Sanity Like One Flew Over The Cuckoo's Nest

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Throughout the mid 1960’s to the late 1970’s, the concept and interest of mental illness has been studied and discussed in countless different mediums ranging from films that tackled issues of sanity like One Flew Over the Cuckoo’s Nest to novels that dealt with much darker issues such as schizophrenia in Flora Schreiber’s Sybil. One of the most controversial and talked about productions of the 20th century is Peter Shaffer’s 1974 Tony winning play, Equus, which recounts Dr. Martin Dysart’s encounter and treatment of a seventeen year old boy, Alan Strang, who blinded six horses with an icepick. The play focuses on therapy sessions between Dysart and Alan in which Dysart struggles arduously to bring to the surface Alan’s inner psyche and reasons for blinding the different horses. The play has content that may suggest the story focuses on mental illness, sexuality, and religion; however, this is only when the text is read and understood on an efferent level. The true essence of Equus is located in the numerous biblical parallels found through the analyzation of the plot lines that suggest. Through the analysis and biblical relation of plot points and scenes in Equus, the true essence of the story is revealed; not only is Equus a story of mental illness and sexuality, but it is also a parable of sorts, showing biblical passages and stories in a different and more relatable light.
The root and essence of the biblical parallels in Equus are present from the first moment that

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