Revenge In Oedipus Rex And Medea By Euripides

Oedipus is one character who responds to injustice from the “Oedipus Plays,” particularly in “Oedipus Rex.” The plague is put on his kingdom due to the death of the King. He did this response to this injustice by going on a journey to discover the truth and lift the curse from the city of Thebes. Oedipus is appalled by the injustice occurring, and succeeds on his journey for justice which was highly significant.

Fate is the development of events beyond a person's control, regarded as determined by a supernatural power. It is a very common theme used in literature. We’ve seen examples from stories such as: Romeo and Juliet, Hamlet and Iliad. We’ve been reading Oedipus the King written by Sophocles. My main thesis that I would be talking about is if: Oedipus was actually a victim of fate, or did he deserve what he got.

The pursuit of justice is an endeavor that many find to be challenging and a quest itself, as one will come across various trials and complications that may stop them in their pursuit or may mislead them. As humans, we find moral correctness and righteousness a very appealing state to be in, as justice will act as a platform to satisfy the desire for this correctness. In Sophocles’ Oedipus Rex, we meet our miserable anti-hero, Oedipus, in his pursuit for truth and righting the wrong of the plague that is affecting his people of Thebes. As he makes efforts to solve this problem, he comes to find out that he is the source of the issue, thus exposing the tragic flaw of Oedipus and effectively making this play a very effective Greek tragedy. This pursuit of righteousness ends up being the downfall of Oedipus. In Sophocles’ Greek tragedy Oedipus Rex, Oedipus pursues justice through his realization of his past, his interactions with various characters in the play, and comes to understand more of justice in his situation through his reactions to adversity in this play, in order to portray a questionably successful pursuit of justice.

Sometimes humans are incapable of making the right judgment or judge before we have our fact’s. This kind of judgment can do the damage we cannot reverse. In the play, Oedipus Rex, written by Sophocles, is one of the prime examples of judging them without knowing facts. Oedipus Rex is a tragedy. A tragedy is a play that portrays a conflict between human beings and some superior, overwhelming force. It ends sorrowfully and disastrously, and the outcome seems inevitable. Oedipus the king, seem to be very quick to react and rage. Thebes is suffering a plague which leaves its fields and women barren. The king of Thebes has sent his brother-in-law, Creon, to the house of Apollo to find how to end this plague. Creon returns, bearing good news: once the killer of the previous king, Laius, is found, Thebes will be cured of the plague. After hearing that Oedipus swears he will find the murderer and banish him. At the beginning of the play, Kreon inform’s Oedipus that they need to kill the man who had killed the king Laios in order to get rid of the deadly disease. Laios death will open so many facts that Oedipus isn’t expecting.

Antigone is a Greek tragedy written by Sophocles. Tragedy is defined as an event causing great suffering, destruction, and distress. The story begins with a death and ends with a death, and Sophocles does an excellent job employing many different types of ways to include fear and pity and this brings the tragedy alive. Especially with the fear of death when is abundantly rampant throughout the entire play. Although, written around 442 BC, it is just as well applied now as it was then.

Have you ever acted out in retribution for something done to you? Some examples could be if you punched someone for intentionally kicking you, or if someone deliberately hurt the feelings of someone you love and you retaliated in kind. You probably thought the punishment you received for your actions was too harsh or lenient. Many factors went into the decision of what discipline you received for this act and some were fair while others probably were not. This is true for the actions of many people in Aeschylus’s Oresteia. In each of the three plays, someone is seeking vengeance for a wrong done unto them, someone they know/love, or both. For this paper, I will be focusing on the vengeance enacted by Clytemnestra, Orestes, and the Fates. The vengeance that each person enacted was deemed just or unjust depending on many factors including the people who were doing the judging. Vengeance in Aeschylus’s Oresteia is viewed through the social lens of the society that it was enacted in. This lens is made up of the popular values, beliefs, and social conventions of the period as well as the judge’s personal views and/or experiences. These factors (such as gender and relation to the victim, as well as the presence or absence of transgressions on the characters part) lead to different opinions about the guilt of the accused individual and the individual themselves. The view of vengeance in Aeschylus’s Oresteia is very subjective.

The plot of Oedipus the King, a Greek Tragedy written by Sophocles, revolves around several prophecies. A plague has stricken Thebes, and Oedipus discovers that the plague will only end when the murder of King Laius has been caught. Additionally, another prophecy states that the son of King Laius and Queen Jocasta would kill his father and sleep with his mother. Oedipus vows to the citizens of Thebes that he will find the murderer, but as the plot develops, Oedipus comes to the realization that he himself was the murderer that he had been seeking. There are several scenes in Oedipus the King that incorporate violence, and these violent scenes are a critical aspect of the play because they contribute to the development of the plot; the use of violence, whether verbal or physical, also enhances our understanding of the characters’ personalities and/or emotions.

In Sophocles’ Antigone, there is a myriad of tragic characters, but Antigone’s fatal flaws and weaknesses clearly lead to her doom and downfall. Antigone is headstrong, stubborn, prideful, and determined which isn’t always unacceptable. She is also very loyal to the gods, but disloyal to King Creon and might want to defy him. She is unyielding, wouldn’t leave matters alone and is also unwilling to take the simple approach of asking first before trying something so rash. Antigone’s failing to realize the ripple effect of her suicide which then causes two more deaths, Haimon and Eurydice. Antigone’s vices lead her to her own destruction when she defies Creon, argues with Creon, and commits suicide by hanging herself.

Antigone is a play in which Greek mythology explained conflicted loyalties, divine consequences, and some of the events that occurred. The heroine Antigone resolves to make the ultimate sacrifice to uphold holy law. Antigone’s adherence to religious rites as divine law is altruistic yet Creon’s creation of laws is selfish. Creon is not a masochistic sadistic monarch, but a man who was diverted from faith because he was corrupted by power. In his corruption he committed the most heinous crime against the gods: hubris, which brought on their wrath. The characters suicide to escape their fate, not realizing that by killing themselves they are actually committing what fate planned all

Typically, throughout history a tragedy has been defined by containing a male hero who goes from happiness to misery. Medea is just one example of an Ancient Greek play which actively rejects this trope. Written in 431 BC by Euripides, Medea is based on the Greek myth of Jason and Medea wherein Medea is rejected by her husband and resorts to killing their children in an act of vengeance. It can be argued whether her actions were justified or whether she was acting out of passion as a ‘fickle’, emotional woman. Worthen argues that woman are seen as “creatures of passion” whereas men represent the “organizing principles of the Greek state: Reason, the law and legitimate society.” This argument is based on the idea that passion and emotion are

Medea and Agaue, the tragic heroes of Euripides’ Medea and Bacchae, represent similar ideas. For both plays, the plot focuses on those two characters’ attainment of vengeance, so that their desire for a form of retribution is the primary driving force behind the plays’ conflicts. In each case, the revenges taken by Medea and Agaue are the results of their acting on their most basic, instinctual emotions without the self-control given by a more reasoned nature. Accordingly, the women and their pursuit of revenge become representative of the emotional side of human thinking. The characters that Medea and Agaue eventually destroy, Jason and Pentheus, support and represent reason, civilization, and ambition. As these male characters

In Shakespeare’s Hamlet, suicide is treated differently on the aspects of religion, morals, and philosophical views. Suicide is the act of deliberately killing yourself in contrary to your own best interests. In today’s society suicide is highly looked down upon. But Shakespeare used suicide and violence in almost all of his most popular plays. Many of his tragedies used the element of suicide, some accomplished, others merely contemplated. Shakespeare used suicide as a dramatic device. A character’s suicide could promote a wide range of emotions: horror, condemnation to pity, and even respect. Some of his suicides could even take titles like the noble soldier, the violated woman, and star-crossed lovers. In Othello, Othello see suicide as

In many, a tragedy do the tragic heroes have flaws that lead themselves to their own demise. The main character always acts exactly on his or her own emotions; thus aiding their tragic flaw and leading to their own demise without giving them the time to stop the repercussions of their emotion driven actions. In the play “Antigone” by Sophocles many of the characters are simply too headstrong and passionate about their beliefs to realize that they would greatly regret the decisions they are making. All of the characters share this characteristic; it is alluded to in the play that this is caused by their blood relation to Oedipus and how they are too cursed.

Hundreds of years ago Greek plays were very popular. People would plan to go to these plays for entertainment and to have fun with their friends. These plays would also help to teach the audience all about Greek mythology. The main character in these plays often had something tragic occur at the end, such as death. This character was the referred to as the “tragic hero.” A couple hundred years later a Greek philosopher named Aristotle described tragedy with 4 simple elements, nobility of the character, the flaws of the tragic hero, the start of the tragic hero’s downfall, and his/her punishment. In Things Fall Apart, Oedipus, and Antigone there is a character that shows this definition of tragedy by the end of the book and or play. This is usually caused by something called hubris, excessive pride. Things Fall Apart, Oedipus, and Antigone all fulfill Aristotle 's definition of tragedy.

While Antigone may have taken place in Ancient Grecian times; some of its themes are still relevant today. The one I find to be relevant is the occurrence of suicides with Antigone, Haemon, and then his mother Eurydice. These scenes impact modern day viewers because they share characteristics with suicides today, parents killing themselves when they cannot handle the grief of a lost child, a person killing themselves after losing their lover, and someone committing suicide due to hardships and/or being strongly rooted in their beliefs.