Essay on Sex and Drugs Have Always Been in the Music

In the 1960s, Rock ‘n’ Roll was replaced in popularity by other branches of rock such as Acid Rock, Psychedelic Rock and Hard Rock as a hippie counter culture arose, mainly to protest against the Vietnam war. These new forms of rock provided social commentary on the wide range of assassinations and anti-civil rights actions that infested the country, and united those that wanted to end them. They too celebrated anti-authority actions, but now they were used to promote peace and drugs. Americans—mainly college students—were still rebelling against societal constraints, but instead of fighting against the conformity of white suburbia and their parents, they were uniting to fight against U.S. governmental authority. Rock in the 1960s still mainly appealed to the younger generations, but its influence was spreading. Folk Rock (Bob Dylan) was playing in protest, reminding the individuals there that they were fighting for peace, and Psychedelic Rock—which replicated or enhanced the mind altering experience of psychedelic drugs—created a soothing and new atmosphere in the U.S. Music festivals such as Woodstock in 1969 sprung up to promote peace, do drugs, listen to music, and enjoy being alive and young.6 However, this element of extreme partying and pleasure, eventually brought a few stars to early deaths, such as Janis Joplin and Jimi Hendrix. In the

Rock and roll music emerged as a part of American teen culture during the notably conservative time period in the country’s history which shortly followed the traumatic events of World War II. Being that the genre’s target audience was white teenagers, many Americans- already overwhelmed and on-edge due to the anti-communist movement inspired by the Cold War- were apprehensive about the influence that this up-and-coming style of music might have on their country’s future. America’s youth openly accepted rock and roll’s racially integrated culture of performers and embraced the relatively lewd nature of many songs and performances associated with the genre, much to the dismay of their elders.

Throughout the evolution of popular music in American culture, many factors have been instrumental in the inspiration musical artists. The wide range of sources reflects the variety and creativity of music in the modern day that musicians claim as their muses, ranging from religious beliefs to love interests. However, the primary driving force behind the creative minds in music in the United States has undeniably been the drug subculture that was the largest at the given time period. Without the use of recreational drugs by artists, popular music would have taken an entirely different and unimaginable evolutionary path, resulting in a completely different musical world. Music is what is taken from drug culture to be incorporated and sold

According to Mary Eberstadt, "contemporary adolescent popular music, especially the subgenres of heavy metal and hip-hop/rap, is uniquely degraded – and degrading – by the standards of previous generations." When compering music in the past and today, it is important to compere musical lyric too. Modern music is more aggressive and coarser than old music. Contemporary lyrics describe misogyny, violence, suicide, sexual exploitation, children abuse and other bad things. Mary Eberstadt explains the changes in musical lyric as a result of changes in society. Nowadays, music is not censored. In her essay "Eminem is Right," Eberstadt wrote about how Eminem is right in his songs because he understands the current family crisis that millions children

In the summer of 1969, a music festival known as “Woodstock” took place for three straight days in Upstate, New York with thirty-two musical acts playing, and over 400,000 people from around the world coming to join this musical and peaceful movement. Woodstock started out being a small concert, created to promote peace in the world. Now, Woodstock is still being celebrated over 40 years later. This three day music festival represented the perfect concert for the “baby boomers” during a messy political time. Woodstock significantly impacted the counterculture era of the 1960’s in a number of ways; how it began, the ideas of the concert, the sense of union and love it represented and it

Popular music is often one of the best lenses we have through which to view our own cultural orientation. Many of the artistic and experimental shifts in popular music have mirrored changes in our own society. For instance, the emergence of Elvis Presley as a public figure would signal the start of a sexual revolution and the growth in visibility of a rebellious youth culture. Similarly, the folk and psychedelic music of the 1960s was closely entangled with the Civil Rights, anti-war and social protest movements. In this regard, we can view popular music as an artifact through which to better understand the time and place in which it is produced. In light of this, the state of popular music today may suggest troubling things about our society.

Every memory of the summer of 1969 is connected to, in one way or another, the historical event, Woodstock. The festival could not have left more of an impact on the “hippie” generation anymore than it did those three days of music and peace. The generation of the time wanted nothing more than what they got out of Woodstock. Today, people still look back on the festival and think of how well it made history without the expectance of doing so. Woodstock, one of the most important cultural events of the 20th century, combined iconic musical acts with interesting social behavior.

Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis

The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as

“Censorship, like charity should begin at home; but unlike charity, it should end there,” is a quote by Clare Boothe Luce (Fitzhenry, 84). Some parents are against the censorship of music. They believe that they should raise their kids, not some politicians who believe one nasty word will change a whole child’s future.

Music is one of the most popular ways of expression and has been for generations. It makes us want to dance, inspires, soothes, relaxes, and sometimes tells us a story. Music is something the whole world shares and has brought together different kinds of people. However, there has been a question on whether some music has affected society negatively and crossed the line with some of its lyrics, content, and the persona of the artists. Certain music has been boycotted and even banned in the U.S. Pro-censorship supporters say that music is something that can deeply affect our society especially children who should not have to be subjected to things like violence, sex, drugs, or hate. However, being that music is a form of expression,

The Woodstock festival descended on Bethel, New York promising three days of peace and music. Event organizers anticipated 15,000 people would attend but were overwhelmed by the 300,000 people that flooded this rural area of New York state from August 15 -17, 1969. While these facts are well known and indisputable, the festival itself has proven to be a controversial endeavor. What began as a small business venture was soon brimming with the controversy of an entire decade. It becomes clear when examining the strikingly different accounts of the festival that reactions varied depending on the fundamental values and personal circumstances specific to each observer and to the

Sex, drugs and rock and roll. These were the values of the young generation of the mid 1960’s. This generation was pushing the limits of sexual, social, and political inhibitions and behind the force of their “hippie love” was the engine of psychedelic rock and roll music. This genre of rock music is inspired by the counterculture scene of the 1950’s and 60’s and attempts to capture the mind-altering feelings and emotions attached to psychedelic drugs. The first group to advertise themselves as psychedelic rock was the 13th Floor Elevators from Texas, at the end of 1965.

Each year, new books declare rock and roll to be an active force in the moral collapse of American culture. To many, rock and roll has come to be seen as a social menace (Pattison 175-77).

The popular culture of music has changed dramatically over the course of sixty five years. Since this time, new genres of music have been introduced, existing genres have changed, and fixed stereotypes have been associated with certain genres of music. Music has become a major part of popular culture, and is portrayed almost everywhere in first world societies, including on television, radio, at shopping centers, sporting events and in every area of popular culture. Music has become a major part of popular culture, and continues to strive and develop into more and diverse areas of culture.