Response to Shakespeare’s Jealous Husbands: Othello and Leontes
In Shakespeare’s Jealous Husbands: Othello and Leontes by Paul Dean is a play that dramatized the comparison on how Jealousy in Othello with Jealousy in Shakespeare’s late romance The Winter’s Tale, serves as a substance that increases the rate of a chemical reaction without itself undergoing any permanent chemical change for further action. Shakespeare’s ideas about jealousy came from a variety of literary and cultural traditions, beginning with narrative of the Fall as he read it in the Book of Genesis and as he saw it in the medieval mystery plays still being performed during his adolescence. Jealousy is a leading motive in this story in the form of ‘‘covetousness, because
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Moreover, all the mystery plays stress the contrast between Lucifer’s original brightness and beauty and the hellish blackness of his fallen appearance, a detail which we might remember when we hear Iago say that Cassio ‘‘hath a daily beauty in his life and that makes me ugly’’ (Taylor.20). In addition, there is no such secure moral framework in Othello, because Shakespeare complicates our reactions by making his jealous husband a figure of some nobility and dignity, pitiable rather than contemptible in his blindness. None of the central figures of those domestic tragedies could call themselves ‘an honorable murderer’ as Othello does. This paradox is not completely implausible, for the reason he gives: ‘‘naught I did in hate, but all in honor’’ (Groves.293). Jealousy is closely bound up with one’s sense of what is due to one, the respect and self-respect essential to maintain an honorable place among one’s peers. A pre-Christian honor code is operating in the play; it is striking that Othello’s response to Iago’s insinuations is not to bring Desdemona to open court, as Leontes does with Hermione, or to seek the counsel of the Church. If Iago really thought that Othello had cuckolded him with Emilia, then in a twisted fashion he is also acting according to the honor code.
Finally after analyzing the differences I would then moved to compared the similarity of the play, In the first
Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in
Shakespeare is known for his use of recurring themes throughout his work, including love, death and betrayal. These themes are present in his work of Othello. However, the most fundamental issue is jealousy. The lives of the characthers in Othello are ruined by jealousy from the beginning to the end of the play. The telling of the story is carried out by passion, jealousy, and death. Shakespeare’s Othello reveals devastating tragic inevitability, stunning psychological depth, and compelling poetic depth; the fragility and mysterious power of love, as well as demons of doubt, and how suspicion can be triggered by manipulative villain (Barthelemy 12).
In your view how does Shakespeare’s portrayal of the complex nature of jealousy contribute to the enduring value of Othello?
William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.
William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.
In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.
It would be difficult for anyone to come to terms with such contradictory notions of themselves, and Othello is no exception. Once Iago sets the stage for Othello?s fall, the negative emotions aroused in the general cause him to release the lunatic black man that the insiders have feared lies within ?The Moor?s? austere composure. Many critics have suggested that Othello?s extreme jealousy is what amounts to his belief in Iago?s twisted tale of Desdemona?s infidelity and thus his ultimate downfall; however, it seems more likely that it is Othello?s insecurity over his sense of self that allows this manipulation to amount to such an extreme representation of character. Othello himself admits ?Rude am I in my speech? (I.iii.81), failing to have the confidence to eloquently explicate his relationship with Desdemona, although his words prove him to possess quite an impressive mastery of the English language. He comments again on his
Othello is a classic Shakespearean tragedy that consists of many underlying themes depicted in the story. One of the most significant themes portrayed in this play revolve around the aspect of jealousy. Jealousy is a strong feeling of resentment that can overpower a person’s good will and compel them to take involuntary action against one. During the course of this play, we see three main characters that possess this idea of a jealous nature. The theme of jealousy is recognized in the villainous Iago which exposes his true self, the pathetic Roderigo, who in turn faces severe consequences, and the great Othello himself whom jealousy devours, leading him to make rash decisions.
Jealousy is symbolised as “the green-eyed monster which doth mock the meat it feeds on," a complex and destructive human emotion which spawns from human ambition and selfishness. Othello the noble ‘fairer than black’ begins the play characterised as the composed, eloquent protagonist of the play with high status and good reputation, correlating with the social hierarchy of the Elizabethan era. This contrasts with the enraged person he degrades into at the end of the play, consumed by the symbolic “green eyed monster” and engulfed with jealous rage of infidelity and honesty, instigated by the Machiavellian villain, Iago of the play who is also engulfed in jealousy:“…That I put the moor in to a jealousy so strong,” . Iago is spurred on by jealousy caused by Cassio’s promotion which he believed was rightfully his and shows his plan to bring Othello down with jealousy during his first soliloquy in Act 2. Soon after imagery is used to depict Iago as a gardener planting his “seed of doubt” in Othello which results in Othello being entangled in the of lies and deceit on Desdemona’s infidelity. This reduces him to a jealousy induced seizure as : “Is’t possible? – Confess? Handkerchief? O devil! [He] falls into a trance,” Iago’s jealousy is further enhanced during Othello’s seizure where he says “Work on my medicine, work on”. The motif of jealousy leads Othello to feel that he would “Rather
How does Shakespeare use language and dramatic devices to present the theme of jealousy in Othello?
In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.
In Othello by William Shakespeare, the villainous Iago devises a plot with the hopes that Othello and his wife, Desdemona, will be separated so that he can take Othello’s position as head of the Venetian Military. Iago’s scheme consists of him convincing Othello that Desdemona is cheating on him with his lieutenant, Cassio. Iago has told no one else about his ploy so while everyone else’s actions remain true, he manipulates their every move for his benefit. While their actions may not lead to results that they expected, exploring the reasoning behind everyone’s actions, can give insight to their values since the actions were based on what they believed was the best thing to do. To the characters of Othello, honor is more important than
Early in the play Iago realizes that Othello’s idea of honor is intertwined with his concept of justice. Othello, more than any other character in the play, is obsessed with justice. Iago recognizes this; he realizes that for Othello to become a beast he has to violate his sense of justice. With this realization, Iago concocts his plan to have Othello murder Desdemona. He is convinced that in wrongfully murdering his wife, Othello’s manhood will be destroyed and the beast within will be exposed.
Jealousy, the “green-eyed monster” (Othello line 168 Act 3 Scene 3) the monster that constructed relentless hate between the star crossed lovers. Jealousy can assemble a hatred that could never be forgiven, even to your most loved ones. Jealousy can develop vacuous thoughts that could destroy another’s reputation and life. Jealousy has driven many people to do things they do not want to but chooses to. Assumptions led to false accusations and false accusations led to tragedy. As easy as one person destroying relationship leading to many deaths, the theme jealousy plays an important role. Jealousy is the motive that affected peoples’ lives in this book “Othello”. Jealousy in many cases could be easily forgiven, but when it comes to your most loved ones, people have a tendency to do terrifying things. In the tragedy “Othello”, jealousy comes in many different ways. Starting from Iago being jealous of Cassio for being the lieutenant, Othello being jealous of Cassio for thinking that Desdemona has been cheating on Othello with Cassio and Bianca being jealous of Cassio because of the handkerchief that she found in the bed.
Lily B. Campbell in Shakespeare’s Tragic Heroes definitively categorizes Othello as a “study in jealousy”: