Similarities Between A Thousand Splendid Suns And Wuthering Heights

In both novels the experience of growing up is explored through the use of narratives that span across lifetimes. In ‘Wuthering Heights’ Emily Bronte introduces the characters of Heathcliff and Catherine as children in an 18th century English household. In ‘A Thousand Splendid Suns’, Khaled Hosseini also introduces both Mariam and Laila from young ages. The purpose of this style of writing allows he reader to provide justification for the events that happen to each character, and support the understanding that the childhoods of each characters determine them as they mature. The experience of growing up is also heavily influenced by contextual factors, and without them the characters would have had very different ordeals.

However Catherine lured Heathcliff into a relationship, brain washed him into thinking that she truely loved him and was going to marry him one fine day. Instead she discarded their relationship and decided to marry Edgar Linton, a wealthy man. Catherine discarded her relationship with Heathcliff, for one main reason and that was because he was not a wealthy man. It was obvious that Catherine married Edgar so she could be the greatest woman of the neighbourhood and if she married Heathcliff it would degrade her and they would both end up as beggars . This a good example of how Heathcliff was a victim of class hatred.

Catherine Earnshaw appears to be a woman who is free spirited. However, Catherine is also quite self-centered. She clearly states that her love for Edgar Linton does not match how much she loves Heathcliff. She is saying that she does love both, and she is unwilling to give one up for the other; she wants “Heathcliff for her friend”. Catherine admits that her love for Linton is “like the foliage in the woods”; however, her love for

Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).

As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff

The disorderly atmosphere of Wuthering Heights, generated by Heathcliff’s raucous behavior causes Catherine to gravitate towards a more uncivilized and mannerless version of herself. Several times, Catherine snaps at others and throws furious tantrums, as she scolds and even slaps Nelly for cleaning in Edgar’s prescence. The rambunctious setting of Wuthering Heights conjures a different Catherine, where, “to pracise politeness...would only be laughed at,” influencing her to act on rebellious

* Both protagonists had an illness, which lead to had an opposite effect on both characters

Catherine’s crisis starts with her decision to marry Edgar Linton. “Yes, and it worries me, and I must let it out! I want to know what I should do. To-day, Edgar Linton has asked me to marry him, and I've given him an answer. Now, before I tell you whether it was a consent or denial, you tell me which it ought to have been.”(77) Catherine starts to worry about the decisions she made because she realized she loves Edgar but not nearly as much as she loves Heathcliff. Cathy went on to admit this saying “Whatever our souls are made of, his and mine are the same; and Linton’s is as different as a moonbeam from lightning, or frost from fire.” (80) She knows she shouldn't marry Linton because she loves Heathcliff more than anyone else, but she does

During the mid to late eighteenth century, gender roles had a large influence on everyday life in Northern England. As a result, confinement, both physical and psychological, was a tool used to exert power over others. This is seen in both Catherine and Heathcliff’s multiple confinements of others and themselves throughout the novel. Jamie S. Crouse describes Catherine’s confinements as more detrimental to herself whereas Heathcliff’s are more masculine and destructive to others as he seeks to establish control over anyone who stands in his way. Their methods are intriguing as their motives and actions display the effect of gender roles and isolation as they grow up. During their youth, Catherine and Heathcliff were both children who went out

Another aspect which is relevant today and forever it shall remain relevant is selfishness. Catherine's selfish character was depicted when she wanted both Edgar and Heathcliff at the same time. In the beginning, she was introduced as a 'high spirited' character who was wild. However, she drastically changes throughout the book. When she hurts her leg and is forced to stay at Thrushcross Grange, she returns to Wuthering Heights as a well dressed and dignified lady. She was easily swayed to the superior lifestyle of the Lintons and began to look down upon Heathcliff. She even laughs at his rough and dirty appearance and says "I didn't mean to laugh at you. I could not hinder myself Heathcliff. Shake hands at least! What are you sulky for? It was only that you looked odd. If you wash you face and brush your hair, it would be alright. But you are

The novel, The Turn of the Screw, by Henry James, is a novel about a ghost story that involves two children and a Governess who believes she is the heroine and tries to save the children she looks after. The novel, Wuthering Heights, by Emily Bronte, is about the life of a character named Heathcliff and his journey that follows since he was brought to the Earnshaw home, by Mr. Earnshaw, his adoptive father; what follows is his struggles as he matures into a man and how he falls in love and becomes obsessed with Catherine. Gothic elements are found throughout both books. The definition of gothic elements is the “style of writing that can be characterized by elements of fear, horror, death, gloom, as well as a romantic nature” (Greaver). The

Catherine Earnshaw’s true wild and passionate nature was nurtured by her childhood in the equally uncultivated moors. The state of her broken family only heightened this nature in her; only “tempered” when she stayed at Thrushcross Grange due to an injury. While “bleak” and “desolate” to an outsider like Lockwood, to the inhabitants of the Heights and the Grange, the moors were encouraging, especially to their temperamental natures. The moors were a catalyst that forever shaped Catherine’s life. She could never look out a window without ёremembering her free childhood wandering with her love, Heathcliff. Catherine developed traits of wildness, passion, and a desperate need for freedom as a result of this childhood. Even her “change” after

In Bronte's Wuthering Heights Catherine gets control over her relationship with leading Heathcliff on in the beginning, he does whatever she may desire. Heathcliff begins to fall in love with Catherine and she as well, Catherine leads Heathcliff on though. Catherine does not think Heathcliff will ever be enough and meet her needs. Her selfish needs. Catherine also has control over Edger, Catherine does love Edger but she loves Heathcliff more. Edger just has the money and makes her “look good” which is what she wants. Well It is what Catherine thinks she “wants” in life.

Furthermore, when Heathcliff returns, Catherine should take no interest in trying to rekindle her feelings for him as Edgar had been putting in effort to make their marriage work 'Mr. Edgar had a deep-rooted fear of ruffling her humour' Up until this scene the couples were getting along and if Catherine had concealed her zealous behaviour towards Heathcliff then the calm atmosphere would have remained. Catherine rudely ignores her husband's presence to the extent that he demands the disrespectful behaviour to be stopped and a decision made 'Will you give up Heathcliff hereafter, or will you giver up me? It is impossible for you to be my friend and his at the same time…' Indeed, Edgar is right to put Catherine's in this difficult situation because any other typical husband at the time would have been less patient with Catherine or banned Heathcliff from the house at an earlier stage. Catherine struggles because the two men in her life represent two types if world and she cannot have both at the same time.

Catherine’s love for Heathcliff is deeply passionate, but ultimately all-consuming and destructive. Even as a child, Catherine is “much too fond of Heathcliff” (42). As she grows older, her affections for Heathcliff deepen and she eventually comes to believe her “great miseries in this world have been Heathcliff’s miseries” and that “he is more [her]self than” she is (80-81). Catherine’s ability to empathize with Heathcliff’s “miseries” reveals her deep emotional connection to him, as the events of the rest of the novel do not portray her as an especially empathetic character. Additionally, rather than saying Heathcliff is her “other half,” a more traditional statement, Catherine claims Heathcliff is more herself than she is, introducing the all-consuming nature of their love. After Catherine and Heathcliff are reunited following Heathcliff’s three year absence, Edgar and Heathcliff passionately argue; Catherine subsequently becomes violently ill. Her condition rapidly deteriorates and during her final moments with Heathcliff, Catherine proclaims he “[has] killed” her (157). Catherine herself acknowledges that her illness and impending death result from her love for