In the 1400s, was one of the most important piece was the Old Hall Manuscript because it is the largest collection of English polyphony, containing mostly Mass movements and motets (varied vocal compositions). The most extraordinary contrapuntal achievement of the 1400s was the Missa Prolationum, by Johannes Ockeghem (Simms et al.). The most important Franco-Flemish composer is Heinrich Isaac because of his vast knowledge in his secular and sacred music, such as Choralis Constantinus and Innsbruck ich muss dich lassen (“Heinrich Isaac...:”). Tablature also developed during this time, which directed a performers’ fingers to a specific spot on an instrument, as well as intabulation, which was a piece of music notated in tablature and specifically for certain solo instruments such as lutes (a pear-shaped instrument with six sets of strings called courses) and keyboards. By the 1500s, the number of organs in churches was two and the most popular instrument was the lute. Consorts (groups of instruments from same family that played together) and broken consorts (instruments of different families that played together) were used in performances. The prelude also made its’ debut, which was a preliminary piece that comes immediately before and introduces the main musical event. The 1500s was the middle of the Renaissance era. The most popular genres of vocal music were: chanson (songs), madrigals (secular, vocal compositions), Masses, and motets. In the late 1500s, Queen Elizabeth
Blanche Gangwere, Music History During the Renaissance Period, 1520–1550. Westport, Connecticut, Praeger Publishers. 2004, Pg. 52
Both Haydn and Beethoven are known as two of the greatest classical/romantic composers in the history of music. Haydn is identified as the father of modern symphony, as well as the father of the string quartet. He has played an essential role in developing the piano trio and the sonata form. Beethoven is also a widely recognized composer in Western music, his style joined the lull between the Classical and Romantic eras. Beethoven traveled to Vienna when he was young to study under Haydn. However, due to disputes and differences between the two composers, lessons only lasted for a little over a year. The teachings, if only for a short period, left a mark on Beethoven, and can be observed in his compositions.
The Classical period of music has also been called the “Rococo” period. The Classical time period was between the 18th and 19th centuries. Spanning the years of 1750-1820. The transition from the Baroque period to the Classical took the music from polyphonic to homophonic where even though it seems like that would make the music less complex we look at a whole different type of complexity. The music typically contained two different melodies and a contrast in sections. This made the chords in the music much more defined and the tonal part of the music became more defined. The Classical period had a significant influence on several aspects of music. Chamber music had a sonata form. This means it had an exposition, a transition, and a recapitulation. Composition in the Classical time was mainly dominated by eclecticism which made the music more diverse. Concerto was driven at first by the Italians. They started the idea of the solo concerto. Orchestration was mainly developed during this musical time period. This is partly due to some of the most talented musicians that lived during this time. They did a lot of work in making the orchestra mainly string instruments. Some of these being the violin, viola, cello, and the contrabass, just to name a few. All of these things had a great influence in the way the music made the transition from the Baroque period to the Classical period.
2. Name two important writers of literature (not musicians) from the Classical Period. ( 1 point)
The Renaissance period, from 1450 A.D. to 1600 A.D., comprised of two main types of music, sacred and secular. In comparison with the Medieval period, where music was usually reserved for church purposes, the Renaissance period allowed music to expand beyond the church into upper aristocratic society. Sacred music included motets and mass, while secular included madrigals, instrumental and dance music. Motets initially came about during the late Medieval period, but grew sizably during the Renaissance,
From 1400 to 1600 A.D., the Renaissance was a period of a rediscovery of Greek ideals for musicians to explore possibilities of their art. It was during this time that ideas were able to better circulate, because individualism began to increase, and the printing of music helped to preserve and distribute musical ideas (History). Also, as opposed to the medieval period, the Renaissance began to expand upon the type of sound that was created by adding the voices of women in choirs, as well as expanding instrumental music. The texture of music also began to change, with homophonic and polyphonic compositions. Sacred vocal polyphony was used rather than monophony in the form of masses and motets, while secular pieces also included madrigals and songs. Instrumental pieces usually were short during this time, and were for dancing (History).
Answer:Before the Renaissance, music was very simple. There only basically three instruments, the 6 stringed lyre, wooden flutes or pipes, and various drums.
The two composer that I pick are Edgar Varese and Carolina Shaw. I will discuss and describe how their music differs in approach both to each other as well as to Johann Sebastian Bach composers of the past.
This thesis aims to explore the life of Johann Sebastien Bach (1685-1750), and his contribution to European classical music. Bach was a German composer and musician of the Baroque period. To this day, he is widely acknowledged as one of the greatest composers and musicians of all time. Bach is known for his talent in playing the organ, and the extreme complexity of his works using counterpoint, motifs and harmony. His catalogue boasts over a thousand pieces, from cantatas, motets, lute pieces, four part chorales, to chamber music, orchestral works and canons.
•Figured Bass—a system of numbers placed under the music—was developed to indicate clearly the harmonies that should be played with each note indicated in the bass line. The figured bass was typically realized—performed—by the harpsichord.
Music played a large part in the Elizabethan era. It was an important form of entertainment and was favored by Queen Elizabeth. Court music was considered to be the most unique and broad style of music at the time. Elizabethan court music was a refined style of music specifically used in the courts of Queen Elizabeth. Court instruments were a main part in court music.
3. Medieval and Renaissance culture varied in many ways, aside from the differing music. In the Medieval age (the time between the 5th and 15th century), the church controlled many things, not only music. The church was in charge of education, the church also dominated politics. People very much feared God. Whereas in the Renaissance (15th and 17th century) the state ruled over the church. People in the Renaissance believed that God wasn’t some fearsome being, instead they believed more in logical and practical thinking.
The motet was one of the most important forms of polyphonic music from 1250 to 1750. The Italian mottetto was originally a profane polyphonic species of music, the air, or melody, being in the Tenor clef, taking the then acknowledged place of the canto fermo or plainchant, theme. It originated in the 13th century resulting from the practice of Pérotin and his contemporaries in Paris. The term "motet" can be translated as "the word of movement". Sometimes two upper voices had different words. In the beginning, Latin texts involving topics of the Virgin Mary were used. Later, French secular pieces became common due to the fact that the motet terminated its connection with church and liturgy.
Composer Howard Goodall looks at the extraordinarily productive musical period between 1650 and 1750, in which many of the musical innovations we take for granted today were invented. The orchestra; the overture, which led, ultimately, to the symphony; satisfying chord sequences, which gave music a forward momentum; modern tuning, which, for the first time, allowed composers to move from one key to any other they chose, and for different instruments to easily play together; the concerto, the oratorio, and, not least, the piano. In an age when Newton put in place the basic laws of science, musicians did the same thing in music. No wonder, in an age that also saw great advances in clock-making, that much of the music of this period sounds like
In 1600 a new style of music began to evolve, this form of music was