St. Peter’s Basilica in Rome along with the churches of San Lorenzo and Santa Maria del Fiore in Florence, all have their own stories that tell much about political power, artistic taste, and sources of patronage in Renaissance Italy. They all share some similarities but there are also quite a few differences that affected the construction of these three well-known churches. St. Peter’s Basilica was a lengthy project that underwent many changes including who commissioned it, the architect, and the actual construction of the building. It was Pope Julius II who decided a new St. Peter’s needed to be built in 1506. He hired Bramante to come up with the floor plan and construction idea. Bramante came up with a fairly modest design, which was in the shape of a Greek Cross. In 1513, Leo X took over and hired Raphael to continue on with Bramante’s plans, and in 1546 Paul III was …show more content…
After awhile, Giotto took over the construction to bring it to realization in 1334 and then Brunelleschi in 1420. After studying the construction of the Pantheon Brunelleschi was able to come up with a way to get the massive dome on top of Santa Maria del Fiore. The church was in the shape of a cross just like the other two churches previously mentioned, but it was of the Gothic style. Gothic style meant that the cathedral rose high above other structures within the city, contained pointed arches, and the floor plan was in the shape of a Latin Cross usually. The inside of the church was not made very colorful and decorations were kept to a bare minimum. The church was plan and unlike other churches built during this time period, there were not individual chapels within it for families and such because it was meant to belong to the entire city not private families. Santa Maria del Fiore was built to beautify the city, thank God for their blessings, and to show civic
the man responsible, built not one but two domes, “one nested inside the other.” During his
When Pope Julius II heard about the artist’s accomplishments, he commissioned Michelangelo to create his tomb. However, Pope Julius turns his focus in funding to rebuild St. Peter’s Basilica. Rome was overpassing a difficult time, and the Pope wanted to return it to its powerful roots. Michelangelo unhappy about the Pope not paying back for the stone, returned to Florence. Yet, the Pope
The shift brought the transformation of thick columns to much thinner and “lighter” columns (Blankenbehler). However, before this architectural movement can begin, Abbot Suger struggled to reconstruct and synthesize the style of the ancient building with his ideas of modern designs. He knew that the freshness of these new designs would bring beauty and spaciousness. He wanted people to be amazed at the transformation of the once small, but soon to be large and wide feel of the basilica. To create the wide feel, Abbot Suger issued the ceiling to have a complicated web of interlocked and pointed vaults. He also chose to have arches with points so that the basilica would not need thick walls to support the arch. Thick walls would make the interior look crowded and small, something Suger did not want. By having the pointed arches, those would take the weight of the ceiling and distribute the weight across rather than being pulled down. This allowed for thin and elegant looking columns, for they were able to support the ceiling because the weight of it was dispersed. He envisioned the structure to have high ceilings, which would be supported with thinner columns (Birth of the Gothic: Abbot Suger and the Ambulatory at St. Denis). Suger also brought in the idea of having tall towers so that the building would look like it was reaching for the heavens. By reaching the heavens, it brought this concept of being closer to God and reassuring the people’s
Both building have a symmetrical layout. There have many architectural features that are very similar as Michelangelo, one of the architects of St. Peters Basilica, studied the Pantheon before making designs 6 ; he based the St Peters Basilica dome from the Pantheons’ dome. Both building reflected their societies’ wealth and symbolizes religion as both were used to honour gods.
As legend has it, the builders of St. Basil’s Cathedral were blinded by the command of Ivan the Terrible, so they could never create a building greater. There is still the question if St. Basil’s is actually the most beautiful cathedral made in its time. Comparing it to the beautiful Pisa Cathedral and Assumption Cathedral, which were made around the same time, one could find it hard to decide which is the most artistic. Looking at the materials, art, and icons of cathedrals are ways to gauge how beautiful the building is. St. Basil’s Cathedral was the most beautiful cathedral made in its time.
a. St. Peters of Rome built in Vatican City was built in Italian renaissance style.
CHOWAN UNIVERSITY Honors Cultural Enrichment The National Cathedral: A Deeper Insight Tamare’a C. Jones Dr. Thomas Whitaker 12/10/2014 Since the early days of evangelicalism, governmental officials have been increasingly concerned about America’s spiritual harmony. It was a strong desire to establish a community that will provide spiritual nourishment with daily worship and prayer. After years of meetings and negotiations, Congress granted a charter to build a cathedral in Washington D.C. that will develop and enhance religious faith.
The St. Paul Cathedral began as a small log chapel in Pig’s Eye Landing, which was the name of St. Paul during the mid 1800s. When Bishop Cretin became the Bishop of St. Paul in the 1850s, he made the log chapel the Cathedral of St. Paul. As a result of the population growth, the building had to become bigger and he issued the construction for a new Cathedral. A newer Cathedral was built after population continued to rise in the diocese. Construction took a lot longer than expected and a few St. Paul Bishops went through their term while construction continued. Since the newest St. Paul Cathedral opened, many renovations and restorations have been performed in order to keep up the quality and stability of the building.
The Church of San Vitale Shows Justinian and his attendants. . The Art Work is a part of collection work which is called Justinian Mosaic and it begun by bishop Ecclesius in affiliation with the Roman Catholic. Its size is really difficult for us to tell because it shows the dome shape design from inside the church... Basilica of San Vitale is the main location in this art work. The artwork done on the walls is permanent. It Tells the Story of Ancient Rome and also tells the Aesthetic values of the Church.
Before Constantine, Christian churches were often not much different than typical domestic architecture (Johnson, 282). After the legalization of Christianity in Rome, large churches known as basilicas sprung up in every major city of the Roman Empire. The basilicas were built with several parallel aisles separated by rows of columns, ending in a semicircular structure could often hold thousands of worshipers (Pollard, 286). Constantine himself was responsible for the construction of churches in Rome including the Church of St. Peter, and churches in the Holy Land including the Church of the Holy Sepulcher in Jerusalem, and in Bethlehem, the Church of the Nativity (Johnson,
Next, we have the Pantheon a wonderful temple in Rome which is now a church called Santa Maria ad Martyres. The Pantheon was built in 27-25 B.C. by magistrate, Marcus Agripa to commemorate the victory of Actium over Antony and Cleopatra. Unfoaryanty, the original temple burned down in 80 AD and it was restored between 193-211 by emperor, Septiums and Caracalla. Later, when Christianity replace paganism in Rome, the temple was give to Pope Boniface IV 608 AD. The Pantheon was the first to be Christianized in Rome. The Pantheon is 142 ft. wide and 142 ft. in height it is shaped as a sphere sitting on a cylinder. The place is resting in a solid ring wall while the outside is covered in cantilevered brick. The porch is made of 16 monolothic Corinituan
The cathedral Basilica of Saint Louis typically known as the St.louis cathedral Roman Catholic Church is located in the Central West End area of St. Louis, Missouri. The cathedral was built as a replacement of the older cathedral located along the mississippi which they started construction on May 1st ,1907 and ended construction on October 18, 1914. The Cathedral is the mother church of Archdiocese of St. Louis and the seat of its archbishop, currently Robert James Carlson. The church was awarded basilica by Pope John Paul II in 1997. Although the church was built it was not officially Consecration until a decade later on JUne 29,1924. The church is most famous for its large and beautiful mosaic installations
With the wave of the Middle Ages, past, the town fathers of Florence, Italy, decided to finally complete the dome on their beloved Cathedral, Santa Maria del Fiore. With the defeat of the Roman Empire, much of the Roman cultural arts were lost. No one could figure out how the Romans built so many magnificent domes and arches. As plans were made to build the arch in 1418, many ideas were presented and rejected except one.
With such support from the state and the Emperor, the church was given a massive financial support, which was invested in the building of the Basilicas. They were used to perform rituals such as worship, baptism, prayers, scripture reading, preaching and recognition of the dead and the after life. The liturgy of the early churches was very plain. They were build on a rectangular classical floor plan. The Basilica floor plan was simple; consisting of a narthex (the outside building short end), apse, transept, and aisle such formation gives the idea of building resembling to the cross. The early Christians were inspiration to represent such building to the cross. Once more this is part of the spiritual journey of Christianity. The other model was the central plan which would consist of a dome in the middle of the church. Were all the activities would take place. Like the worship and the baptismal ritual. This center plan was more common in the Eastern-Orthodox churches. This shows the heritage of Roman Christian art from the early ancestors such as the Greeks and the Middle East. A great example is the San Vitale in Ravenna which was an important Byzantine outpost in Italy. San Vitale was constructed under the reign of the Byzantine Emperor Justinian in 547. This church has a domed central core which
This source is a picture showing the San Lorenzo church, which was known as the Medici chapel. The San Lorenzo Church is originated in Florence in 1419. It also is the Tomb of Lorenzo de' Medici. Michelangelo makes an imprint on the San Lorenzo church by adding architectural designs and