St. Lucy's Home For Girls Raised By Wolves Summary

In Seven Monster Theses, Jeffery Cohen develops an idea that “monsters” are essential to society. In fact, they construct what is “normal”, “rational”, and “civilized”. Specifically, “monsters” are foundational to how we view ourselves. “Monsters” contain all the traits deemed unacceptable and odd. It can be concluded that every outlier is a “monster”. In St. Lucy’s Home for Girls Raised by Wolves, Karen Russell tells the story of a pack of wolf girls who are transitioning into young ladies. Russell delves into society’s need for conformity, gender roles, and change. The story is told from the point of view of the middle wolf girl, Claudette, and follows her on her journey from wolf to woman. In relation to Jeffery Cohen’s idea of monster culture, Claudette’s journey applies to Thesis IV “The Monster Dwells at the Gates of Difference” and part of Thesis I “The Monster’s Body is a Cultural Body”. Claudette is torn between two worlds and she has to learn how to successfully “move between the two cultures”. Through Cohen’s theses, Karen Russell uses character development and dialogue to depict the inner and outer battle of societal femininity and individualized femininity and the consequence of accepting either side. The presence of “monsters” are essential for this acceptance.

Karen Russell’s St Lucy’s Home for Girl Raised by Wolves is about a pack of wolf girls that are taught how to act civilized at St Lucy’s. Over the course of the story, there are three main wolf girls, Claudette, Jeanette, and Mirabella. At St Lucy’s the girls go through five stages. Some of the girls will either be ahead, stay at the same pace as, or be behind the program. The epigraph for Stage One suggests that the girls will have a new-found curiosity and excitement. It also suggests that they will enjoy the new environment that they’re placed in.

The epigraphs in St. Lucy's Home for Girls Raised by Wolves are intended to give information as to what development the wolf-girls of the school will experience. The information they give us typically concerns the actions the girls may perform and the feelings they might experience by telling us the stage that they are at in their transition. With the exception of Mirabella, all the information we're given concerning the girls matches up with the quotes's corresponding epigraph. Epigraph two and it's sequential text is no different.

Upon first reading “St. Lucy’s Home for Girls Raised by Wolves,” it might seem like an imaginative fantasy and nothing else. The story focuses on the daughters of a pack of werewolves, and it takes place in a world where the werewolves and their daughters are nothing out of the ordinary. But upon closer examination, this is a story rooted in reality. This inventive tale parallels several real world phenomena. Karen Russell uses allegory in “St. Lucy’s Home for Girls Raised by Wolves” to objectify western society’s views of people outside of that society and of outsiders in general, and compare them to the views that people have of wild animals.

The second epigraph of St. Lucy’s Home for Girls Raised By Wolves refers to a “Stage 2” from the Jesuit Handbook on Lycanthropic Culture Shock. According to the text, in this stage, the wolf-girl pack will realize that they are required to make an effort to adapt to their new environment and begin the stressful process of integrating themselves into the host culture. During this period, the epigraph explains, students may feel frustrated, depressed, confused, out-of place, or somewhat insecure, reminiscing about their old home and ways of life. Stage 2 marks an important phase in the development of the pack as a character, and of the wolf-girls as individuals.

In every good initiation story the protagonist experiences a range of changes. In Karen Russell 's story “St. Lucy 's Home for Girls Raised by Wolves”, the protagonist Claudette is quickly submersed in a new world. She and her pack go from living with their lycanthrope parents in the woods, to being raised by nuns and taught to act human. She has to learn a whole new way to exist. She learns what to do, how to think, and how to become an individual. Karen Russell effectively shapes Claudette as a dynamic character. Throughout the story Claudette experiences changes in her personality and behaviors, producing a stark contrast in the end.

Whether one would like to admit it or not, change is a difficult and not to mention uncomfortable experience which we all must endure at one point in our lives. A concept that everyone must understand is that change does not occur immediately, for it happens overtime. It is necessary for time to pass in order for a change to occur, be it days, weeks, months, or even years. The main character, who is also the narrator of “St. Lucy’s Home for Girls Raised by Wolves”, realizing that “things felt less foreign in the dark” (Russell 225), knows that she will be subject to change very soon. The author makes it evident to readers that the narrator is in a brand new environment as the story begins. This strange short story about girls raised by

“Girl” is a short story in which the author, Jamaica Kincaid, unofficially presents the stereotypes of girls in the mid 1900s. Kincaid includes two major characters in the story “Girl”, they are the mother and the girl. Although the daughter only asks two questions in this story, she is the major character. The mother feels like her daughter is going in the wrong direction and not making the best decisions in her life. The whole story is basically the mother telling her daughter what affects her decisions will have in the future. The mother believes that because her daughter isn’t sitting, talking, cleaning, walking or singing correctly it will lead her to a path of destruction. “Girl” is a reflection of female sexuality, the power of family, and how family can help overcome future dangers.

In the excerpt “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell the narrator speaks as a half wolf half human mind set. She discusses the improvements and difficulties of living in captivity after being free and wild their entire lives. There are three (3) main characters, Mirabella (youngest), Claudette who is the middle child of the three (3) sisters, and last but certainly not least, Jeanette. These girls are few of an entire “pack” of half human half wolf. The pack is referred to as a whole throughout the duration of this excerpt. They experience difficulty in the transition of the “wolf-identity” into more of a “human-identity”. This short story exemplifies how the difficulty of change after being exposed to ones “tradition” for so long differs for each “person” wolf or not.

In Alice Munro’s “Boys and Girls,” there is a time line in a young girl’s life when she leaves childhood and its freedoms behind to become a woman. The story depicts hardships in which the protagonist and her younger brother, Laird, experience in order to find their own rite of passage. The main character, who is nameless, faces difficulties and implications on her way to womanhood because of gender stereotyping. Initially, she tries to prevent her initiation into womanhood by resisting her parent’s efforts to make her more “lady-like”. The story ends with the girl socially positioned and accepted as a girl, which she accepts with some unease.

In Jamaica Kincaid’s story, Girl, a mother is talking to her daughter about all the proper things she must do to be considered a good girl to her family and to the public, and when she grows up, a proper lady. She must follow the rules that are given to her by her own mother and by society. The mother also teaches the daughter how to act when things don’t go her way. She is told that along with being a proper lady, she must also be able to get what she wants and be independent. This story was written in the late 1970’s and gender roles, for women, back then were not being “followed” because women wanted equal opportunities (Women In the Workforce). “Gender stereotypes are beliefs regarding the traits and behavioral characteristics given to individuals on the basis of their gender” (Deuhr). This essay will discuss the gender roles that were given to women in the story, during the late 70’s, and in today’s society.

In “Monster Culture”, Jeffery Cohen develops an idea that “monsters” are essential to society. In fact, they construct what is “normal”, “rational”, and “civilized”. Specifically, “monsters” are foundational to how we view ourselves. “Monsters” contain all the traits deemed unacceptable and odd. It can be concluded that every outlier is a “monster”. In St. Lucy’s Home for Girls Raised by Wolves, Karen Russell tells the story of a pack of wolf girls who are transitioning into young ladies. Russell delves into society’s need for conformity, gender roles, and change. The story is told from the point of view of the middle wolf girl, Claudette, and follows her on her journey from wolf to woman. In relation to Jeffery Cohen’s idea of monster culture, Claudette’s journey applies to Thesis IV “The Monster Dwells at the Gates of Difference” and part of Thesis I “The Monster’s Body is a Cultural Body”. Claudette is torn between two worlds and she has to learn how to successfully “move between the two cultures”. Through Cohen’s theses, Karen Russell uses character development and dialogue to depict the inner and outer battle of societal femininity and individualized femininity and the decision of accepting either side. The presence of “monsters” are essential for this acceptance.

As the headmistress gave Santha and Premila new English names, I filled with anger, sorrow, and confusion for these girls. It seemed as if she carelessly assigned a numbered label to them, like they were products at a grocery store. They were forced to “fit in” and adapt to make others comfortable. The creation of Cynthia and Pamela strippped their identity and new ones were formed; alongside

There is a double standard of academics that take place at St. Paul’s. While the school promotes the idea of economic success through personal achievements and merit for all their students, the girls at the institution work hard and tend to do better than the boys. This is done without ease. For example, Mary is a student who continually works hard to achieve academic success but does so in a frantic and uncomfortable manner. An essential part at the elite school is being able to exhibit a certain mark of belonging (Khan 115). Khan states, “Lots of students spend as much time as Mary working in the library and their rooms. This is particularly true of girls” (121). The elite institutions strive for equality between the genders, but tend to have stronger female candidates. The girls inevitably have to work harder than the boys in order to achieve higher grades and perform better in school. The girls at St. Paul’s must work harder than boys in order

Adelaide is your average small town girl. She knows everyone in her town, which only at times proves to be a good thing. She loves going to church. Helps her mother and grandmother cook and clean. Typical Daddy's girl. Only thing out of the ordinary with her is that, she's a werewolf. She's part of one of the smallest packs in the country. Her town only consists of 347 people, 112 of them being werewolves. Her fathers the Alpha of the pack and only goes to one Alphas meeting a year, considering the packs so small he doesn't have to go to many. Since Adelaide just turned 18 a few weeks before, her father lets her tag along. While at the meeting, Alpha of the biggest and baddest pack takes an interest in Adelaide. She's his mate.