Sir Gawain And The Green Knight Literary Analysis Essay

gender role. The Lady’s role questions traditional presumptions of the roles of women in medieval literature. Women of the Middle Ages were generally dependent, inferior, and many female portraits in medieval texts did not fare better. While men of the Middle Ages were generally chivalry, valiance, noble and honest. Throughout the poem I began to see gender roles being reversed between Lady Bertilak and Sir Gawain.

​Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.

In this story, Sir Gawain is a very respected knight of King Arthur’s and volunteers to take the Green Knight's challenge in King Arthur’s place. The Green Knight's challenge was for anyone to come forward and cut his head off with his own ax. In one year and one day the Green Knight would return the favor. Already Sir Gawain is showing to be a respected and noble knight who follows the code well. It is getting close to the time when Sir Gawain needs to meet up with the Green Knight to honor his challenge. Then, Sir Gawain stumbles upon a castle, and the lord there lets him stay for a couple of nights. The lord of the manor goes hunting every day and at the end of the day, him and Sir Gawain will trade what they have won. The lady of the manor tries to get into bed with Sir Gawain every morning, but he resists because he knows it's wrong and dishonest. Then she offers him a gold ring, which he also doesn't take. “I cannot accept these gifts, for I have nothing to give in return” (Sir Gawain 204). The queen is tempting Sir Gawain to take these gifts and he follows the code and rejects them respectfully, as a knight should. The queen gives him a kiss, and that is what he shares with the king at the end of every day, as he was instructed and promised to do. Next, Sir Gawain gets offered a green sash that is given to him by the queen that

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

Many years ago, knights were expected to form a certain type of relationship with their king, this relationship was otherwise known as fealty. Fealty is a knight’s sworn loyalty to their king (in other words a loyal relationship should be formed between the two). The use of this relationship is shown in the poem called “Sir Gawain and the Green Knight” ( the author is unknown). This poem has a classic quest type of formula, with a knight receiving a challenge and then going out on a journey to pursue that challenge, leading to a return home to report the results of his quest. This story begins at Christmas time when a knight (who is completely green) rides into King Arthur 's hall. The Green Knight proposes a game to those who are around him which is that “Any knight brave enough to strike off the Green Knight 's head may do so, but that man must accept a return stroke in approximately one year’s time”. Gawain accepts the challenge because he will not allow King Arthur to accept this. Gawain manages to then cut off the Green Knight 's head. The knight then picks up his severed head and leaves, telling Gawain to look for the Green Chapel when it is time for Gawain to fulfill the other half of the challenge that he has accepted. Near the end of the chosen year, Gawain sets out in search of the Green Chapel because he must complete the given challenge. On his journey in search of the Green knight, he finds a castle in the wilderness. The

In Sir Gawain and the Green Knight, after Gawain ventures “into a forest fastness, fearsome and wild” (Norton, 311), he prays that he will be able to find “harborage” on Christmas Eve (Norton, 312). It is the middle of winter, and Gawain has been traveling in search of the Green Knight whose head he has cut off. After he prays and signs himself three times, Gawain finds a magical castle in the midst of a winter forest. He rides to the castle and is granted permission to enter by the lord. Gawain is attended to in a fashion befitting kings, and he meets the lord who tells his identity to all in the court. There are many significant implications and foreshadowings which occur during Gawain’s

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

The story begins in King Arthur's court, where he and the Knights of the Round Table are celebrating New Year's. While they are enjoying their feast, a gigantic Green Knight rides in on a green horse with an immense axe in his hand to offer them a challenge. His offer is: "I shall bide the fist blow, as bare as I sit…….., but in twelve month and one day he shall have of me the same." (Norton Anthology,208)

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

The Green Knight agrees if Gawain will come to wherever he thinks the Green Knight will be. Of course, Gawain has no clue where he would find him, so the Green Knight says that he will tell him if Gawain can hit him square on the neck. Then Sir Gawain strikes him directly on his neck, and the Green Knights head rolls off. The Green Knight proceeds to pick up his head and leave, while bleeding terribly from the neck as if he were unharmed. Before he leaves, he tells Sir Gawain to come to the Green Chapel when they agreed. So then a year passes before Gawain comes across his second trial. It occurs while Gawain stays in the castle of a hospitable lord before he is to meet again with the Green Knight. During his stay, the lord and Sir Gawain agree to "exchange what each has won during the day" (Ponsor 128). For three days the lord brings back what he has hunted, and Gawain gives him the kisses he has received from the lady of the castle. However, he also received a magical green scarf from the lady on the third day, but fails to exchange it for it is a token of good luck. When Sir Gawain finally meets with the Green Knight, he prepares to be struck with a scythe, but the Green Knight ends up only giving him a minor scratch on the neck. This is because the knight was testing his honor, and he scratched him because he did not maintain his honor on that third day. He was supposed to hand over

As Sir Gawain presses on in his search for the Green Chapel, he faces numerous physical challenges. Yet he overcomes them all to the point that "to tell but the tenth part would tax my wits" (1719) as he has countless battles with serpents, wolves, and the like. The true challenges come after he arrives at Bercilak's castle. There, he is tempted three times by Lady Bercilak's advances--yet he does not give in to her advances, nor spurn her completely in an uncourtly manner. Further, he does not accept her gift of the ring which she offers as a remembrance. However, when she offers her green girdle, proclaiming its properties of protection:

The character of the Green Knight, Sir Bertilak, wholly opposes the Christian, honorable characterization of Gawain. When Gawain comes to meet the Green Knight, he exclaims: “‘Can this be the Chapel Green?/Alack!’ ...Here might/The devil himself be seen/Saying matins at black midnight” (2185-2188). The Green Knight is a fairy, who resides in a parody of a church. His pagan figure contrasts sharply with this characterization of Gawain, who is strongly connected with his Christian faith. Gawain is also a foil to the Green Knight in that Gawain epitomizes courtly manners, whereas the Green Knight lacks courtesy. He traipses into Camelot and acts as though he cannot tell Arthur is king (224-231), and later refers to the courtiers as “beardless children” (280), showing a great lack of manners. Later, as Sir Bertilak is hosting Gawain, it seems that the Green Knight does actually possess courtesy. However, boarding Gawain is revealed to be a part of a grand scheme to shame prideful knights of the Round Table (2456-2459). The illegitimacy of his courtesy toward Gawain shows that the Green Knight lacks the honesty attributed to truly courteous knights. The Green Knight, a pagan figure that shuns the manners of the court, is inverted by the character of Gawain, who epitomizes honorable knighthood in this

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

The events of the poem begin with a feast in the court of King Arthur at New Year which the Green Knight interrupts to offer his challenge. King Arthur’s custom is to not sit down to eat until either someone has told a story about “sum aduenturus þyng”(l. 93) or if such an event actually occurs, which follows the Gawain-poet’s source of the First Continuation of Chrétien de Troyes’ Perceval . King Arthur thus symbolically invites the Green Knight into the court as providing the adventure he was waiting for, so that the Green Knight “does not disrupt the courtly ceremonial so much as complete it.” However, the Gawain-poet deviates from his source by having King Arthur accept the Green Knight’s challenge, and then Gawain interrupt the King just before he is able to do so, as opposed to the rash Caradoc who leaps forth to take up the challenge immediately. As Benson writes, by making this change from the source, Gawain “is thus no longer a free agent.” As demonstrated even by the seating in the hall , it is inevitable that Gawain should take the place of King Arthur, since for King Arthur to take the challenge is “not semly”(l. 348), and since Gawain is the second after his uncle. Gawain, introduced in the poem as “gode Gawan”(l. 109), and it is precisely on the reputation of Arthur’s knights that the