Review on the Novel Atonement

To what extent are the protagonists of ‘Atonement’ and ‘The Girl Who Would Speak for the Dead’ similar and different?

Ian McEwan also uses juxtaposition to address Briony’s character development by showcasing the true qualities of her character under tough circumstances. McEwan uses war as a way of understanding how it affects the psychological as well as physiological pressures of Briony. It is seen that as a result of Briony’s actions, Robbie is drafted to war. McEwan communicates the life of war by describing certain emotional sights like “ It was a perfect leg, pale, smooth, small enough to be a child’s” (192). Robbie’s need to throw up after seeing such a sight juxtaposes the conversation between two corporals describing all of the gore that they have seen. Robbie’s experience in war makes him waiver feelings of guilt due to the dehumanizing intensity of survival. However, McEwan shifts the guilt towards Briony as she is trying to atone for her mistake. She becomes a nurse despite her

In the article Atonement, author Dexter Filkins tells the story of an incident involving a United States marine, Lu Lobello, and the Fox Company battalion. The Fox Company was a U.S. marine unit deployed in the 2003 Iraq war and Lu Lobello was one of the marines in the unit. Atonement captures the painful reconciliation between the military unit and the Kachadoorian family while at the same time informing the American people of the suffering that occurs beyond the battle field. Dexter Filkins utilizes this piece to emphasize the inadequate treatment for Post-Traumatic Stress Disorder, and to highlight the consequences of the ill-defined rules of engagement and their effects upon veterans return to civilian life.

Have read two stories that I am going to compare. One that is called A Tale of Two Cities, and the other one that is called atonement.

Atonement, by Ian McEwan, explores the theme of love through a variety of techniques such as symbolism, metaphors and repetition delve into various aspects of love, such as misspent, newfound and unavailable love. Uniquely, McEwan intertwines these techniques with foreshadowing and imagery to convey complex emotions such as love, guilt and jealousy. Additionally, the theme of reality and the imagination is established through repetition and Cecilia’s characterisation.

McKnight believes all atonement theories need to be united through Jesus because of Hebrews 2:14-18 and he also believes in a more inclusive category for atonement theories. McKnight also believes that identification of Christ and incorporation are key concepts to understand. He has been building up to this point throughout the whole book. He starts out by explaining what atonement is and about key atonement moments like the crucifixion and Pentecost. Then he hits the main idea of deciding what atonement theory is the best and how they all are united.

Since Mary became active at Hale House, a settlement house established in Boston by Edward Everett Hale. At the Hale House’s National History Club, Mary met Amadeus William Grabau, a geologist and doctoral candidate at the Massachusetts Institute of Technology. Mary and Amadeus married and moved to New York in 1901. Amadeus was the son of a Lutheran priest, and later in life Mary would suffer social alienation for marrying a non-Jewish man. Mary enrolled in Barnard College and later in the Teacher’s College, but never finished her degree. She named her only daughter after Josephine Lazarus, who encouraged her to begin her literary career in earnest by writing about her experiences as an immigrant in America. Mary published "Malinka’s Atonement,"

228) in relation to the way that she is not able to rid herself of the way she separated two lovers. Briony had previously confessed to Robbie when she was ten-years-old, as revealed by Robbie’s thoughts in part 2 of the novel. “He had betrayed her love by favouring her [Briony’s] sister,” (pg. 233) which means Briony could have accused Robbie of rape to separate Cecilia from him. She did not feel guilty until she grew older and began to consider the complexity of her allegation. The war may take Robbie away from Cecilia and leave her devastated all because of a mistake Briony made. In addition, she will never be able to witness the lovers reuniting and may never be able to atone for her mistakes after all. Like a room without a door, she will not be able to escape the fact that she separated two

In McEwan’s Atonement ventures into the lives of the Tallis sisters and the complexities that naivety and selfishness can inflict. Briony Tallis’ perjury against Robbie Turner, in her cousin Lola’s criminal rape case, disrupts the Tallis family dynamic and the budding romance between Cecelia Tallis and Robbie. Briony’s maturation and realization of her wrongdoing implores her to become a nurse during WWII. In Atonement, McEwan depicts a family in turmoil over the lies of young Briony during World War II. The imagery and symbolism portray Briony’s characterization through her attempts to serve penance for her betrayal with symbolism and imagery. Briony’s limited point of view effects the tone of the novel through an unreliable eyewitness

[that serves to give] the characters happiness” (McEwan 372). Although “Atonement” shows flashback on Robbie’s life back to England, these scenes do not contribute to give an indication to the importance of hope in helping human beings to survive the most unhuman conditions of war. In fact, some flashbacks are the key things that have led to his tragic outcome played backward (Wright 77:25) and others are tied to the tragic events that have happened to Robbie, for instance the moment of his arrest (Wright 78:00). Instead of bringing hope, these memories show bitterness and nostalgia that give an impression that Robbie is unable to accept

To begin, in part one of “Atonement” we learn who each character is through the perspective of different characters. Alongside we get the unique perspective of several scenes that take place. One very important scene is the fountain scene where Robbie and Cecilia are filling a vase with water and Robbie causes the vase to slip out of Cecilia’s hands breaks some pieces falling into the fountain. Cecilia acts fast and removes her clothing in order to retrieve the vase piece. Meanwhile, you have Briony wondering her room and happens to see the two conversing and is shocked to see Cecilia remove her clothes. Briony begins to assume things instantly “ The Triton fountain, and standing by the basin’s retaining wall was her sister, and right before her was Robbie Turner. There was something rather formal about the way he stood, feet apart, head held back. A proposal of marriage. Briony would not have been surprised. She herself had written a tale in which a humble woodcutter saved a princess from drowning and ended by marrying her. What was presented here fitted well. Robbie Turner” (36). Here Briony is only able to see the interactions between Robbie and Cecilia but she can’t necessarily hear anything but, it doesn’t impede her

Briony Tallis: Briony Tallis is the protagonist of Atonement. Though Briony has two older siblings, Leon and Cecilia, they are both at least ten years her senior. Therefore, Briony grows up virtually as an only child and as a result is quite self-centered. Briony is introduced to readers when she is working on her play The Trials of Arabella. Through Briony’s writing process and inner thoughts, readers are made aware of her obsession with order and control. This obsession combined with her self-absorbed mindset fosters Briony’s unaware naïveté. Briony believes that she understands everything that occurs around her, when in reality, she cannot understand adult concepts and ideas that do not yet pertain to her. It is this obliviousness that leads to her rape accusations against Robbie—Briony is unable to see the love between her older sister Cecilia and Robbie, the servant’s son. Once Briony matures, she begins to realize the depth of the consequences of her actions, and throws herself into atoning her “sins.” In doing so, she writes her own novel involving a couple that represents Robbie and Cecilia, and feels that she can relieve herself of guilt by admitting to her wrongdoings and rewriting the fates of the two lovers. However, the novel simply paints Briony’s naïveté in a new light—though she has grown up, she is still unaware of the dire

To begin, the naïvety and distorted views of reality that Briony Tallis possess reveals her inability to understand the meaning of justice. Briony, who is only thirteen at the time, “views the adult world from a child’s perspective, seeing adult acts through the lense of melodrama” (“Atonement” 7). As result, in reading Robbie’s letter she immediately “[casts] herself as her sister’s protector” (McEwan 115), and thus imagines that Robbie is attacking Cecilia in the library. This can be seen in her perception that Cecilia’s forearm “was raised

Ian McEwan's novel Atonement is a story about two lovers separated by the second World War, although published 60 years after the fact in the year 2001. The story is a postmodern novel that features an unreliable narrator, the protagonist Briony, and therefore the entirety of the novel is questionable. Uses of other texts within Atonement aid in the foreshadowing of the story as well as developing an understanding of the plot as well as considering parallels to other literature.

In his essay “Who Killed Robbie and Cecilia? Reading and Misreading Ian McEwan’s Atonement,” Martin Jacobi argues that Ian McEwan dramatizes misreading and warns readers against misreading, but also causes his readers to incorrectly read his novel. Jacobi shows us how easy it is to misread in Atonement and this makes readers more likely to sympathize with Briony’s misreading. He further discusses how the narrative encourages us to believe that Robbie and Cecilia’s love story must end tragically even though there is no reason to do so. Even though the readers see what terrible results Briony’s misreadings have on both Robbie and Cecilia, we are then tempted to make the same kinds of misinterpretations about how they turn out. In his literary analysis of these aspects of Ian MacEwan’s Atonement, Jacobi makes it clear to readers that they are wrong to assume that Robbie and Cecilia die, so if they decide that they have died, the readers are the ones who kill them. While I agree with Jacobi’s claim that the narrative does not clearly tell us whether Robbie and Cecilia die, in this essay I will argue that assuming that Robbie and Cecilia die is a very reasonable supposition and it is a more logical assumption than that the couple does not die. Jacobi himself states that “the most dominant interpretation for reviewers and critics is indeed that Robbie and Cecilia die during the war” (Jacobi 57). Perhaps Jacobi overanalyzed the text to create an opposition that there was no need