The Birthmark and The Eye of the Beholder are both texts that deal with man’s pursuit of perfection, and how the conception of beauty is formed in society. However, these texts use very different literary devices to make their points. While Hawthorne uses verisimilitude, paradox, and the antithesis between Aylmer’s view of the hand and everyone else’s view to show that trying to create beauty and perfection out of nature will only end in disaster in his book, Serling uses irony to create the round character of Janet Tyler to show that beauty and perfection are relative, and how you view yourself is more important than how society views you.
The Birthmark body paragraph
The birthmark’s symbolism to Aylmer was juxtaposed with its beauty for
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This statement proved that man’s attempts to “cure” nature would always fail, but that Aylmer would never learn his lesson.
Much as he had accomplished, she could not but observe that his most splendid successes were almost invariably failures, if compared with the ideal at which he aimed.”
Finally, the Birthmark uses verisimilitude to show that when Aylmer loses sight of his wife’s beauty and tries to make her perfect, he loses his love for her, which eventually leads to her downfall.
“His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science and uniting the strength of the latter to his own.”
The Eye of the Beholder
Serling also deals with beauty through the perspective of a doctor trying to cure a patient of her “ugly” face, and his inability to cure his patient. This creates a similar message to the message that was in The Birthmark by showing once again that man cannot overcome nature, no matter how much he wants to create
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Janet almost succumbed to despair and tried to kill herself, but was able to go on because she realized how she was more than just how some people saw her, she could be beautiful to herself. This contrasts with The Birthmark, where Georgiana was completely flat. She was just a passive acceptor of her fate from Aylmer. This passiveness contributed to the fact that beauty was her defining characteristic to the other characters and Hawthorne. This contrast between the two characters shows that how you view your own beauty ends up being much more important than how others view you.
Serling’s ending is a perfect usage of irony. We cannot see the faces of anybody until the end of the episode, where we learn that the patient is beautiful by the standards of most people, whereas the doctor and the nurses are all ugly pig-looking humans. This sense of irony shows that people all have different ideals of beauty, and you can destroy a treasure if you don’t appreciate that beauty. This is similar to the message of The Birthmark, because Aylmer just wanted to change what he saw as ugly, but what everyone else saw as beautiful, truly proving that beauty is in the eye of the beholder.
In “The Birthmark”, a short story by Nathanial Hawthorne, the use of the archetypal conflict Nature vs. Science, the character of Damsel in Distress, and the symbol of the Incurable Wound show how easily beauty is overlooked in the endeavor for perfection.
Nathaniel Hawthorne's novel "The Birth-Mark", explains the relationship between Aylmer, a scientist, and his wife Georgiana’s birthmark. The story is told in third person point of view. The story gives access to both Aylmer and Georgiana thoughts. It allows readers to see that because Aylmer is a scientist and a perfection, he feels that Georgiana would be perfect if the mark was to be removed or on another woman besides her. Aylmer sees his wife's birthmark is a symbol of imperfection. The mark is described to be a small deep crimson mark shaped like a hand on her left cheek. As he sees the mark, he sees her becoming less beautiful. Once the mark is removed, she would become perfect and beautiful. However, Georgiana, Aylmer wife feels that the mark is a symbol of a charm because she was told that the mark was placed on her cheek during her birth-hour by a fairy. Hawthorne shows us that people view beauty in different ways.
In “The Birth-Mark” by Nathaniel Hawthorne and in Margaret Atwood’s “Lusus Naturae”, the theme of mortality and the theme of man vs. society are very apparent. Characters in both stories are ostracized by their family members because of their natural appearance. In “The Birth-Mark, Aylmer, views his wife Georgiana’s birthmark as a immense flaw in her beauty. He sees it as human imperfection and he tries to remove it and lower her self-esteem. In “Lusus Naturae”, the protagonist in the story (who is coincidently never named) is part of a family who does not accept her because of how her physical appearance looks like. The family's interpretation of the horrible ugly characters is what creates the struggle for the characters. Both stories suggest that degrading someone because of their physical appearance is unethical because most of the time they
The topic of nature and its mysteries come back to fruition as he attempts to obtain perfection by removing his love’s imperfection. In this passage, Aylmer confirms the belief that the birthmark is a symbol of earthly imperfection rather than a charm. He states the prominence of the mark on Georgiana’s face and the utter shock that he undergoes due to the mere presence of the symbol. Aylmer is obsessed with nature’s mysteries and hopes to control entities that are surely out of his reach. When referring to the birthmark he states, “Ah, upon another face it might (be a charm), but never on yours”
In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.
Unlike the other men, Aylmer thinks Georgina’s birthmark is not “a charm” (Hawthorne). In fact, Aylmer doesn’t know “whether to term [it] a defect or a beauty” (Hawthorne). Georgina becomes emotional by her husband’s shocking words, she tells him “you cannot love what shocks you!” (Hawthorne). Aylmer’s obsession for perfection was so big that he could not tolerate a simple mark on his lover’s cheek. To be human is to be imperfect and for Aylmer to think his wife’s birthmark is a “visible mark of earthly imperfection,” is almost immoral. His quest for human perfection surpasses the morals of marriage. Aylmer failed to stand by the marriage values and learn to love his wife’s “fatal flaw” (Hawthorne). As humans, we’re taught to have morals and ethics that provide us with the tools necessary to do the right thing. In the contrary, if we cross the line like Aylmer, a tragedy is bound to happen. A tragedy such as killing the love of his life reassured him of those morals humans are taught to live by. Hawthorne, asserts the idea that human nature is imperfect; therefore, it would be immoral to strive for perfection. By Aylmer removing her birthmark it is almost like removing her humanity.
In “The Birth-Mark,” Aylmer, a natural philosopher, became obsessed with a hand shaped birthmark on his wife’s face. Being completely consumed by the notion of imperfection that graced the face of his wife, Georgiana, he attempted to remove the mark which resulted in her death. Aylmer views Georgiana’s birthmark as something more than a
First, Hawthorne shows his worldview through his use of Aylmer’s obsession with the birthmark to show a sign of imperfection. When Aylmer is conversing with his wife Georgiana regarding the birthmark, he says “This slightest possible defect shocks me as being the visible mark of earthly imperfection.” (Hawthorne, 5). This is important because it shows that Aylmer is troubled by the birthmark and cannot leave it alone. In addition, it also shows that Aylmer ignores the main characteristics and features of Georgiana, such as her great personal qualities, in order to focus on the one imperfection, the birthmark. Adding on, the birthmark is stated as being: “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceable on all her productions” (Nelson, 12). The birthmark is a part of nature and is inevitable because it cannot be altered or removed. Furthermore, the birthmark is a reminder that imperfection is part of
Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.
It is clear to say that perfection is completely unattainable. So, although Aylmer is capable of ridding the birthmark, if anyone is able to take away their imperfections, it is inevitable that society will become corrupt.
In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345)
In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.
By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.
"And, Aylmer, spare me not, though you should find the birthmark take refuge in my heart at last." Aylmer was overly joyed with Georgiana’s decision and immediately started planning the attempt of removing the birthmark. Aylmer “Georgiana, you have led me deeper than ever into the heart of science.” Aylmer without ever thinking back on his dream he set forth with the surgery. Georgiana awoke and looked into the mirror to see that the birth-mark no longer appeared. Georgianna’s birth-mark had disappeared but she wasn’t at her best, “My poor Aylmer," she repeated, with a more than human tenderness, "you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer. Aylmer, dearest Aylmer, I am
Aylmer is an opposite representation of C. JoyBell’s quote because he loses sight of his love of Georgiana for scientific perfection, without any self reflection upon the matter. Moreover, Aylmer’s want to dispel Georgiana's birthmark produces a change in his feelings toward her. When discussing the birthmark and a possible removal with Georgiana, Aylmer said, “‘you [Georgiana] came so nearly perfect from the hand of Nature… as being the visible mark of earthly