x 690 cm acrylic, wool and cotton tapestry was created " to make a sort of altarpiece, a map of heaven..." Both of these artworks are the modern day (of their times) interpretation of what values, attitudes and visual conventions are accepted and embraced.

a Saint, which is a rarity in religious works of art. The saint who he

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

Art is an important factor in most cultures. It is a way to communicate and convey meaning. Art is an important part of religion because it is a form of symbolic expression and all of the members of a particular religion are familiar with the symbolism of the artwork. An example of visual art in religion would be the painting, the Last Supper, by Leonardo da Vinci. It is a well-known painting, containing many symbols from the Christian religion, depicting the last supper of Jesus Christ before he is crucified. Verbal art can take on many forms including poetry, narratives, dramas, riddles, stories and legends. An example of how verbal art is used in religion would be the use of tales or stories that