Marjane Satrapi’s “Persepolis,” is an autobiographical graphic novel, through which Marjane recounts her life as an impressionable child during the Islamic Revolution of 1979. Through this period of socio-political turmoil, a young Satrapi’s perspectives on religion and national identity are moulded by circumstance. “Persepolis” is an important piece of literature, as it not only dispels many pre-existing prejudices and generalizations made against Iran—and furthermore, the religion of Islam itself—but it also establishes the Muslim population as a diverse spectrum of perspectives and ideologies united under one faith. Satrapi states in her introduction to “Persepolis” that she does not want her “entire nation” to be judged upon the “wrongdoings …show more content…
She is dressed head to toe in a black religious garment with a triangular figure; sharp angular lines are used in the illustration. Her facial features are those of an archetypal villain, with her long, pointed nose, arched eyebrows, and malicious smile. Satrapi’s views on fundamentalist Muslims are evident through her illustrations; it is important for the reader to comprehend the political atmosphere at the time of the revolution, and by villainizing religious extremism, Satrapi allows the reader to empathize with the victims of the atrocities committed during the Islamic Revolution. The second photo on the left is a good example of the diversity of ideologies that Satrapi represents in Persepolis. The two girls that immediately stand out, are the ones wearing the headscarf. Satrapi characterizes them as oppressive through their dialogue, to show the degree to which children had been indoctrinated during the Islamic Revolution. One girl grabs another in a chokehold preaching for “execution in the name of freedom,” while the other rides a peer as though she were a horse; the characterization of the other girls in the frame is drastically different from the two wearing the veil. The other children are portrayed as carefree—a childish innocence is present within their dialogue—frolicking in the schoolyard; the frame acts as a …show more content…
Throughout the story Marjane’s identity becomes centered around the progressive ideologies projected upon her by her parents. Satrapi depicts herself as an intelligent young woman, as evidenced by her interest in the pursuit of knowledge through literature; she is a universal protagonist, that serves as the voice of a progressive generation during a time of oppression. Ideologies of modernists pose a stark contrast to those of fundamentalists during the time of the revolution. In the second picture to the left, Satrapi’s family is witnessed partying (notice the presence of alcohol), during a period of socio-political turmoil—contrary to contemporary practice where people drink in times of high stress, this would be deemed taboo from a fundamentalist perspective. Modernists are characterized by their general acceptance of Western customs and ideologies; their appearances also tend to differ drastically from the portrayal of fundamentalists. Not only are their facial features softer and more rounded, but they tend to dress differently as well, as their ensemble mimics that of Westerners. Satrapi tends to depict fundamentalists as very similar in appearance and mindset—a homogenous entity—whereas modernists vary
Adolescence is an age where children began to find themselves or, in some cases, lose themselves, an idea clearly developed by Satrapi in her graphic novel “Persepolis”. Satrapi explores the challenges and difficulties experienced by a sheltered and naive girl during the tumultuous and uncertain years of the Iranian revolution and attempts to solve the oppression she witnesses by the Islamicist government. This is important to the whole text as it identifies the religious conservatism and Islamisation of the state causes distress and confusion in Marjane who consequently had to redefine herself, given that her freedom and personal liberties were denied them in schools, public places, and even her own home.
However, some may argue that the extent to which Satrapi can challenge conventional beliefs about Iran is limited by her perspective. Satrapi writes from the first-person point-of-view and a child’s nonetheless. Those same people might argue that when Satrapi is challenging generalizations by using personal examples she is manipulating fact, confusing them with opinion, and asserting her bias in a persuasive manner. Historically writing of this kind is often discarded for more specific and omniscient information. However, Satrapi never hides from her bias and desire to introduce the West to her version of Iran. In any persuasive writing a bias is implied and one might influence just as to which examples they choose include to support their argument, this essay for example. She may be employing a persuasive tone, but the extent to which she accomplishes her goal is not altered by such beliefs.
Marjane Satrapi’s memoir Persepolis is considered a “coming of age” story based on her experiences growing up in Iran during the Islamic Revolution. This graphic novel explores the life she lead in Tehran which encompassed the overthrow of the Shah’s regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Undergoing life with such a chaotic environment, it took Satrapi courage to act and live as her “authentic self” and explore what it meant to her to be authentic. Similar to Aristotle, May and Medinas Persepolis examines the concept of courage, through the view of innocence; through Satrapi’s childhood.
Throughout the Iranian Revolution, many events and changes took place that largely affected the views of Iranians by other nations. The graphic novel, The Complete Persepolis, written by Marjane Satrapi (Satrapi, 2003), conveys many of these events and changes through the eyes of a child growing up in the 1980s in Iran. Satrapi’s main purpose for this book is to describe how the Iranian government was corrupt, causing foreign nations to have a tainted view of all Iranian citizens. The Complete Persepolis does so by presenting major events and changes in a manner that is directed towards audiences that are willing to have an open mind about ethnicity and false stereotypes, and an audience that is young and can relate to the “coming of age” aspect of this novel. By exhibiting a credible first hand account of how Satrapi and many others were affected by the events that took place during the Iranian Revolution, The Complete Persepolis can effectively persuade a reader to eliminate the “Islamic extremist” stereotype that the corrupt Islamic Republic gave all Iranian citizens.
The graphic novel Persepolis by Marjane Satrapi is a political and personal account of a young girl’s growth to maturity. The novel serves as an autobiography of the author’s childhood in Tehren, Iran. It describes what it was like to grow up during the 1979 Islamic Revolution, the end of the Shah’s regime, and the war with Iraq. One of the most prominent themes in the novel is the clash between modernity and fundamentalism. The reader can observe this conflict through Iran's internal oppositions, the Satrapi’s modernity, and Marji’s western soci-political beliefs. This aspect of the novel is important because it shows the ideological diversity within Iran and the consequences faced by those in the opposition.
Imagine a child growing up in a war-torn country, and imagine them having no idea where she or he fits in all this. This child at first holds onto their religion because it is safe and the only thing solid in their crumbling world. Yet, this too will be taken from the child. Now lost and confused the child must find their way in an unfriendly world. This is not a fictitious story. This is an actual event that happened to the author of The Complete Persepolis. Marjane Satrapi, the author of The Complete Persepolis, grew up during the 1979 Revolution. This event changed many people’s lives, either it was for the better or worse is hard to say. Nevertheless, it influenced Satrapi 's whole life. In the book, Satrapi expresses her childhood memories through her eyes as a child. Her experiences and ancestry can be clearly shown throughout the whole book. Satrapi’s family background/past, her parent’s perspective and her own life experiences in foreign countries have caused her to grow and evolved throughout the years.
(Satrapi, 2003: 126) This brings another dimension to the relationship between Marji and her readers. Writing the novel in graphic form brings the Middle Eastern graphic novel closer to its Western neighbours because it is in a medium that is recognizable in the West. In addition, Satrapi’s depiction of Muslim leaders as "uneducated, primitive, and narrow-minded brutes" strengthens her connection with her Western readers whose perception of Muslim extremists might indeed be quite similar to the one crafted in the autobiography. (Constantino, 2008: 4) The novel Persepolis is effective because it was written to please a specific type of community. It uses language and cultural barriers in the illustrations and text to further separate the reader from the antagonists.
The novel “Persepolis” shows many life changes during the Islamic Revolution told through the eyes of a young girl. “Persepolis” was based on Satrapi’s childhood experience in Iran. Throughout the span of the 1970’s to the early 1980’s, Satrapi experiences many changes in her life, not only with the government, or her education, but also with herself. Although she witnessed many violent acts right in front of her eyes, these experiences helped Marji (Satrapi) grow as a young child.
By allowing the reader to form their own perspective it “makes the reader reconsider the assumptions…[of the] so-called other” by giving the reader the freedom to perceive the events of the revolution as they wish and not reconsider the way that they once understood the people of the east to be (Darda 34). Satrapi is using her experience and graphic novels to show what her experience as a child was, she does not claim at any point to be telling the entire story of the revolution she is merely introducing a new perspective which up until that point had not been seen in the western countries.
Another historical event that we see is the rise and effects of the Islamic regime in Marjane’s life. This event is arguably the central issue that affects Marjane during her upbringing in Iran. Marjane shows how the regime begins to control schools, and how this affects her life by separating her from her friends (4, 3-4). We also see how the regime decides to close universities as they “educate future imperialists.” (73, 1-3) This demonstrates the negative effects that the regime has on society, as they prioritize Islamic values over education. The Islamic leaders portrayal shows them as upset and bored, and are given much different facial expressions than those that Marjane sees as intellectual (such as Uncle Anoosh (54/3) or Marjane’s grandfather (23/8)). This imagery communicates the backwards-thinking of these leaders, and as such, also effectively communicate Marjane’s opinion of the leaders without needing to discuss it with text. Additionally, we see both of Marjane’s views: Marjane not understanding the veiling and separation (3/5) as well as Marjane’s depression over the closing of the universities (73/7). The text here illustrates her opinions on the situations that she experiences, and the imagery allows us to see a visual representation of her basic thoughts and emotions, which are well communicated. A final example of the regime’s changes is the difference between the fundamentalist and modern women
The first book, Persepolis: The Story of a Childhood, describes Satrapi's dreams and betrayals as she faces the realities of the revolution in Tehran, Iran. Growing up in the Iranian Revolution is one of the main components of Satrapi’s identity. Her family’s way of living was more open-minded and liberal in contrast to the conservative regime of Iran. With hopes of independence and freedom, Satrapi grows up to become rebellious and clever. As a result, her family drew negative attention from authorities, and, in 1984, sent Satrapi away to Austria.
In The Complete Persepolis by Marjane Satrapi, the genre choice of the graphic novel vividly portrays the life-experience that Satrapi herself gone through as a youth growing up in Iran back in the 1980s. Satrapi utilizes a unique drawing style to emphasize the influence that the Islamic Republic has brought to her. The recurring action of teachers implanting Islamic values in children throughout Marjane’s education in Iran is demonstrated through a set of related images, which implicitly reflect on the destruction of childhood that is caused by a totalitarian regime. For instance, the teachers force the girls to wear veils on page1 and tells the parents that “either [girls] obey the law, or [they are] expelled” (Satrapi, 98) later on. Also, the background of these images takes place where Iran is involved in both revolution and war; it contributes to children’ miserable situation even more.
Throughout the history of Iran, it has been a great public figure of turmoil. The title of the novel, Persepolis, which is translated to, “the City of Persians”, is important because it was the original capital of Persia (part of the Iranian Empire), and fell to destruction. I believe Satrapi is trying to compare the ancient city to what is
The Complete Persepolis paints a descriptive and complex picture of Iranian society and its transition from a progressive and Westernized state to a new fundamentalist regime following the 1979 Islamic Revolution. The graphic novel cleverly uses a blend of images and text to tell her story from different perspectives throughout her life, exemplifying and questioning the ideologies accompanying the revolution. Specifically, Satrapi focuses on the role of the veil to challenge the new regime and its ideals of feminine oppression. Throughout the novel, Marjane Satrapi attempts to navigate through the abrupt shift of culture in her world, strategically utilizing different perspectives of the veil as both a young girl and an adult woman to do so. Readers follow Satrapi’s journey with her veil, from her initial conformation to her eventual rebellion and freedom.
Besides focusing on Marji’s own troubles of growing up during the Revolution, she also remarks her parents’ struggle with the ruling Islamic Party. She comes to realize that her parents’ beliefs are opposite to those of the regime. While her parents drink alcohol, have parties and enjoy a wealthy lifestyle, the Guards of the Revolution control this behaviour. Marji´s parents share her rebellious spirit: they also want to have secret parties, break the law and dress however they want to. In one frame Marji helps her mother to empty the alcohol down the toilet, since the police threaten to search their department (p.110). In another frame, Marji’s mother puts tape on the windows as a safeguard against the Iraqi bombings, and black curtains to prevent the neighbours from seeing their parties (p.105) There is a parallelism at play between the upper classes of the revolution and the lower classes, although her parents revolt on a daily basis and share the same beliefs, upon returning home they can still try to enjoy secret pleasures in relative safety, whereas the lower classes are not afforded any means of escape.