Secular Music
In addition to being a time of great religious significance, the sixteenth century was also a period of bawdy earthiness, irreverent humor, and celebration of sensual love. The same composers who created works for the greater glory of God also wrote compositions of an entirely different character. In Italy and England, the principal form of secularmusic was the madrigal, which in France was called chanson, and in Germany Lied. The madrigal is one of the most representative examples of developments in vocal music.
The first madrigals originated in Italy around 1530, and were designed to convey in as much detail as possible the meaning of the poem on which they were based. The 1588 publication of a volume of translated
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He is considered to be one of the most accomplished madrigalists of the English school.
Renaissance musicians looked to Italy for models and inspiration. In Italy small, organized schools, referred to as Academies, led to the regular gathering and exchange of ideas between artists, poets, musicians, and the performance of new musical works. This type of activity was soon imitated throughout Europe. Music was no longer just accessible to the aristocracy and nobility, but slowly became part of the daily lives of common people.
Instrumental Music
The Lute
The lute is one of the oldest musical instruments, dating back to around 2500 BC. Originating from the Middle East, this instrument gained in popularity amongst many cultures. The English word lute originally came from the Arabic al-oud, which literally means branch of wood. Other versions of this instrument are also known in Japan and Africa. The Japanese Shamisen is another example of a lute instrument.
Up until the end of the 1700s, the lute was one of the most popular instruments in Europe. Lute music is usually written using a complex system of notation known as tabular notation or tablature, which uses numbers and letters of the alphabet to represent pitches through finger placement on the instrument's neck and frets. Renaissance instrumental compositions were often written to explore the technical and expressive
Blanche Gangwere, Music History During the Renaissance Period, 1520–1550. Westport, Connecticut, Praeger Publishers. 2004, Pg. 52
There are many contrasts in the art and music of the Renaissance and the Middle Ages. The Middle Ages was a time of great suffering, including famine and widespread disease, such as the Black Death. The Renaissance was revival of art, learning, and literature. The people’s attitude and fervor for religion had tremendous effects on the art and music produced. The Middle Ages also referred to as “The Age of Faith” was God centered and gave power to the church who dictated how the art should appear, and music should sound. The Renaissance was more concerned with individuals and their talents, the church was not the centralized power, the art exhibited influences from ancient Greece and the Roman Empire.
Music is present in every culture’s past, present, and future. It has been around since 500 B.C. and was especially important in the Elizabethan Era. There were reinventions of music as it was widespread and popular. Without this essential time in history, modern music may have been completely different from what we have today. This era brought new uses for music, styles of compositions, new instruments, and the uprising of popular composers.
Another comparison that can be made to the modern era and Renaissance Europe is the field of music. Music has always been a part of the history and served as a form of entertainment for a long time. In early Renaissance Europe, wealthy merchants were able to educate their family in the arts and music. Women from rich families were also involved in music. Music in early renaissance was created in a way to sooth the listener's ears. Music with vocals was predominant and composers documented music for certain instruments. Events that led to changes from 1400 to 1600 (Arkenberg, 2002) led to the major shift in the styles making music, ways of distributing music, neo musical genres and the creation of instrument used in making music. The early Renaissance
When I was in fifth grade, I was caught between two worlds, playing a woodwind or string instrument. If I played a woodwind instrument I would have to blow in it to make music, but string instruments are played with a bow to make music. After much thought, I decided that the violin was the best instrument for me, because it has a beautiful, unique sound, plus the possibilities are never-ending. I could receive a compliment from a teacher, or even get accepted to the symphony.
Reality comes from creating an imagined thought - whether that thought stemmed from something that someone has seen to what someone has heard, or even felt. The composer that will be discussed throughout this essay composed Morir non può il mio cuore in 1566, this composer is none other but Maddalena Casulana. During the years in which Casulana composed music, she was always looking to present her dedications of her madrigal volumes in a way to provide a little more biographical information than most would at the time. Throughout 1560-1569, she began to publish what would ultimately become her three-volume collection of madrigals (1568; 1570; 1583) that were published the year of her death and which were the first three books of madrigals by a women composer to ever be printed (Franck, Brownstone, 1995. Page 46, 48). Casulana presented her music in a very dramatic way, she was different and unique, focusing and attracted to the topics of ones passing and perpetual dying (Sadie, 1980. Page 2). She was an Italian composer and singer who told a story through the pieces she had composed; expressing each piece in a distinct and narrative way. Maddalena Casulana contributed a great deal of music that till this day will be remembered and cherished.
The main objective in the performance of Renaissance music is that everything done by the singer is subservient to the text. Musicians of the Renaissance were fixated on the concept of music serving the text. Composers set poems to text attempting to imitate natural speech and inflection pattern in the rhythms of the music, and wished to write the music in such a way that the words could be understood. Singers should strive toward clear diction, making sure their vowel shapes and ornamentation do not obscure the text.
African American religious music is the foundation of all contemporary forms of so called “black music.” African American religious music has been a fundamental part of the black experience in this country. This common staple of the African American experience can be traced back to the cruel system of slavery. It then evolved into what we refer to today as gospel music. The goal of this paper is to answer three main questions. What are the origins of African American religious music? How did this musical expression develop into a secular form of music? What is the future of African American religious music? These questions will be answered through factual research of African American traditions, artists, and various other sources.
The Renaissance period, from 1450 A.D. to 1600 A.D., comprised of two main types of music, sacred and secular. In comparison with the Medieval period, where music was usually reserved for church purposes, the Renaissance period allowed music to expand beyond the church into upper aristocratic society. Sacred music included motets and mass, while secular included madrigals, instrumental and dance music. Motets initially came about during the late Medieval period, but grew sizably during the Renaissance,
From 1400 to 1600 A.D., the Renaissance was a period of a rediscovery of Greek ideals for musicians to explore possibilities of their art. It was during this time that ideas were able to better circulate, because individualism began to increase, and the printing of music helped to preserve and distribute musical ideas (History). Also, as opposed to the medieval period, the Renaissance began to expand upon the type of sound that was created by adding the voices of women in choirs, as well as expanding instrumental music. The texture of music also began to change, with homophonic and polyphonic compositions. Sacred vocal polyphony was used rather than monophony in the form of masses and motets, while secular pieces also included madrigals and songs. Instrumental pieces usually were short during this time, and were for dancing (History).
During the Renaissance, a new form of music had emerged. This new form of music, known as the madrigal, had become a very popular type of music in the fourteenth century. It had begun the transition from the monophonic Georgian chants and troubadour music of the middle ages to the famous baroque period. The madrigal was very well-liked by courts all around during the time of the Renaissance.
Musical instruments have played many major roles in helping with the construction of many societies around the world today. Many people do not realize what musical instruments have been responsible for and how they have helped shape the world today. There have been many instruments that have helped create and sculpt the world, but one instrument that I want to inform readers about is the trumpet and where it came from, as well as how it has changed over many years. The point that I am arguing is the fact that many people do not know where the trumpet has come from and how it has affected society.
Gospel music has been around for a hundred of years. Gospel music is highly emotional evangelical vocal music that originated among African American Christians in the southern United States and was a strong influence in the development of soul music. (Gospel Music) Gospel music quite evolved from the songs slaves sang on plantations notably work songs, and from the Protestant hymns they sang in church. However in the 19th century, spiritual hymns transfer into gospel music, which started the golden age of gospel music began turning in a new direction. Gospel music also influences different type music styles that people have today. People are change by the music of gospel music and find inspiration to go through life.
Since the dawn of human life, people have eternally been searching for the purpose of existence. Humans are innately curious beings, and are blessed to have the capabilities of higher thought processes. Humans use these thought processes to ponder the question of existence. Unfortunately, the evolution of man has not brought the human race any closer to actualizing its purpose on earth. In fact, this issue is such that the more one feels he or she understands it, the more questions concerning it arise. This problem perpetuates itself by the confusion of religion and spirituality, and the roles they hold in society. As the human race evolves, it feels the need to designate structure to its world. As
Music dates right back to the prehistoric eras where primitive instruments were constructed using items like bone and wood. These primitive musicians would not have known many of the modern terms such as octaves