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Sleeping Beauty Film Analysis

Decent Essays

Sleeping Beauty. Hansel and Gretel. The Tortoise and the Hare, The Boy Who Cried Wolf, Little Red Riding Hood. Stories and morals that have seemed to last the test of time. They were always around, changing slightly to fit on the type of media they were told on, whether it be paper or film. Storytelling began when the sons of the mighty Pharaoh Khufu, in Egypt, 2466 BC, would entertain their father with epic tales. Although, that may be far from the truth, as it is just a passed along anecdote. As Roy told his story of Alexander the Great to Alexandria, the visualized characters and landscapes were dictated both by Alexandria’s vivid imagination and Roy’s illuminative words. Alexander The Great likely did not actually walk around the …show more content…

When this concept subconsciously brewed in Roy’s thoughts, it eased his mind at the time.
Roy increasingly becomes restless in the hospital, diving deeper into the depths of dark depression. The world he has created through words to Alexandria becomes mixed with his own reality. Roy attempts to kill himself by overdosing on pills. A drug infused imagination within Roy’s mind is formed, blurring the lines between the real and the fake. In this situation, his stories actually become experiences. The bandit(Roy’s fictional double within his own story), holding pills in his hand, is told “Suicide is not the answer”. Enraged, Roy wakes up to find that the pills were placebos. Later, Alexandria asks for an ending to the story and world Roy has created for her, through storytelling for all these weeks. Roy kills off nearly every male character, including trying to kill his own fictional self. This comes from his own thoughts that life is worthless. Alexandria cries, and begs for fictional him not to die in the story. “Why are you making everybody die?”, Alexandria asks. Roy replies with “It’s my story”. Alexandria says “It’s mine too”. In that moment, the story and life collide when Roy realizes that Alexandria is talking to the real him, not only the bandit him. “Let him live!” the young girl whispers, tears streaming down her face. Roy mentions that there is no reason for the bandit to live, and Alexandria brings up the character’s daughter in the fable.

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