Robert Hayden Biography

Governor Robert Bentley was born on February 3, 1943 in Columbiana, Alabama. His home town is in Tuscaloosa, Alabama. Bentley has a wife named Dianne and 4 children: Paul, John Mark, Luke, and Matthew. He attended the University of Alabama and got his bachelor’s degree and M.D. at the school of medicine. He continued with his residency at Carraway Methodist Hospital in Birmingham. In 1969, he joined the U.S. Air Force serving for two years as a captain in the medical unit at Pope Air Force Base. After his military career ended, he returned to medical school and specialized in dermatology. Bentley is a board certified dermatologist. He was president of the Alabama Dermatology Society for two terms. A society, in which, he founded. It went on

The true testament of a man is found in his resiliency. It is found in his enterprising spirit; his dogged resolve to overcome in the face of adversity. My grandfather, Richard E. Robinson Sr., exemplified this maxim. Young Richard was born in 1932 and raised on a farm in rural Black Horse, Maryland. There he lived with his parents, three sisters, and five brothers. Henry S. Robinson worked the fields as a sharecropper. As a little boy, Henry yearned for higher education. He desired to read books that would arouse his mind and awaken his soul. Unfortunately, Henry spent most of his days working in the fields. He grew up in an environment that valued labor over education. In turn, manual labor left Henry without an education past the sixth-grade.

It is considered more difficult for a poet to grab the attention and imagination of an audience than it is for an author. The use of metaphor and symbol in poetry means that the poet can say one thing and invoke a whole range of possibilities, be it love, anger, jealousy or envy; an old memory or a new wish. The use of metaphors and symbols enables the audience to see what they believe Dunn meant, by imaging his true meaning of a word. The three poems I have chosen to study are: ‘’The Kaleidoscope’’, ‘’Sandra’s Mobile’’ and ‘’Second Opinion’’. These are all part of the

Although Woodsworth is the most prolific poet of the two, Coleridge stands out with his unique style in “The Rime of the Ancient Mariner” and “Kuba Khan.” McCombe chose “The Rime of the Ancient Mariner” and older works by Coleridge and Woodsworth to show how Hitchcock’s film is similar to British Romanticism. Hitchcock films are rarely read in the context of a literary framework. For the most part, scholars read Hitchcock’s film through Jacques Lucan’s psychoanalysis methods. McCombe does not disagree that the film can be read through psychoanalysis and go on to cite texts that have successfully done so. However, he focuses on the romantic style of Hitchcock’s film which validate Hitchcock as a hyper romantic.

The study of any poem often begins with its imagery. Being the centralized idea behind the power of poetry, imagery isn’t always there to just give a mental picture when reading the poem, but has other purposes. Imagery can speak to the five senses using figurative language as well as help create a specific emotion that the author is trying to infuse within the poem. It helps convey a complete human experience a very minimal amount of words. In this group of poems the author uses imagery to show that humanity is characterized as lost, sorrowful and regretful, but nature is untainted by being free of mistakes and flaws and by taking time to take in its attributes it can help humans have a sense of peace, purity, and joy, as well as a sense of

New historicism is premised upon an ideological attempt to wed the practice of history and literary criticism. In this type of textual analysis, the literary work is juxtaposed with historical events (characteristic of the time period in which the work was produced) in an effort to understand the implications within the text. This line of inquiry serves to recover a "historical consciousness" which may be utilized in the rendering of literary theory. "Poems and novels came to be seen in isolation, as urnlike objects of precious beauty. The new historicists, whatever their differences and however defined, want us to see that even the most unlike poems are caught in a web of historical conditions,

“The one who are walking away from Omelas” is often regarded as a short story that directly related to our society that extremely injustice exist. It also implied that to create a perfect world, suffering could not be prevented. To explain the message behind the story, the understanding of symbolism is important. The main argument of this paper is to argue that Ursula K. Le Guin used symbolism to show her attention on morality and exposition to reality. Therefore, differently used of symbolisms will be discussed in

The imaginative foundation of a writer’s work may well be an inner drama or ‘hidden life’ in which his deepest interests and conflicts are transformed into images or characters; and through the symbolic play of these creations, he comes to ‘know’ the meaning of his experience; the imaginative structure becomes a means of reaching truth. . . . he lives ‘a life of allegory,’ and each of his works expresses one facet or another of the total structure. . . .heart-leading symbol. [The Heart became]

Since New Historicists view an aesthetic work as a social production, a text's meaning resides for them in the cultural system, composed of the Demon Lover from New Historicist point of view, three area of concern should be investigated: (1) Elizabeth Bowen's life; (2) the social rules and dictates within the text; and (3) the reflection of this work's historical

This paper will first deconstruct the symbolism of the Allegory of the Cave and then argue that the symbolism between the ignorance of the Cave-World and the enlightenment of the visible world represents the educational struggle to discover that which is good between the empirical knowledge of the poets and the philosophical knowledge of the

“If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away.” (FCF 4).

To this effect, I shall explore this text’s connections to Nietzsche's key intellectual influences. First, I shall address the impact of the Schopenhauerian view of the world on The Birth of Tragedy, in particular as regards the opposition between Apollo and Dionysus and the nature and goal of tragic art. Subsequently, I shall refer to the influence of Richard Wagner's thought in order to explore the relationship between metaphysics and art as humanity's "true metaphysical

The Human Condition, or La condition humaine was two paintings created by Rene Magritte, one in 1933 and the other in 1935. Both contain many formal similarities, yet the main point of the painting is that there is a painting of a landscape, yet that painting perfectly fits with, or completes, the landscape, as if it was perfectly drawn. In this analysis, I will be analyzing Magritte’s first painting, made in 1933. Magritte’s works often include objects hiding behind others, such as with Magritte’s The Son of Man, where a man in a bowler hat is hiding his face behind a floating apple. Magritte does this also in the Human Condition, yet to express a different meaning. Magritte is one of the major spearheads of the surrealist movement, a type of modernism, in which the fabric of realism and definitions are questions. One of Magritte’s more famous works, The Treachery of Images, Magritte shows a picture of what obviously is a pipe, yet, written in French beneath the image, states “This is not a pipe.” This was the dawn of a philosophy which would take the western art world by storm, called structuralism/post-structuralism. This is the philosophy where ideas/words and their meanings can be flexible depending on the viewer or the circumstance. This philosophy believes in the subconscious identification with images/colors that people have with art. In Magritte’s Treachery of the Images, his statement that “this is not a pipe” can be interpreted in different ways. One could say,

One of the key themes within the idea of Romanticism is ‘the artist’. Taking Lowy and Sayre’s definition of romanticism into account, this figure could be described as

Auden is a poet from the XXth century. As such, he has suffered the wars that have stricken the period. The ekphrasis, which is a literary description of a work of art, is used by Auden in his poems “The Shield of Achilles” and “Musée des Beaux Arts”. As part of his great concerns were the political and psychological conflicts that existed then. In the aforementioned poems, Auden uses the ekphrasis to denounce people’s indifference to human misery.