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23 July 2015
Reputation as extremely important thing for some of Shakespeare’s characters. What Shakespeare might have been communicating to his audience about it? Reputation is something which always have place in our world. It was present many thousand years ago as well as will be present in the far future. A lot of writers choose this topic for their masterpieces as one of the most important problems during people’s life. And such writers don’t play a wrong card. We may consider this problem as “eternal” one, every person ran into it at least once in life.
Shakespeare lived during Elizabethan era, and person’s reputation and status of that time played extremely important role in life of society. There were privileged and non-privileged people. Speaking about women, they had fewer rights than men; some men even treated them as their property. If we want to characterize Shakespeare’s attitude towards reputation it is very important to mention circumstances of the time he lived. Shakespeare also had strict position towards women’s discrimination. Very often he underlined it in his works showing women as clever and wise people, who just suffer because of unfair attitude towards them.
We may speak of reputation taking into considerations two Shakespeare’s masterpieces Othello and Much Ado About Nothing. These two works are
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Othello for the Venetian Senate exists only in incomplete his form in the rough profile of a mercenary. Othello vaguely knows his position, his spiritual disorder in Venice, it is heard from some of his comments and a little ironic - not only on stage but also by Othello it is felt, that his relationship with a republic is only commercially careful
When the play begins, Othello is introduced as a military leader and a Christian, both characteristics of a noble "Venetian." According to Bell: "
Shakespeare's works have persistently influenced humanity for the past four hundred years. Quotations from his plays are used in many other works of literature and some common phrases have even become integrated into the English language. Most high schoolers have been unsuccessful in avoidance of him and college students are rarely afforded the luxury of choice when it comes to studying the bard. Many aspects of Shakespeare's works have been researched but one of the most popular topics since the 1960s has been the portrayal of women in Shakespeare's tragedies, comedies, histories and sonnets.
Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through
Some critics and other readers of Shakespeare's plays argue that he treats women with disrespect. However, he actually treats them with a great amount of respect. Shakespeare has been criticized by many modern writers for his portrayal of women.
Before someone has the ability to analyze a female character in one of William Shakespeare’s works, one must take into account Shakespeare’s views on feminism, as well as how females were viewed in the time period. Is Shakespeare teaching us that women have no greater value than a breeding mule, or that women are truly property, simply to be owned by men? Obviously Shakespeare’s opinion is that women are inferior to men, seeming that his views are clearly portrayed by Helena’s character in A Midsummers night’s dream.
William Shakespeare constantly filled his plays with cultural and mythological references that engulfed viewers in the story. He was well educated and progressive for his time; however he still had a few downfalls. His main one was that he often portrayed women as objects. Take Othello, for example; Desdemona is rarely seen as a person and often referred to as an object. Thus Shakespeare portrays women as mere possessions and deprives them of their humanity.
Othello is the Cultural Other in Venetian society, and while he is very learned, it is probable that
Imagine living 400 hundred years ago and you were thought less of a man. Man that would be hard for us 20th century girls! During the time of Shakespeare women were be seen as the weaker sex. They had little control over there destinations and always depended on males. Men on the other hand were seen as tough beings and expected to take care of everything. Shakespeare's prove these gender roles wrong throughout his writings. One of his writings is Macbeth. All through this play women were looked as fragile and insulted each other not being manly enough. Over all Shakespeare saw women as extremely powerful beings even if society neglected them. He act knowledge them throughout his work and proved they were not always scapegoats or the tools
Othello is introduced at the very beginning of the story as someone with high social standing. He is also very popular with the people he looks over. Not only is he a general and commander of the Venetian armed forces, he later becomes the governor of Cyprus, a very prestigious honor. Cassio states that the people of Venice “sent about three several quests”
The settings establish the mood and tone of the act. The play's opening setting of Venice symbolizes the sophisticated, wealthy, and civilized world. This is later juxtaposed by Cyprus, an isolated military outpost composed of uncivilized, uncultured people. In Venice, Othello's diction is calm, intellectual, and respectful as displayed when he addresses the Senate in Act I, scene 2: "'Most potent, grave, and reverend signiors, / My very noble, and approved good masters.'" He displays his faith in Desdemona: "'If you do find me foul in her report, / The trust, the office, I do hold of you / Not only take away, but let your sentence / Even fall upon my life.'" However, once in Cyprus he becomes angered and short tempered and strikes Desdemona. Lodovico, a relative of Brabantio, then remarks "'My lord, this would not be believed in Venice,'" signifying the contrast between Othello of Cyprus and Othello of Venice.
Venice was a powerful and wealthy city-state in the early 17th century. The habitants of it were seen as elegant but decadent. Shakespeare uses the setting of Venice as a tool to enhance the characterisation of Othello. Othello is not Venetian and this makes him feel and appear as an outsider. He feels conscious of the fact that he may not be able to understand the subtleties of Venetian culture, this leads to him feeling uncomfortable and defensive. Although Othello is not at ease he is still viewed favourably by the Duke of Venice
It is true that the majority of women in the 17th century were housewives (Lambert). However, in Shakespeare’s eyes, this did not translate to inferiority of women. Instead, he believed that society’s flawed thinking was both unjust and dangerous. He saw women for what they were worth: humans capable of performing and becoming something everyone else could. Regardless of their genders, woman could be just as assiduous, shrewd, and vindictive as their male
The opening act of Othello establishes that Othello takes an important position in Venice that gives him high status and the privileges that come from it. However,
William Shakespeare is known to be the “greatest English-speaking writer in history” and an England’s national poet, actor, and an extremely successful playwright. During Shakespeare’s acting career in London, he started writing all about “European geography, culture, and diverse personalities (History.com).” Willm Shakspere or William Shakspeare, as written by him, then went on to write plays. His first three plays were all created around or a little before 1592 and captured the core studied categories; tragedy (Titus Andronicus), comedy (The Two Gentlemen of Verona, The Comedy of Errors and The Taming of the Shrew), and history (Henry VI trilogy and Richard III). He wrote plays and sonnets for many theater companies, was one of the main playwrights for the Lord Chamberlain’s Men, which was renamed the King’s Men when James I was in charge, and formed the Globe theater in 1599 with other partners. Shakespeare’s unique language, themes, verses, format, characters, and plots makes his writing universal to every culture and time period. Shakespeare is still taught in school nowadays due to its’ educational and transitional purposes. Shakespeare continues to influence modern-day life and I believe will for a long time to come.
Shakespeare and the members of the Elizabethan era would be appalled at the freedoms women experience today. The docility of Elizabethan women is almost a forgotten way of life. What we see throughout Shakespeare’s plays is an insight into the female character as perceived by Elizabethan culture. Shakespeare’s female characters reflect the Elizabethan era’s image of women; they were to be virtuous and obedient and those that were not were portrayed as undesirable and even evil.