Revelation through Experience in Heart of Darkness, Going After Cacciato, and The Things They Carried
Foreign lands seemingly possessed by evil spirits as well as evil men, ammunition stockpiles, expendable extremities and splintered, non-expendable limbs carpeting the smoking husks of burnt-out villages, the intoxicating colors of burning napalm, and courage mixed with cowardice in the face of extreme peril. These are just a few examples of the spell-binding images presented in the novels read in the class entitled The Literature of War at Wabash College. These images and their accompanying stories do far more than fill the mind with fantastic ideas of war and heroism; they force the reader into uncomfortable situations
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During battle and wartime, in the experience stage, all of the frivolous emotions and concerns are melted away as this newly realized proximity to death brings a new appreciation for life and the truly important things. The things that truly matter to a man may vary and some of them, such as love, fear, comfort, and compassion, are intangible. And yet it is these intangible things and not direct orders from a commander that drive a man onward during war. Unfortunately, war not only reveals the innermost truths of a man’s character, it also destroys his capacity for leading a normal life upon his return home. Once a man has confronted his personal demons and come to some sort of understanding regarding his place in the universe and the inevitability of death, he has an extremely difficult time acclimating himself to civilian life once the war ends. Of all the novels read in War Literature, Joseph Conrad’s Heart of Darkness and two Tim O’Brien novels: Going After Cacciato and The Things They Carried, best illustrate the inability of a soldier to deal with his original settings after returning from war. By studying the actions of Marlow, Paul Berlin, and Tim O’Brien (both the author and the character) after they leave the war, it is clear that they each use their own unique war experiences to deal with
To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who
When men go off to fight a war, they often carry more emotional baggage than actual, physical baggage. “They carried all the emotional baggage of men who might die. Grief, terror, love, longing - these were the intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight.” (page 20) The war messes with their heads, causes them to become paranoid, scared, and anxious all hours of the day and night. Ted Lavender, who was terrified of his own shadow in Vietnam,
Upon returning home the soldiers meet a field of new troubles that come with acclimation to society after fighting. Many soldiers come home with skills that are not applicable to their lives and generally a much deeper understanding of what they believe the world consists of. This leads to much disillusion with the world they come back to. In both Ernest Hemingway and Tim O’Brien’s stories, soldiers meet with disillusionment and disconnect from society. The soldiers react in different ways to this feeling; the authors use diction, sentence structure, and figurative language to demonstrate their troubles with acclimation.
Imagine you’re lying on the muddy, damp Earth and all around you can hear the screams of people you know dying. Shells explode, bullets race through the air, and poisonous gas seeps around you, all with the intent to harm you in some way. Yet, you willingly put yourself in that position day after day, year after year. The question surrounding this situation is, why? Who would be masochistic enough to choose to put their lives in danger and live in the most perilous environment possible? Two very different books give us insight into the thoughts of the soldiers who continuously put themselves in these environments. Your Death Would Be Mine by Martha Hanna and All Quiet on the Western Front by Erich Remarque lets us into the minds of Paul Pireaud and Paul Baumer as they try to survive life as a soldier in the Great War. I argue that Pireaud and Baumer had very different reasons for continuing to fight despite having suffered beyond belief. In this paper I will analyze how the varying degrees of patriotism, brotherhood, family life at home, and age affected how these two men endured the treacherous life on the front of World War I.
The text, The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war
The returning of a dramatic event disables a soldier to adapt accordingly to everyday life. Ones conscious of reality is infringed upon Posttraumatic experiences of warfare, which unleashes an outbreak of inhumane actions directed towards existence and significant others. As the short story progresses after the event of the Vietnam War, the narrator says referring to Henry that:
O 'Brien illustrates to us the necessity for each man to be connected to their old life, telling a story of Mark Fossie flying in his girlfriend to ease his loneliness (104-05). Each soldier found himself facing insurmountable barriers throughout the war, and these small effects and coping mechanisms were often the only necessity that would give them reason to return home again. They needed personal methods of coping with the war, and this primeval survival was the only way to remain a man.
In Tim O'Brien's narrative, The Things They Carried, characters are shown going through excruciatingly difficult war struggles. There are many intriguing themes that O’Brien is sharing in the text, but the most striking is the differences between the way each person handles war. People in the story cope by imagining things for motivation and pleasure. Imagination can help soldiers, but also does not help in war when the coping distracts one from important situations. The most common coping mechanism in the war stories has to do with women because they were used as security blankets during war. Soldiers use women, imagined and real, to offer an escape from war, but due to their inability to understand the war, the women cannot help them cope.
Most authors who write about war stories write vividly; this is the same with Tim O’Brien as he describes the lives of the soldiers by using his own experiences as knowledge. In his short story “The Things They Carried” he skillfully reveals realistic scenes that portray psychological, physical and mental burdens carried by every soldier. He illustrates these burdens by discussing the weights that the soldiers carry, their psychological stress and the mental stress they have to undergo as each of them endure the harshness and ambiguity of the Vietnam War. One question we have to ask ourselves is if the three kinds of burdens carried by the soldier’s are equal in size? “As if in slow motion, frame by frame, the world would take on the old
The soldiers face loneliness, isolation, the heavy burden of fear, and the weight of their reputations. The soldiers carry such a heavy weight from the past, in the present, and for the future. Even after the war, the psychological burdens the men carried during the war continues to define them. Those who survive the war carry guilt, grief, and confusion.
In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.
An idea that is similar in two war stories of the war affecting the men that took part in it because the psychological struggles they went through never go away. Two Stories that this idea comes up in are “Notes” and “Love.” In “Notes” Norman Bowker never felt the same after the war, because the things that went on there made him struggle with his mind. He writes to O’Brien “there’s no place to go. Not just in this lousy little town.
In his story “Reporting War in Tunisia,” Ernie Pyle also illustrates how difficult and stressful homecoming actually is for soldiers. As it is obvious, most of the issues soldiers have while readapting to normally live are originated by the horrific realities soldiers have to deal during war—those sad moments of seeing a teammate die, and seeing innocent people die, especially children. Nevertheless, Ernie Pyle states “Our men cannot make this change from civilians into warriors and remain the same people. Even if they are away from you this long under normal circumstances, the mere process of maturing would change them” (171). But we cannot expect less, these soldiers have experience the worst is life and Ernie Pyle reflects this in his story.
The wartime lives of the soldiers who fought in the war were in a state of mind of mixed feelings. Happiness and devastating are two adjectives that can describe the soldier’s feelings in the war because at one second they can be happy that they succeeded on a mission, but on the other hand, it can be very devastating because one of their own soldiers could have been killed during the war. Aside from physical danger losing one of your own soldiers or having your family worry about you every day and night are some negatives and unpleasant parts about fighting in a war. For example, soldiers loved ones worried each day, and hoped that they would not get a knock on their door by someone who was going to tell them that their fathers, husbands, sons, or brothers have died in the war.
However, 'Survivors' and 'Mental Cases' examines the soldiers who are left after the war with their psychological illnesses untreated. Both the novel and the poems give an insight into the psychological torment the war causes its soldiers and the extent to which the damages can occur. ' Regeneration' however, was wrote when information regarding the war was more accessable. This meant it is able to provide its readers with an insight into a wider variety of psychological illnesses the war caused-giving a more broad overview of mental implications. In comparison the poems provide a raw, more hard hitting recollection of the psychological illnesses developed during the war.