From first frame to the obvious perspective change in the hallway, sound is used masterfully in nearly every way it is cinematically possible. This masterful scene, highlighted it’s use of sound not only helps to prepare the viewer for what is in store stylistically speaking but probably won the movie the 1980 academy award for best sound editing. The movie opens with an audio precede of what is presumed to be a helicopter. When we are presented with the opening shot of trees and wisps of smoke, the lack of natural sound tells the viewer that they are not there. The viewer believes they are getting closer to being on scene when choppers fly through the frame accompanied by what they again perceive to be helicopter rotors. That sound is
Rock opera in its narrow definition seems to be a purely British phenomenon, possibly because at the time of its arrival England, as opposed to the United States, had not found its musical theater voice yet: while musical theater was booming in the United States from the early twentieth century onwards, England didn't develop a popular musical tradition until the late 1960s, when Andrew Lloyd Webber started to write and produce large-scale musicals for the London theaters.
As she opens the door into the bedroom, a high pitched screeching sound pierces your ears while bizarre images flash on the screen. The shot then drastically cuts back to the static screen for several seconds. The scene ends. The dramatic screech is effective because it causes a successful jump scare,important to any horror themed film. The scene also demonstrates links to psychological and abnormal sound which is
Sound, in a film, is the element that the filmmaker uses to explain a movie’s story. It reproduces and magnifies the world that has been created by visual elements of the film. The aural effects of certain objects, settings and characters are what define the sound. There are many types of sound when it comes to film and they all play a specific part in telling the story. Examples of sound are diegetic and nondiegetic sound.
Even though the film is essentially a visual experience, the use of sound has become extremely important in modern film. The modern viewer hears a complicated soundtrack that is as meaningful as the image on the screen. Three elements comprise the film's soundtrack: the dialogue, the sound effects, and the musical score. The proper balance and mix of these elements produced the essential emphasis required, which created the desired effects. As explained by Joseph Boggs and Dennis Petrie,
As well as lighting, sound was used very effectively to stage the story. For example “echoes” were created in the alleyways, to make us think that Eddie’s house was a long way away. These echoes were also used to symbolise Eddie’s loneliness. This could show that there is emptiness in Eddie’s heart that can only be filled by a close friend or a brother. There was a bold use of sound especially in scary, dramatic or important scenes. This added to the drama of the overall performance, it made the audience feel a variety of emotions. In the scene when Mrs. Lyons tries to murder Mrs. Johnston, the sound affects really emphasised how Mrs. Lyons was feeling and her sheer madness. The use of surround sound made me feel like I was in the scene and it made the whole performance much more realistic.
Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the
The 1980s was a decade of revolutionary changes on the music scene. The two major developments were the advent of MTV and the compact disc. Music became more diverse, with new wave, heavy metal, rap, techno pop, alternative rock and the "new" country sounds. And music became a huge marketing tool as filmmakers, TV producers and manufacturers of everything from sneakers to soft drinks used hit songs and hot performers to sell their products.
Sound helps the film maker to tell a movies story by reproducing and intensifying the world that has been partially created by the film’s visual elements. (Barsam pg.389). The films place music to relate more to the spatial and temporal dimensions of the screen. It gives the viewer clues to interpret the meaning of the film. Dialogue narration and sound effects – such as Foley sounds, that calls attention to the film.
In 1928 ground-breaking technology made it possible for movies to have sound. This revolutionized horror films because sound gave an extra dimension to terror. Noise built suspense and signaled the presence of a threat. (Wilson) Instead of a monster suddenly making an appearance without warning, music would signal that they were near. Growls, Snarls, footsteps, and screams allowed the audience members to feel like the victims of the movie.
(Chapter 7 page 68) The sound effects and camera angles used in this scene help set the mood and depict the scene from the
Additionally, there were various innovative techniques such as the dolly zoom that was used in vertigo to create an earie atmosphere, the clever use of the translucent ceiling in the thriller 'Lodge' and lastly the most forte of them all- the disorientating cuts in the shower scene of the world known scariest movie 'Psycho', the execution of the scene was preformed outstandingly, the piercing noise colluding with the sharp cuts allowed the 'stabbing' to psychologically look realistic however as the stabbing motion was portrayed and the actress screeched there was sharp cuts where a black cloth was placed in front of the camera as if the audience was watching from the viewpoint of the killer therefore sound also was a strength of
Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.
One aspect of the film that is interesting is the way the balance of music and dialogue add to the suspense of the story. As stated in James Berardinelli’s review of Vertigo, “There are numerous, lengthy passages that pass without dialogue (most of these occur while John is trailing Madeleine), and Herrmann's music sustains Hitchcock's carefully-crafted tone.” As well as to create these interesting scenes that rely almost entirely on visuals to tell the story, the music has an important role of building the feeling of suspense, complete with the typical thriller crescendos used to foreshadow a big event. This film has many technical aspects that help it stand apart from others and the musical choices made are a clear example of this.
The Sound of this film is so good, the sound track and the narrative voice is clear the echoes and The vibration affects the audience specially if the scene is fighting and casting the powers of a vampire.
What makes a musical appealing? Perhaps it is the melodious songs that leave a lasting impression, or maybe its appeal lies in its dramatic acting that touches the hearts of its audience. Nonetheless in the case of Sound of Music, by Howard Lindsay and Richard Crouse, this musical spectacle proves itself by crafting a complete narrative, having an accomplished and versatile cast, and strongly relating to the audience.