“Something went wrong” (Kooser). This quotation well represents both the poems “A Room in the Past” and “Abandoned Farmhouse” by Ted Kooser. In the former, a person goes through the kitchen of their grandmother’s house, who is presumably dead. In the latter, a man is unable to provide for his family, and then something goes wrong. Both of these poems share similar yet slightly differing themes and tones. First off, the poem “A Room in the Past” is about a man returning to the home of his deceased grandmother. “It is a kitchen…falling through time” (Kooser). The primary theme of this piece is that it can be depressing when a relative passes away even 30 years later. To illustrate, Kooser states that “No one’s at home….my grandmother moved through
The essay it's based on the time Didion visited her parents’ home to celebrate her daughter’s 1 year old birthday. Throughout the visit Didion couldn't help but feel resentment to leave her “home”. Didion stated that she came “to dread my husband’s evening call” because she didn’t want to go back to Los Angeles or even be reminded of it (2). Didion wishes she could stay in her “home” where she is completely happy. We find her desperately looking around the house for her past “around every corner, inside every cupboard” she “aimlessly” goes “from room to room” looking for something she once lost and will never get back (2). Didion feels the need to reconnect with her family and, although not stated, Didion longs to go back in time and prevent
The collection ends with “Morning in the Burned House,” in which the speaker mourns a life that has slipped by, sometimes barely noticed, and nearing its end:
The seven rooms in the house also conveyed stages in life ending with death. These rooms were set up from east to west. This meaning that the sun comes up in the east and goes down in the west, and death comes in the darkness. "In this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood color." The guest's avoided this room because it was a sign of death.
The author starts by describing old memories as a child she has of the table itself. Lyon tells us of the countless family games nights and discussions that have taken place there. George Ella speaks of the family recipes and hard work both of her parents did at the kitchen table. Lyon tells us about her mom's time working for the chamber and making calls for the march of dimes. Lyon brings the poem full circle by talking about her adult memories she has at the kitchen table. George Ella talks about the time where she first had to tell her mother that she need help and couldn’t live on her own. Her mom responds by telling Lyon she is babying her. This part of the book is very personal to me. My grandmother has just recently gone through this exact hardship. It is incredibly hard to see your parent move out of your childhood home and realizing they are no longer able to live on their own. Although I haven’t had to experience it for myself, I am sure it will be hard when it happens. Lyon also speaks of stories she has heard about the kitchen table. In the past her mother mixed her formula at the same table where she later told her she needed to move back in. It is interesting to see how the role of caregiver has switched from her mom to her over time. This role reversal, although unfortunate, is necessary. The kitchen table has stood steadfast through
The poem tells of a narrator who is reading an old book in his parlor when he is interrupted by a knock at the door. The protagonist is in a period of grieving over the loss of his love,
The Room itself represents the author’s unconscious protective cell that has encased her mind, represented by the woman, for a very long time. This cell is slowly deteriorating and losing control of her thoughts. I believe that this room is set up as a self-defense mechanism when the author herself is put into the asylum. She sets this false wall up to protect her from actually becoming insane and the longer she is in there the more the wall paper begins to deteriorate. This finally leads to her defense weakening until she is left with just madness and insanity. All of the characters throughout the story represent real life people with altered roles in her mind.
In Sinclair Ross’ “One’s a Heifer” and “ The Painted Door”, Ann and Arthur Vickers are both subject to isolation, which leads to a disastrous life changing event. In Ross’ “The Painted Door”, Ann is a weak -willed woman that, driven by loneliness and lack of communication in her marriage, cheats on her husband, and ultimately causes his death. “One’s a Heifer” explores a similar situation, where Arthur Vickers, a man whose physical isolation and lack of interaction with people, leads to his insanity, as well as him killing the girl and hiding her in the box stall. Both stories show the disastrous effects isolation can have on a human being. Although both stories are in similar settings, the ultimate cause is different for each story.
The use of personification throughout the story accentuates the absence of human life and abundance of technological “life.” The clocks are brought to life singing: “In the living room the voice-clock sang.” The clocks are given emotion: “[the clock repeated] as if it were afraid nobody would [wake up].” When giving the clock human qualities and feelings of doubt, the author is foreshadowing. The house itself is personified when it is described as having an “old
Robert Frost’s poem “Home Burial,” written in 1914, centers around the conversation of a married couple whose relationship is struggling after the death of their young child. A duality in meaning exists in the poem’s title, “Home Burial,” which references not only the death of their child but also the death of their marriage. Is the child’s death the sole cause of their marital distress? Robert Frost opens the poem in the couple’s home with the husband watching as his wife, Amy, begins to descend the staircase (1-2). After a few verses, the audience has become witnesses to the marriage’s descent into nothingness. The child’s grave lies forever in the background, framed by a small window at the top of the stairs (Frost 24-31). In Robert Frost’s “Home Burial”, the marriage of Amy and her husband is irreparable due to differences in expression, acceptance, and perception.
The poems Nothing Gold Can Stay and Abandoned Farmhouse. Both of these poems have differences and similarities. Some similarities are change, mood, and. Some differences are rhyming patterns and personification. Some similarities are change in Abandoned Farmhouse at first they lived in a but at the end they didn't.
The first thing that people read is that the dad has been drinking whiskey. Just from that the reader feels like the father may have some type of drinking problem. Theodore explains in the poem how you can feel faint and light headed if his dad even breathed in his face. As Theodore hangs on to his father like its death itself; while they dance around trying to waltz. Waltzing was not easy for him, as his dad was drunk, and it is hard to follow his steps. Continue reading down to the next paragraph. The boy and his father end up in the kitchen, while they dance the poem explains that the pots and pans slid all around and of shelves itself. The reader gets a sense of rowdiness and clumsiness that the father exhibits. Continue reading the mother cannot keep a frown her face because the kitchen and everything is getting destroyed.
Upon arrival at the colonial estate, the narrator quickly notices a big, airy room that she has a strong distaste for. She mentions that it was a nursery first, then a playroom, and finally a gymnasium, but that the windows are barred. With how she is describing her surroundings it allows for one to notice attributes of postpartum depression if it is applied to later on. The room in which she has
Throughout the entirety of Marilynn Robinson’s “Housekeeping”, the idea of darkness, loss, and despair is of no new idea for any of the Stone family, this story surrounds the idea of change. The Granddaughters of Sylvie Stone, Ruth and Lucille, continue to be orphaned by the deaths. Exposed to changes such as being uprooted from their lives in Seattle only to be dropped off just prior to their mother’s own suicide, to the loss of their grandmother. These girls have been exposed to two drastically different parenting styles. Up until the introduction of their aunt Sylvie, their aunt has been elusive herself. In chapters one and two, you see this narrated description of the differences they have been exposed to because of deaths they have suffered.
Even the fire in the fireplace is dying. The narrator himself has put himself in a single dark room, and his room reflects on the time and place of the poem. He is described as “weak and weary” and wishing for tomorrow, but he is caught in his thoughts of his dead love Lenore. The story unfolds quickly and tragically when the narrator hears the knocking at the door, he just thinks it is just a late night visitor, but it just turns out to be “darkness”. He wishes it was his dead lover knocking at the door, that it was her ghost visiting him in the night.
The placement of the rooms in the hall plays a symbolic role in the story. The seven different rooms are set in an intricate way, “There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect.” Which means when you stand in the first room you are unable to see the last room. This symbolizes life, you can't see what happens in the future