The ultimate purpose in creating an opinionated article is to assert one’s idea as incontrovertibly true. In the case of one Washington Post article focused on a video that emerged appearing to show four U.S. Marines urinating on several dead Taliban fighters. Author, Sebastian Junger makes an effort to present the faults in the public’s reaction to the video. He composed such article dubbed “We’re all guilty of dehumanizing the enemy” on January 13th, 2012, in which he employs strategic rhetoric to emphasize the effectiveness of his argument. Junger questions the ironic nature of the public’s outrage; the American viewers prosecute troops for desecrating the enemy while maintaining that it is okay to torture the living. This notion is so wrong, yet the American public can’t seem to realize it. Through his use of rhetorical appeals, being ethos, logos, and pathos, Sebastian Junger energetically analyzes the controversy in the topic of dehumanizing the enemy. Sebastian Junger directs his argument at the readers of The Washington Post, being mainly liberals, the general American public, and specifically those offended by the video. Additionally, Junger asserts his credibility through first-hand accounts. He writes that he had spent a year on and off with a platoon of U.S. soldiers in the Korengal Valley of eastern Afghanistan. This translates into personal experience from which he can state his observations. He’s been in their shoes, therefore, experiencing the fighting,
He was finally free, no joy filled his heart but abandonment was drowning it. How dangerous is indifference to humankind as it pertains to suffering and the need for conscience understanding when people are faced with unjust behaviors? Elie Wiesel is an award winning author and novelist who has endured and survived hardships. One of the darkest times in history, a massacre of over six million Jews, the Holocaust and Hitler himself. After the Holocaust he went on and wrote the internationally acclaimed memoir “Night,” in which he spoke out against persecution and injustice across the world. In the compassionate yet pleading speech, ¨Perils of Indifference,¨ Elie Wiesel analyzes the injustices that himself and others endured during the twentieth century, as well as the hellish acts of the Holocaust through effective rhetorical choices.
Throughout In Cold Blood Capote goes through the lives of the killers, Dick and Perry. Both convicts released from jail and at first glance seem to have a lot in common, but as the book continues the reader can see that the two characters are in fact very different. To characterize the killers Capote frequently uses flashbacks into their pasts, giving the reader a sense of what their lives were like and why they became who they are. Capote also utilizes detailed descriptions of the men’s appearances, quirks, and habits to characterize the murderers.
In Truman Capote’s captivating nonfiction, In Cold Blood, Capote ventures through the journey and lives of both the killed and the killers all while analyzing the point in which they crossed paths. From the days before the four Clutters were murdered to the last moments of the two killers’ lives, Capote takes into account each and every aspect that creates the ‘famous’ Clutter Case with an in depth look of just how and why these strange and unforeseeable events occurred. What was originally supposed to only be an article in a newspaper turned into an entire book with Capote analyzing both how and why a murder comes to be through the use of pathos, juxtaposition, and foreshadowing.
The purpose for Truman Capote's writing of his book, In Cold Blood was to take literary definitions to a whole new level. He used them in ways that people were able to relate to them personally. He did this by using several different types of literary devices. Nancy's diary for instance, is used to symbolize the impossible future that will never happen for her. The purpose of Nancy's diary is for her to collect all of the things that she had gone through each day, so that someday, when things were looking up for her, she would be able to go back and read all of the hard times that she had once gone through. This never happens, as we know, due to her death. But coincidentally, the last entry that Nancy ever makes, sadly, is about how she had yet another boring, uneventful day, but she also involuntarily wrote about how when you have no life, and no hope, that even the last night of your life, no future is boring. Capote's clever thought out analogy for Nancy's consisted of something that many adults are able to
In this passage from the book In Cold Blood, the author Truman Capote introduces a small town in Kansas. He states that Holcomb is a small, lifeless town with run down shops, restaurants, and many other buildings crumbling at the base. Capote makes the readers think that this place seems pretty normal and nothing really happens there, but in the last paragraph he makes it very clear that something strange will happen. Within the first few paragraphs of the passage, he begins to draw the readers in with the tone and imagery he uses.
In the opening of In Cold Blood, Trueman Capote presents a picture of the town of Holcomb. Capote uses a sense of condescending tone, sterling imagery and superb selection of detail when describing Holcomb. He creates a picture of an old style town that is all run down and has one or two positive things. Capote uses condescending tone; sterling imagery and superb selection of detail, he uses these rhetorical devices to express his view of a Holcomb in a negative viewpoint.
The Book Night By Elie Wiesel demonstrates the evilness and insanity that is found in every human being, and is depicted through rhetorical devices to make the point more clear. At Elie’s arrival to Auschwitz ( a concentration camp) he watches people being burned, telling the reader that, “never shall I forget that smoke. Never shall I forget the small faces of children whose bodies were transformed into smoke under the silent sky. “ (pg 34) In this moment it is hard to believe that human beings are capable of doing such a thing, ruthlessly murdering thousands of people all at once, without blinking an eye.
Set in the small town of Holcomb, Kansas, In Cold Blood recounts the real-life murder of the Clutter family, following the last moments of the four victims, investigation, court and trial, and the execution of the two convicted, Perry Edward Smith and Richard Eugene Hickock.
“But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and over again—those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers.”
The book In Cold Blood is a nonfiction book about the murder of the Clutter family. Taking place back in the 1959s, Truman Capote writes about the events leading up to the murders, when the murders took place, and the aftermath. He tells the story in such a descriptive manner, that it feels like we were there when it happened. The purpose of writing like that is so we can know everyone’s side of the story, even people you wouldn’t ordinarily think of. He helps us feel like we were there when it happened by effectively and efficiently using the rhetorical strategies. The rhetorical strategies I feel were most important to the story were pathos, logos, and the tone. The way Capote uses these rhetorical strategies and literary devices is
The novel, Night, authored by Elie Wiesel, tells a story about how a child named Eliezer survives the Holocaust along side his fighting father. In the end, death confronts Eliezer's father and steals him away. Judy (Weissenberg) Cohen, a survivor of the Holocaust, also goes through these treacherous trials and shares them in her speech. She describes the dreadful events she witnessed and how it scares her of the evil mankind holds. Both, Elie and Judy, use different rhetorical strategies to express their thoughts and views of what they experienced and witnessed in the Holocaust.
Truman Capote wrote In Cold Blood after the murder of the Clutter family, a tragic event which shook the Holcomb community. In his book, he uses syntax, imagery, tone, and more devices to convey his perspective on Holcomb and the Clutter Family.
Confused by the explosions and machinegun fire coming from both sides, many reporters couldn’t quite tell who had the upper hand. The confusion left many reporters with the assumption that the enemy had taken over the embassy, even though it was an obvious win for American forces. It wasn’t long until a picture of three U.S. soldiers fighting for their life alongside two of their dead brothers was plastered onto the front page of the New York Times. American televisions and newspapers were being filled with the horrible images of the Vietnam War. For many Americans, this was their first glimpse at war, and it was gruesome. Even though the event at the embassy were less catastrophic than the reporters made it seem, the footage of U.S. troops fighting for their own embassy shocked many
In his New Yorker article “Vengeance Is Ours,” Jared Diamond makes the claim that revenge is a universal feeling and that state governments alienate us from satisfactory feelings derived from revenge. Through two narratives Diamond exhibits the satisfaction derived from revenge, as well as the dismay when revenge is not achieved. He first examines the story of Daniel Wemp who, after the murder of his uncle at the hands of a man named Isum, goes on a quest to avenge him and feels the euphoria of revenge. It took Daniel three years, twenty nine other murders, and three hundred pig sacrifices to achieve this, but when he finally heard that Isum was dead he felt “as if I am developing wings” and as if he was “about to fly off”(7). To do contrast
John Pilger’s ‘The War You Don’t See’ promotes many strong ideas, with a strong focus on the value of honesty and the lack of it. Raising the issue of when the media do not do their job, the public is manipulated as we are not told the whole truth therefore are not aware of the horrific and