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Rhetorical Analysis Of On Compassion

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“On Compassion” Rhetorical Analysis
Where we are is the grand culmination of hundreds of years of cooperating as a species to make for a grander environment that appeals to “all.” Despite our constant effort to improve the quality of life on earth, however, an increasingly tremendous problem pertaining the same subject has been growing “right below our noses”: homelessness. We, the common people, typically place those in such plight into great disregard; push them not off the streets but to the far back of our heads. In the article “On Compassion”, former NEW YORK TIMES columnist, Barbara Ascher, teaches us the ignorance of our denial and the importance of the helpless’ presence, and she does this through the heavy use of contrast, figurative language, a good quantity of rhetorical questions, and some very clever wording. She suggested that the presence of the homeless helps teach us compassion. Afterall, “compassion is not a character trait like a sunny disposition. It must be learned.” Ascher begins her article with a strong narrative vividly describing a queer exchange between a homeless person, a fearful woman, and an equally frightened infant. Utilizing both contrast and figurative language, Ascher captures the unsettling atmosphere present in the special “transaction”:
“The mother removes her purse from her shoulder and rummages through its contents: lipstick, a lace handkerchief, an address book. She finds what she’s looking for and passes a folded dollar over her child’s head to the man who stands and stares even though the light has changed and traffic navigates around his hips… He does not know his part. He does not know that acceptance of the gift and gratitude are what makes this transaction complete… The mother grows impatient and pushes the stroller before her, bearing the dollar like a cross. Finally, a black hand rises and closes around green” (paragraphs 3-5).
In this segment from the earlier paragraphs of “On Compassion”, Ascher evokes some early sympathy in the audience towards the homeless man described through the implementation of contrast. Referencing the objects contained in the mother’s purse doesn’t just contribute to a more descriptive passage; it also highlights the poor situation

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