Revelations Of Blind Faith In Raymond Carvers Cathedral

In the short story, Cathedral by Raymond Carver, the word “blind” acquires different meanings. The unnamed narrator is metaphorically blind; he can look at the surface of everything but not see what is inside. Although the narrator can listen to conversations, he cannot understand the deeper emotional context the conversation might hold, compared to Robert, who is visually impaired but can truly listen and understand. It is not until the end of the story that the narrator metaphorically opens his eyes, with assistance from Robert.

The imagery and symbolism in the Cathedral show a transformation in the life of the narrator, who perceived the blind man has a threat to him, later learn the significance of humanity through the kindness and caring gestures of the blind man. Whereas the imagery and symbol in everyday use was the quilts, handmade by the narrator’s mother and sister representing the legacy of their family.

Raymond Carver’s “Cathedral” is a short story that unfolds through the perspective of Bub. The story begins by depicting Bub’s narrow mindedness and as the story progresses it becomes clear that his perspective shifts after an encounter with his wife’s blind friend Robert. It is through this encounter that Bub has an epiphany. It is his jealousy towards Robert and intoxication that debunk his preconceived notations and highlight the connection between him and Robert. It is only after his epiphany that he is drawn out of this obliviousness and gains insight. Bub’s wife, his smoking, and drinking are key elements in breaking apart his bias and as a result he is enlightened.

The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.

The second thing that makes the theme or message come out is the characterization in the story. In Cathedral, there are three main characters. The most important character in the story is Robert, the blind friend of the wife's. Unlike the narrator, Robert cannot physically see, but has a clear vision of appreciating the person's true inner self. For example, when the narrator cannot comprehend how Robert's wife even loved Robert. He says,
"It was beyond my understanding. Hearing this, I felt sorry for the blind man for a little bit. And then I found myself thinking what a pitiful life this woman must have led. Imagine a woman who could never see herself as she was seen in the eyes of her loved one. A woman who could go on day after day and never receive the smallest compliment

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

The significance of the blindness is that he has so much to teach others. It is ironic that the narrator is “bothered” by this man’s blindness and feels a certain amount of defeat in his inability to describe a Cathedral to him. There is also some shame

The act of looking is related to physical vision while the act of seeing involves an enhanced understanding of what it means to truly exist. In the short story “Cathedral”, the narrator is blind to appreciating the human experience until he meets a blind man who ironically becomes the one who teaches him how to see in a way he never knew how. The author Raymond Carver uses symbolism within this story to reinforce the theme of blindness, and the difference between looking and seeing.

The story “Cathedral” demonstrates that lack of sight does not necessarily prevent one from perceiving things as they are, or live their life to the fullest. In the story, a middle-age blind man, who is a friend to the narrator’s wife, and used to be her boss at one point, visits the narrator and his wife. The narrator has never interacted with blind people before, and all he knew about blind people was what he had seen on television. Blind people are stereotypically portrayed on television as slow moving, dull people, who never laugh. Based on this perception, the narrator was reluctant to meet the blind man and doubted whether they were going to connect. This is evident when the narrator states, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 1).

In this short story, a cathedral symbolizes a connection between the narrator and his blind guest, Robert. At first, it’s evident that the storyteller isn’t thrilled about Robert’s visit as he writes that “his being blind bothered me” (p 34). He then continues to write “a blind man in my house was not something I looked forward to” (p 34). The narrator is clearly biased toward someone with a vision disability. This bias continues to grow even bigger due to the fact that Robert shares a more personal connection with the narrator’s wife and has a better understanding of her past, “over the years, she put all kinds of stuff on tapes and sent and tapes off lickety-split” (p 35).