Ronald Knox's Commandments In Detective Fiction

When Gayle Wald wrote, “Sayers’s career writing detective stories effectively ends with Gaudy Night” (108), she did not present a new argument, but continued the tradition that Gaudy Night does not center on the detective story.  Barbara Harrison even labeled Dorothy Sayers’s Lord Peter/Harriet Vane books, Strong Poison, Gaudy Night, and Busman’s Honeymoon, as “deliriously happy-ending romances” (66).  The label stretches the definition of a romance, but Gaudy Night indeed has very little to do with crime.  Sayers encrypted the real story within her detective novel.  This story behind the story narrates love and human relationships.  In fact, the crimes in Gaudy Night only supply a convenient way for

My post-reading and post-viewing dissatisfaction with The Mousetrap’s ending proves doubly noteworthy when one takes into consideration the genre of Christie’s work. After all, why should it matter that a murder mystery concludes on a comedic note?

In the paragraphs depicting the murder scene, Poe writes, “Upon the floor were found four Napoleons, an ear-ring of topaz, three large silver spoons, three smaller of métal d'Alger, and two bags, containing nearly four thousand francs in gold.” These items that are strewn across the house are red herrings. The reader thinks that they are important to finding out who committed the murder when in reality they are not. This conflicts us as readers, because what we are analyzing and what is in front of us is irrelevant, and we are forced to rely on our imagination - or in this case, Dupins'. Another example is the gruesome description of the murder victims, “…lay the corpse of the old lady, with her throat so entirely cut that, upon an attempt to raise her, the head fell off.

Murder on the Orient Express by Agatha Christie is a murder-mystery novel that takes place on a train headed toward Calais. In the middle of the 2nd night aboard, the train comes to a halt, and the passengers are stuck in a snowstorm. It is then discovered that a man has been murdered, and everyone in the train is now a suspect. The novel follows Hercule Poirot as he examines the evidence and tries to piece together the story behind the murder. Throughout the novel, the theme of justice is very important because it is repeatedly mentioned, it was initially evaded by the victim, and is revealed to be the inspiration behind the murder.

The detective genre is recognizable by the mystery that it represents or establishes. Every word of a fiction novel is chosen with a purpose, and that purpose on a detective novel is to create suspense. The excerpts from The Big Sleep by Raymond Chandler, Murder Is My Business by Lynette Prucha, and Devil in a Blue Dress by Walter Mosley, create an atmosphere of suspense and mystery. Even though they all fit into this category, there are some differences that make each novel unique. The imagery that the authors offer in the excerpts helps the reader to distinguish the similarities and the differences.

Throughout the study of JB Priestley’s ‘An Inspector Calls’, it is easy to identify that there are many points in which this text both conforms and subverts to the conventions of the mystery genre. The author explores the archetypal mystery genre through firstly, the dead body and murder of Eva Smith, as well as the clues and motives that are revealed throughout the investigation. This is further followed by the series of intertwining characters, and the inquiry of their involvement in the death. However, this typical mystery text can be contradicted by the fact that this death was not a murder, but a suicide case, changing the expectations to instead of who killed her, but what were the lead up in events to result in Eva killing herself.

The main point of this article is that this story has most classic Christie themes including an enclosed setting (oriented express) and loose associates among suspects. In a detective novel, the suspects usually is much closer to the dead person. But in Murder On The Orient Express, the readers are aware that one after another passengers is connected with the Armstrong kidnapping case. In the end it turns out that everyone has something to hide; however, the criminals are let off scot-free because they have got rid of the world of a monster that law cannot reach,

Many people enjoy the detective and crime shows, but what they may not realize is that Edgar Allan Poe was the one to pioneer this genre. For the short stories, poems, and a few books he wrote, Edgar Allan Poe is a recognized American writer. He lived in the era of westward expansion, slavery laws beginning to become an issue, and most influential to Poe, Tuberculosis(TB) was a major issue. There was not yet a cure for people with TB, in fact, there wouldn’t be a known cure for another 100 years after his life. He lost many people during his life; his father left before Poe was 3 years old, his mother died from TB when Poe was three. He moved into a foster home, but stories tell that his foster father did not like him so he struggled to find the support he needed both as a child and as a broke college student. Although many myths state that Poe was a drunkard and incapable of love, he was married. His outsiderness in his foster home likely influenced his writing, as well as his irregularity and uniqueness, and his horrid memories of how TB had taken some of his closes family. Poe’s unique literary techniques enhance his macabre writing style.

Readers who have never picked up on the Dashiell Hammett detective novel The Maltese Falcon 1930 or seen the classic 1941 film adaptation, which follows the novel almost verbatim, can feel a strong sense of familiarity, faced for the first time in history. In this book, Hammett invented the hard-boiled private eye genre, introducing many of the elements that readers have come to expect from detective stories: mysterious, attractive woman whose love can be a trap , search for exotic icon that people are willing to kill the detective, who plays both sides of the law, to find the truth , but it is ultimately driven by a strong moral code , and shootings and beatings enough for readers to share the feeling of danger Detective . For decades , countless writers have copied the themes and motifs Hammett may rarely come anywhere near him almost perfect blend of cynicism and excitement.

Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.

A struggling writer during the 1840’s is undoubtedly one of the strongest and well-known writers today. Commonly referred to as “The father of the detective story”, Poe’s graphic-gothic work certainly caught the attention of the public, who collectively believe his strange work unintentionally reveals his own troubled mind. His famous piece of work, The Black Cat, reveals the psychology of guilt and delivers varied emotions including superstition, hatred, love, sudden mental and personality transformation, which are all conveyed through Pluto. Literary devices in The Black Cat, along with Poe’s outstanding knowledge of the complex human mind and mental disorders prior to its discovering, reveal the nameless narrator’s unstable mental condition.

Edgar Allan Poe’s influence on American literature was nothing short of great; not only was he the creator of the detective story and the horror thriller, but he also influenced many great writers, among those William Faulkner and Fyodor Dostoevsky. While Poe is best known for his horror thrillers, being the creator of that particular genre, he has also fashioned two other literary genres, like the detective and the science fiction genre. Throughout his life, Poe read, reviewed, and critiqued many books for various magazines and papers. Poe did not hesitate to attack what he deemed inferior. “Is purely too imbecile to merit an extended critique,” he once wrote of a novel. Because of his readiness to attack what he believed to be unworthy,

Murder on the Orient Express is more than just a murder mystery. It is a novel that utilizes a great deal of existing social issues of the era in which it was written and formed a commentary on those issues while giving the reader an intriguing yet approachable narrative. Through this approach, Agatha Christie has given the reader an opportunity to see the world through the eyes of the seasoned private investigator Hercule Poirot. In this world, nothing is at it seems and apparent coincidence belies a hidden truth, a world in which the geographical connections created by passenger railways allowed people of different nationalities and classes to rub elbows.

While American and British authors developed the two distinct schools of detective fiction, known as “hard-boiled and “golden age,” simultaneously, the British works served to continue traditions established by earlier authors while American works formed their own distinct identity. Though a niche category, detective works reflect the morality and culture of the societies their authors lived in. Written in the time period after World War I, Dashiell Hammett’s The Maltese Falcon and “The Gutting of Couffignal”, and Raymond Chandler’s “Trouble Is My Business” adapt their detectives to a new harsh reality of urban life. In “hard-boiled” works, the detective is more realistic than the detective in “golden age” works according to the

1A. A good detective is a very smart person who is able to use evidence and to detect lies and truth. And is also able to think things in a logic and quicker way as well as understanding criminal's movements. For example, detective Dupin in the "Murders of the Rue Morgue" from how the bones were broken and how a lot of hair was pulled out, he figured out that the criminal was not a human, but rather an criminal(Orangutan). "I proceeded to think thus—à posteriori. The murderers did escape from one of these windows. This being so, they could not have refastened the sashes from the inside, as they were found fastened; — the consideration which put a stop, through its obviousness, to the scrutiny of the police in this quarter. Yet the sashes were fastened. They must, then, have the power of fastening themselves. There was no escape from this conclusion." I have seen the character of detectives evolve from one author to the next by having a brilliant life in Doyle's novel "The Sign of the four" to love as in Rampo's "Beast in the Shadows. In "The Sign of the Four" it said, "I cannot live without brain-work. What else is there to live for?" In the "Beast in the Shadows" it said, "Thus, I fell for her completely, sending her meaningless on a frequent basis." Doyle's, Rampo's, Gaboriau's, Christie's, and Borges's fiction character and plot were similar as Poe's detective and plot. Therefore, they do depend on earlier models. In respect, Gaboriau aims to glorify or support the French police while it said, “Well done, Goulard!" quoth the commissary, approvingl;” Poe has a contemptuous attitude towards the agency. I believe that Gaboriau got the idea from Poe, but did the opposite from what I see, I could definitely tell that Poe deserves the title "One of American Greatest Storyteller" because so many authors followed his example of how to write a detective novel. Which shows that his writing impact others to write detective novels.