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Roberto Benigni's Life Is Beautiful

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Directed by, and starring Roberto Benigni, Life Is Beautiful is an Italian drama/comedy crossover film produced in 1997, inspired by the book In the End, I Beat Hitler. Benigni plays the protagonist, Guido Orefice who is a Jewish Italian bookshop owner, who, with his son, becomes a victim of the holocaust. The film depicts Guido as a character with a fertile imagination, which he uses to his advantage as a shield to his son from the horrors and the truth of internment in a Nazi concentration camp. The director effectively uses the themes of bravery, imagination, fantasy and innocence as tools to protect the characters from the dangers and hardships they are faced whilst they are living and surviving inside the walls of the camp.

The theme …show more content…

The pressures of anti-Semitism, cruelty, and prejudice affect everyone in the film, and each character's reaction to these pressures is highly indicative of his or her personal beliefs. The character of Dora is a good example of bravery in the film, and her dilemmas in the film mirror the true dilemmas that were faced by Italians in the 1930s. At the beginning of the film, she finds herself trapped in a relationship with a man she does not love, surrounded by socialites who do not think or act like she does. She hates her surroundings but feels helpless to escape. When Guido comes along, however, she realizes that there is another option: following her heart. She bravely leaves the safety of her surroundings to be with her true love, and she becomes far happier for having done so. Dora's sense of being swept up by the inertia of her surroundings recalls how many Italians felt when the Fascists came to power. Dora does not like what is happening in her life, but she sees no viable alternative. Likewise, many Italians felt that opposing the government was impossibly difficult and dangerous. On the one hand, their silence amounted to consent; on the other hand, their silence could be interpreted as cowardice and a lack of bravery. When Guido sweeps in on a horse and rescues Dora, he shows that such bravery is possible and highly desirable; his act serves as an allegory for (and an endorsement of) opposition to the

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