Scarab Bird Symbolism

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

Starting from the front top of the coffin, it has a sculpted head showing the face of the Pharaoh. It is covered in gold leaf to represent the color of the skin glowing in the sun. On top of the head is a headdress of wings and dung beetle in the center. The dung beetle placed in two places and both are to represent reviving Meret-it-es. Going below the neck is a picture of Meret-ie-es on the right dress in white asking the god to be let into the afterlife. Underneath the picture, it shows detailed patterns I believe to represent jewelry she would have worn. Moving down the body, another set of wings and a dung beetle are placed near her heart. The dung beetle is holding a circle which I believe is to represent the heart of reviving her. Next is a woman with her wings open. Rosalie mentioned that the woman would close her wings at night and open them to wake up Meret-it-es. Across the pelvis shows a dead Meret-it-es with two women on each side mourning for her. Underneath that is Thoth, god of wisdom and writing. He is using an instrument to write that her spirit may enter the next world. Towards the bottom of her feet is hieroglyphs and a man on a boat with papyrus flowers. Unfortunately, I don’t know what the hieroglyphs; however, the boat represents the man taking her to the

The beautiful magic wands of the Egyptian past are a great example of the how the Ancient Egyptians revered their gods, but more importantly, they glorified their living and sanctified their dead. The appearance during the Middle Kingdom of the magic wands in tombs tell a story of a culture that struggled with surviving childbirth. In order to protect their laboring mothers, in this life and the next, the Egyptians evoked deities from their pantheon and spellbound them to a piece of hippo bone. In the magic wands found scattered about Egypt, all possess carvings of knife wielding deities, some were three dimensional and even the material it has made from held great significance.

The square and compass represent the Mark Degree, with its focus on construction and the completion of the Temple. The Bible represents the Most Excellent, calling to memory the importance of a devotion to God and his worship. The sword and trowel presumably relate to the Virtual Past Master Degree, but as a Pennsylvania Royal Arch Mason, I have no direct ties to their symbolism in light of the degree. Finally we come to the spade, pick, and crow and scroll, the working tools of a Royal Arch Mason. The symbolism of each of these tools is explored in depth during the degree, with the scroll alluding to the finding of the lost word, long buried and

This oddly shaped stone contained pieces of three different writings that was used in Egypt. At that time the Rosetta Stone was engraved with a language for priests, government officials, and rulers of Egypt. The first one was Egyptian Hieroglyphics and it was for religious purposes.

Do people usually know what national birds mean in their country? It is common to hear that people all over the world do not care about those little animals that represent their idiosyncrasy and culture. Those people; however, are wrong. Knowing what a national bird represents is helpful to characterize a country because of the freedom wishes, strength and joyment that it can symbolize.

    This artifact can tell us some things about the time period it came from. The artifact shows that Egyptians during this time period found it important to mummify certain animals. According to the Museum of Anthropology, hawks were revered throughout Egypt (n.d.). This was due to their connection to the god, Horus (Cornelius,

They held messages by those who carved them. Carvings were symbols that would tell stories about the carver. It could tell stories about the carvers family or the tribe the carver’s in. Often

Egyptians worshipped the goddess Isis as one of their primary deities in ancient times. Isis was a winged goddess, the mother of Horus, and the wife of Osiris. She is known as a protective goddess, one of both motherhood and magic while associated with other areas as well. The amulet here is sculpted out of faience, a glazy glass paint common during the era in which it was made. It is from the Egyptian New Kingdom, dated between the 21st and 22nd dynasties, between the years 1075 and 712 BCE. The amulet is made of three separate pieces, with the wings outstretched from both sides of her body. Isis is in a kneeling, sitting position, on a small platform of some kind, in a profile view facing toward the right. The amulet is raised slightly, giving

These symbols were employed to emphasise on the Pharaohs enforcement of Ma’at, and the disregard for the lives of those who create chaos. The role of administrator is conveyed through the Pharaonic crook, and the crowns (discovered on statues in Tutankhamun’s tomb) of the Pharaoh. Not only does the crook display the protection of the Pharaoh, but also the fertility of the land and at the Pharaonic authority. The Pharaonic crowns represent the power of United Egypt, and conveyed power to foreign diplomats who entered Egypt to conduct trade. Tutankhamun’s tomb and contents are vital in the revelling of the roles of administrator, lawmaker and

"The Awakening" by Kate Chopin is a novel written during the victorian era. The setting of the novel took place somewhere in the south in a resort of Grande Isle. That period of time was the time before the age of women having a say or a voice at all, maybe Chopin ad experienced this for herself. It was obvious to Chopin that the victorian era was a time women were living in what seemed a male dominated society because Chopin uses nature to express symbolically of the empowerment and self-discovery that woman were afraid to endeavor or to withdraw from tradition. The roll of the sea and its act in a fatal ending serves a very important purpose and the birds' symbolism is a great example overall as well.

Carved into the head are eyes, a nose, and a mouth bearing its teeth. Decorating the top of the head are delicate engravings that could represent the god’s headdress. Within the headdress there are images

The Ankh is immediately recognizable to me. When I see it, I know it’s called an ankh and I associate it with Egypt and a symbol of the pagan god and goddesses of ancient Egypt. I confess I do not know exactly what it symbolizes but I feel I can make an educated guess. I know there are similarities between Jesus and Mary of Christianity and Isis and Horus of ancient Egypt. The ankh looks similar to a cross but with the top extension being an upside down raindrop shape instead of a straight line. Because the cross represents eternal life, I would guess the ankh to mean something similar. I also see that top loop as looking like half of the infinity symbol. That adds to my suspicion of it meaning eternal life, or a spiritual life that goes beyond just the physical existence. I’m just going to add that while I’m assuming these things, I get the feeling that there’s an earthy element to it. It seems like a heavy and grounded symbol to me for some reason.

The Book of the Earth continues on the left wall of the chamber. Here there is a mummified figure that emerges from a huge snake. It represents a water clock, a device that the Egyptians used to measure time. Next to this water clock are twelve small figures that represent the hours. There are scenes of funerary equipment on the lower parts of the chamber’s walls. The pillars in the chamber originally showed Tausert offering to various deities. But just like throughout the rest of the tomb, her figures were replaced by those of Setnakht offering to Horus, Osiris, Anubis, and other deities.

Animal symbolism in medieval texts – ‘The Accounts of the Journeys of Ohthere and Wulfstan’