Schindler’s List
How has Steven Spielberg used film techniques to make the viewer feel more involved?
Introduction: The film Schindler’s List is based on a book called Schindler’s Ark, written by the Australian novelist Thomas Keneally. It follows Oskar Schindler (Liam Neeson) a rich German businessman as he devotes his life to saving as many refugees as possible, most of them being Jewish-Polish. He does this by employing them in his factories, where they make pots, pans and later on in the film faulty ammunition for the German Nazi military. Oscar employed more than 500 people for several years costing him all of his savings, apart from a few dollars and a golden pin, desperately trying to spare their lives.
The impact of Black-and-White
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For example when the one armed man is shot in the streets of Krakow, his black looking blood spreads through the powdery white snow, the deep contrast in colors emphasizes the split between life and death good and evil. In some scenes, for example the evacuation of the Krakow ghetto, they keep the lighting dark, emphasizing a sense of fright and confusion. The same contrast marks the pile of bodies that are burning in the Plaszow work camp: the white skulls stand out in a pile of ashes. A white light shuns upon the women’s faces in the shower scene at Auschwitz as they stare up in terror at the showerheads. The contrast of light and dark also shows on Schindler’s face, which is often only half lit, reflecting his selfish dark side. His face becomes more lightened as he makes the change from a war profiteer to a true savior. Schindler’s List just probably wouldn’t have the same emotional and visual impact if Spielberg had made the film in color.
I believe one of the most important scenes takes place when the Jewish prisoners who have been chosen for transport are being loaded into railway cars on a hot dry summer day and are left waiting without water. Spielberg uses many techniques in this particular scene to portray Schindler standing against the Nazi motives by helping the Jews survive. Some of the film techniques used in this scene include costuming, lighting and camera techniques, they
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The first being a dripping fire hydrant only metres away from the dying Jews. They are cramped into such a small, dry, hot space with no water and only short distance away water is being wasted. This shows how uncaring and cruel the Nazis were, it would have been of little effort to them to give the Jewish people water however it was more enjoyable to watch them suffer. Spielberg used a number of close ups on the suffering Jewish people. This shows the audience how little room they have are and how mistreated they are by the Nazis. The final important camera technique is the zoom along the length of hose. This has been used to enphasize the lengths that Schindler will go to in order help the jewish people. Spielberg uses camera angles and techniques to create a greater impact for the audience and also to help portray his message. These camera angles in this scene are used throughout the whole movie, showing the lengths Schindler will go to in order to give them water we can see that he will go to even greater lengths to save their
The movie –Schindler’s List– is based off the true story of the saving of 1,200 Jews by Oskar Schindler. In the beginning of the movie, Schindler employed Jews from the Kraków Ghetto to work in his newly established enamelware factory in Poland. Spielberg portrays Schindler as “simply another Nazi who regards the killing of Jewish slaves as a senseless business practice. Although he is seen
First off, a passage that really catches the reader’s eye by the use of imagery is when the Jews first arrive at the camp Auschwitz. The Jews are
Another scene with Goeth that uses camera scene only and silence to depict so much is the scene where all the Jewish is in the hot trains. Schindler feels compassion toward these suffering people. He asks that some hoses be provided in order to cool the passengers. The SS guards think, because of their own perversions, that Schindler is trying to be cruel. They think he is trying to give the Jewish false hope. Schindler laughs a long with them. He then asks that his very long hoses be brought so that they will reach the end of the train cars. The next scene shows Schindler spraying the cars at the end of the line. The camera shows a close up of Amon Goeth. Goeth’s expression, without any words, shows a man that is very confused. You can tell that Goeth now sees that Schindler is not being cruel. He sees a man that is powerful, compassionate and a member of the Nazi party. Goeth’s expression seems to ask how???
Schindler’s List was a movie based on the novel “Schindler’s Ark”. This movie showed a heroic man who saved over 1000 jews. His name was Oskar Schindler. At first, he was wasn’t affected that much by the Holocaust, but over time he grew sympathy and felt bad for Jews. He began to bring in Jews into his factory even if they weren’t up to work. He tried getting everyone that was available to “work” in his factory. He knew how to get his way, so he wanted a new factory built and he got it. He has a list typed out listing each Jew we wanted to work for him. This is exactly where the movie title came from if you couldn’t tell. Though he did save over 1000 Jews, he lost everything at the end. But it all seemed worth it to him. All he wanted to do is save everyone from this terrible war. My opinion on this movie is that it seemed to demonstrate things way better than a documentary would. It showed at least one good man that felt bad and it showed his side of the story. How hard he tried to save everyone with trying to be very secretive about it.
In the movie Schindler's List, the story of the Holocaust is told from a dual point of view; that of the Jewish people who are downtrodden,
. The technique of Spielberg’s face is to zoom in on a character as they are looking at something. Most of the time the face is fully surprised or amazed and the thing that they are looking at is not revealed until the character shows their expression. Spielberg was the first to show the technique and this is why its called the Spielberg face. “Spielberg face” is present in all his movies like Jurassic Park, Close Encounters and The Color Purple.
The first film technique spielberg successfully uses is cinematography. Specifically, he uses close up shots on Frank and Carl’s face during their conversation about whether Carl is telling the truth and then swears on his daughter's life. During these close ups, there is a good use of camera movement by zooming even further into their faces. The use of this technique gives a strong effect on the audience by showing the seriousness and emotion in the characters faces. It also shows the tension and suspense in the room. This shows
One image that demonstrates the horrific things that went on during the holocaust was when Elie and his father were being moved to the barracks. They were being forced to walk by the pits that were filled with fire in which babies and little toddlers were being thrown into. “Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those flames that consumed my faith forever” (34). It was this experience that shook up Elie’s faith and introduced him to the awful things he would witness and have to go through in the near future. This made it so hard for him to continue on and not just give up and throw himself on the barbed
An event occurred over half a century ago that took nearly six million innocent lives had left us with all kinds of story about it. Among those are Night by Elie Wiesel and Schindler’s List by Steven Spielberg. These two pieces of literatures may be similar, yet different in many ways. For instance, the Holocaust. It is one recognizable way that shows the similarity between the movie and the book. However, they are very different because one is about a person saving, or rather buying, 1200 lives and the other is many lives that were saved by a union, Schindler’s List and Night, respectively. Which can indicate the fact that Jewish were treated as less than human when they were bought like some objects. Other factors include
Schindler's List is one of the most powerful movies of all time. It presents the indelible true story of enigmatic German businessman Oskar Schindler who becomes an unlikely saviour of more than 1100 Jews amid the barbaric Nazi reign. A German Catholic war profiteer, Schindler moved to Krakow in 1939 when Germany overran Poland. There he opens an enamelware factory that, on the advice of his Jewish accountant Itzhak Stern, was staffed by Jews from the nearby forced labour camp at Plaszow. Schindler's factory prospered though his contacts with the Nazi war machine and its local representatives, as well as his deft skill on the black market. Then, somewhere along the way, Schindler's devotion to self-interest was
“The tiny seed knew that in order to grow, it needed to be dropped in dirt, covered with darkness, and struggle to reach the light” (Sandra Kring). In the book Night by Elie Wiesel and in the film Schindler’s List directed by Steven Spielberg, the main characters, Elie Wiesel in Night and Oskar Schindler in Schindler’s List both show major growth throughout the two stories. Elie Wiesel was just a young innocent boy when he was uprooted from his home and taken to concentration camps to be killed just for being a Jew. Going into the camp, he was immediately separated from his mother and sisters and although he was able to stay with his father till the end, he came out of the camp alone and had more of a mindset that the world is a very inhumane place sometimes. Oskar Schindler was a German industrialist and member of the Nazi party, very inconsiderate of others and cared very much about the profit portion of the war, Schindler ended up caring about the Jews and saved over 1000 lives in the Holocaust. Weisel and Schindler witness the Holocaust from two different places in the war and the events in the Holocaust cause them both to change and grow as a person substantially in different ways.
By categorizing the two movies, Night and Fog and Schindler’s List, together we are able to better analyze and contrast the two similar yet different sources. First off, both these sources can be deemed accountable because they use more than one source. The documentary, Night and Fog, uses two different survivors of the holocaust as well as various other sources. Schindler’s List also relied on more than one person’s account of the situation to write the movie’s script. This is unlike the sources such as Return to Auschwitz, written by the first-hand account of Kitty Hart , and Night, written by Elie Wiesel who also had first-hand experiences , that depend on one person’s account or report of the situation to tell the story. However, the written work isn’t used for entertainment purposes, like Schindler’s List is, and therefore is less likely to be changed to draw attention or gain financially. Schindler’s List is a famous movie used to
was a Nazi member who saved over a thousand lives during the Holocaust by employing
Schindler's List The film Schindler's list directed by Steven Spielberg based on Thomas Keneally's Schindler's Arks tells the story of an entrepreneur and womaniser Oscar Schindler. Schindler uses the war to his gain by exploiting cheap Jewish labour to run his factory with dreams of earning "steamer trunks" full of money who with the twist of fate ends up saving the lives of 1100 Jews by bribing the Nazi with all his assets during one of the darkest period of history, the Holocaust. Although the film is based on a true story, it does get pampered with some Hollywood treatment to highlight Schindler's hero
The realization had dawned on Schindler as the full weight of the reality hit him. From that moment on during the film, Schindler was a changed man. His efforts to secure his people went from a purely economic standpoint, to a more altruistic motive. Schindler created the list in the film, although through the research of many it has been found that the full story isn’t as cut and dried. The original list was created by Raimund Tisch, parts were edited, lost and recreated with substitutions.