She's Arrival At Cape Cod

A Voyage Long And Strange: On the Trail of Vikings, Conquistadors, Lost Colonists, and Other Adventurers in Early America

As she passes the ruins she recreates the pleasant things that had been there. Despite the reasonable arguments that her goods belonged to God and whatever God does is just, there is in the poem an undercurrent of regret that the loss is not fully compensated for by the hope of the treasure that lies above. (84)

On April 6th, 1652 I arrived at the Cape of Good Hope, on behalf of the Dutch East India Company. I had come to establish the first permanent European settlement. This was a lot of work and pressure for me. The company had big ideas for this establishment. This site became a crucial supplying stop for trading ships trading from Europe to India and the Spice Islands beyond. The early Dutch settlers arrived from France, Germany,

Around midnight on a “bleak December” night, a “weak and weary” man is reading while “nearly napping”. He reads as a means of nullifying the sorrow he feels “for the lost Lenore”. Suddenly, he is jolted alert by some visitor tapping at his chamber door. The lonely man tells himself “ ‘Tis some visitor” “and nothing more”, but as he widely opens his chamber door, he finds “darkness there and nothing more”. Staring into the darkness, the narrator dreams about the impossibilities of his lost love, and even whispers her name; ‘Lenore’. Upon returning to his chamber, a stronger tapping, at the window, is catching his attention. Courageously exploring the noise, he is amused and relieved when a raven flies in from

All times, the disappearance of cherishable beings brings people unbearable agony. Eventually, they cry, and then suffer more heartache, yet the attitudes when confronting a farewell vary dynamically within individuals. In Dylan Thomas’ “Do Not Go Gentle into that Good Night” and Elizabeth Bishop’s “One Art”, both speakers experience a painful loss. However, while Thomas strongly opposes the undeniable fact of his father’s death process, Bishop reluctantly accepts the departure of her beloved. The two speakers react differently to recover from the ineluctable sadness, to regain inner peace. In the end, the poems’ comparison concludes losing valued relations is distressingly unavoidable, and that there is no ideal way to cope with losses. Therefore,

Harwood explores the intersubjectivity between the individual and the Other throughout ‘At Mornington’ through the use of inclusive pronouns, such as “we”. The line from stanza two, “by your parents’ grave in silence” expresses the potency of the individual’s empathy. The silence represents the acknowledgement of the Other, through nonverbally inhabiting the same space. This representation of the comfort of another being, conveys the extent of the acknowledgement, and contends the notions of existential nihilism through the implicit values of “dasein”. The last stanza of the poem contains the line “the peace of this day will shine”, this line reflects on the consequences of death. “We have one day, only one” the epanaleptic repetition of “one” emphasises the finite nature of our life and suggests an assertive tone to the statement. The motif of the day represents the lifetime of the individual; the metaphor of the day represents the cyclic nature of life and alludes to the biblical notion of death and resurrection. The cyclical representation of life and death symbolises the transition from loss to consolation, through the acknowledgement of the other, and through the developed acceptance of the individual’s

Two literary pieces, “Do Not Go Gentle into That Good Night” by, Dylan Thomas and “Because I Could Not Stop for Death” by, Emily Dickinson are both poems that discuss the topic of death. While there are some similarities and comparisons between the two poems, when it comes to the themes, both poets writing styles are quite different from one another which makes each poem unique. Thomas and Dickinson both use identical figurative language devices and other literature symbolisms as they explain their main themes which contrasts the differences to the concept of death. These distinct variations between poems are apparent in both the form, and how the choice of words is used in the poems. Both of the authors have presented two very different ideas on death. The poems are well distinguished literature devices, they share minor similarities and differences between each other and how they present the meaning of death to a toll.

Memories of the night before became a vivid memory in the recesses of his dimly lit mind, underneath the sunlight's intruding yet blissful gaze and the sensation of silk against his bare skin felt like a euphoria, a river of midnight encased his slender figure and with the scrunch of his refined nose and furrowed knit of his thin eyebrows, he rose from his slumber. Delicate fingertips leisurely danced across the silken sheets which lost its assuaging warmth only to discern that he was gone, Padding through the spacious house far too big for two alone to fill, and too much of a burden for one to find comfort in. To see his lover, clad in a suit that managed to take his breath away immediately

The pilgrims arrived to Plymouth, Massachusetts December 11, 1620. Massachusetts during this time was a cold and dreary place. As the newly arrived pilgrims stepped off the Mayflower in their layers of stockings, waistcoats, petticoats, and breeches they knew nothing about the people or the new land they had arrived to. Considering Planting season had come and gone the newly arrived pilgrims had to find a way to survive. If the pilgrims wanted to survive they would have to learn how to tend and manage the land from their Native American friends the Wampanoag.

His previous “cold reprieve” has been warmed by the leaves that “burn red” before dying in nature. The short but beautiful life of the leaf is a metaphor for what life should be - beautiful regardless of the time given. This juxtaposition of life as a “cold reprieve” changing into the image of a leaf burning “red” shows how the voice’s view on life is changing throughout the poem by the echo’s prompting. Realizing that nature is beautiful in death, he now understands that life is a beautiful journey leading up to death that should be cherished in all of its beauty. Dying is a process that can bring “ecstasy” in its wake. Waiting for death is not so bad when a beautiful life surrounded by joyful experiences is so readily available to all that are willing to think positively. Regardless of the beauty that can come with life, it can seem to become a burden that people suffer through until death. The grief that comes with “life’s long disease” will be resolved in death. Death is not an “enemy” to be feared, but a natural part of life that must be accepted. In contrast, the worst enemy of the voice is himself - his own uncertainty and worry have caused all of his pain. All of the rhetorical questions that he asks display the extent of his worry about the unknown future, but his subconscious begins to soothe his worries and comfort him with the

Longfellow uses the imagery “of long, sleepless watches of the night” to invite readers into the context of the poem by illustrating the nostalgia of a dreamy, foggy world similar to that of heaven (1). The first line of the poem also serves to highlight the subdued yet poignant tone of the poem in order for readers to better understand the grief that accompanies

Alex, my old college roommate lived down the street from me in Allston and on weekends I didn’t see Jason that summer we hung out at her place pre-gaming then going out to different bars and clubs in the city.

The Pilgrims are a group of people who left Holland to build a new life in North America and evangelize to the native inhabitants. They found a group of English business men, known as the Adventures, who financed their expedition in exchange for the Pilgrim’s profits during the first seven years. They shipped off with the Speedwell and Mayflower ships. However, the Speedwell continued to leak, forcing them to return to the port. Thus resorting to the Pilgrim’s crowding onto the Mayflower, leaving some behind. Once again, they shipped off from Plymouth, New England, with people from the Leyden congregation, non-separatists, and “strangers.” November 9, 1620, after 66 days at sea, the pilgrims finally reached the shore and stayed at the Cape

With “Night,” the eighth poem and first of the second section, darkness descends, bringing with it a series of scenes horrifying and pathetic.

In this poem, the narrator opens up with a serene scene of a winter night – or so it seems. Although the narrator describes an externally cozy, peaceful scene, he unveils a discordant heart, as suggested by the restless tone he uses. During this silent night, the narrator watches a piece of soot flicker over the fire: “Only that film, which fluttered on the grate, / Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature / Gives it dim sympathies with me who lives, / Making it a companionable form” (15-19). In other words, the narrator associates himself with