Response To Her Book

The absence of meaning in both Carroll and Lear’s poems is significant, even though it may seem like the opposite. When reading these poems for the first time, the reader may be

Throughout the poem, the speaker uses specific details that show the conflict between the speaker’s son and his parents. In the first stanza, the speaker recalls exchanges of dialogue between the speaker and his or her son. For example, the speaker’s son exclaims, “I did the problem / and my teacher said I was right!” (Nye 3-4). The child validated his teacher’s opinion but ridiculed his parents’ opinion. This is further explained through more details in a later part of the same stanza. The mother explains how the son believed his parents were “idiots / without worksheets to back us up” (Nye 9-10). The speaker’s son had entrusted his teacher and thought of his teacher as highly intelligent, but believed that way because of foolish reasoning. In addition, the speaker lists examples of minor mistakes the parents made that caused the son to be embarrassed of them. Through distinct details, the speaker describes how the son’s “mother never remembers / what a megabyte means and his dad fainted on an airplane once / and smashed his head on the drinks cart” (Nye 10-12). By choosing to include these particular details, the poet outlines the foundation of the conflict between the son and his parents.

The poet uses many metaphors, repetition and morbid diction to illicit the response I had to this poem. Firstly, Butson compared the emotions and internal struggles of a

Plath starts her poem out negatively, ‘barely daring to breathe or Achoo’, with a distinct repetition of the ‘oo’ sounds in ‘Achoo’, ‘do’, ‘shoe’ and ‘du’ creating a childlike, nursery rhyme style of delivery that contrasts greatly with the violent and dark themes. Harwood begins on a significantly more positive if wistful note, ‘forgive me the wisdom I would not learn from you’ positioning her mother as a wise and positive influence. The tones of the poems are very different, as shaped by the poet’s experiences with their parents, with Harwood creating an affirmative, loving description of her relationship with her mother while Plath develops a much darker and sinister view s.

A deeper level is achieved in the mind of the narrator when she acknowledges her own mental state and that she is eager to leave her sad mood. While the man is described as animal-like and savage, she stands “In moody sadness, on the giddy brink” (9) full of contemplation and reflection on her own worldview. The poet is quite self-aware while the lunatic is not, and through her intelligent banter, the reader can see the extreme difference in personality. The poet’s own self-conception, however, is ironic in that she is wishing for ignorance that can only be achieved by lack of a self-concept. The catch-22 she experiences is perplexing, both to her and the reader.

Edna St. Vincent Millay’s sonnet, “I, Being Born a Woman and Distressed,” serves as an excellent example of a multi-faceted piece. From one angle, it is simply a Petrarchan sonnet, written with a slight variation on rhyme scheme – but that variation, taken deeper, reveals new layers of meaning. Added to Millay’s choice of meter and end-stop, along with a background of Millay’s person, this sonnet seems not so “simple” after all.

“Thou ill-form’d offspring of my feeble brain” (1) is the auto diminishing way in which Anne Bradstreet starts her self-criticizing poem. She herself clearly indicates from the beginning her appreciation of her own work, by establishing a mother-child relationship; in which she connotes it as a flawed creation (as referenced in line 1) that was with her since birth, but was “snatched” (2)[taken] by her friends. She conveys throughout her poem how she felt when her work was published illicitly (although not maliciously, by her friends), exposing her flaws (8) and possibly ruining her image as a poet (line 20, she advices it not to fall in critics’ hands). However, she is still

Another useful tool in analyzing a poem is to identify poetic devices, meter, and a rhyme scheme. Through her deft use of extended metaphor, Bradstreet weaves an intricate web of parallels between parent and author and between child and book--both relationships of creator to creation. This use of metaphor allows the reader to relate emotionally to Bradstreet’s situation. In line seven, we see the uses of litotes, “At thy return my blushing was not small,” to express the depth of her embarrassment. She also uses metonymy in line eight to express her pain more clearly, “My rambling brat (in print) should mother call.” The simile used in line nine stresses her objection to the published work, “I cast thee by as one unfit for light.” Then in line 19, the poetic device of consonance is used which provides emphasis on her warning, “In this array ‘mongst vulgars may’st thou roam.” In this poem, through the use of personification and apostrophe Bradstreet conveys her feelings and emotions. Anne Bradstreet ensures her poem’s success by linking the triumph and tragedy of authorship with the pain and pleasure of creating and nurturing human life. The meter used is

The excerpt shows the modernist idea of fragmentation of experience through its form and its tone. The form conveys the principle of fragmentation through its erratic meter and unpredictable line length. This adds to the poem’s theme of uncertainty and to the whole feel of the modernist era, which was one of uncertain challenging. The theme of this piece also reflects the fragmentation through its dramatic shifts in mood and tone. The language of the excerpt shows the bewilderment of the time; this can be felt in the tone. For example with words like “muttered,”

In order to counterbalance the sense of maddening, Dickinson uses structured elements of poetry to allow the reader to gain insight into the horrors of mental breakdowns. The use of phrase and word repetition plays a significant role in expressing the barbarity of a psychological crisis and helps create an ominous tone. In the first stanza, Dickinson describes the

The form of “Intellect” is comprised of just six lines—which suggests a call to action for the reader to listen to his wise words. The short form produces a riddle-like tone; it follows a strict rhyme scheme and a very strong rhythm. The lines are end rhymed—this, coupled with the length of the poem—produces an almost child-like simplicity. The morals hidden in “Intellect” aren’t simple per se, nevertheless we are reminded of the riddles of our primary school days; we remember the catchy rhythm and traditional morals we learned from these riddles. The rhythm and meter are also vital aspects of this poem’s structure: each line contains seven syllables and begins with a stressed syllable. This didactic rhythm jumps out of the page at the reader, causing us to pay attention. The stressed and unstressed syllable pattern produces a sing-song effect; the poem beckons us to listen to the wise counsel of Emerson with a child-like openness and implores the reader to find the moral that Emerson is trying to get across.

How do the images listed on the left influence the tone or mood of this poem? Consider the author’s attitude towards the physical body, aging, and nature as opposed to his position on intellect, art, immortalization, and artificiality.

An analysis of poems discussing the different ideas of infancy and what infancy and childhood means to different people. The ideas of infancy vary across the poems from being a curse to the family to being a blessing from the heavens or even a key to break out of the boundaries set by reality. The poets use various literary devices such as metaphors, similes and different poem structure to convey the message that they carry. Each poem has its own viewpoint on infancy. On the whole four of the poems, “Infant Joy” –William Blake, “You’re” – Sylvia Plath, “Once upon a time” – Gabriel Okara and “Piano” by D.H. Lawrence all have a more positive view towards infancy whereas, “ Infant Sorrow” – William Blake and “Prayer before birth” – Louis MacNeice show a more pessimistic side towards infancy. Despite the fact that each poem has its own different point of view on the subject of infancy, they all seem to share one thought which is the fact that infancy represents innocence and in some cases a fresh start.

Several poems in the anthology explore the intensity of human emotion. Explore this theme, referring to these three poems in detail and by referencing at least three other poems from your wider reading.’

Stevens makes this fact apparent from the beginning of the poem, when he notes not only “human revery” but also “the sexual myth” and the “poem of death” (1). Therefore, these defined formulations are only categories of a greater whole, which remains unmentioned in the poem. In deliberating on Stevens’s poems, we can come to understand this encompassing whole as the imagination, which impels an individual to make “eccentric propositions” about his or her life and fate (4-5, 10).