Stereotypes In Compatriots And Traplines

Hello and welcome to Real Time discussion show. Tonight we will explore the topic 'Representations of Indigenous Australians' in the iconic Australian films 'Rabbit-Proof Fence' and 'The Tracker'. This is an important topic as society can learn from past mistakes presented in these films that will be discussed tonight. On the panel tonight we have Rebecca Long who will be discussing negative representations in 'Rabbit-Proof Fence', and myself, Sarah Christensen, and l will be exploring the negative representations in 'The Tracker' that prompt a positive reaction.

Deadly Unna? (1998), is a book based on a true story that tells the tale of non-Indigenous boy Gary ‘Blacky’ Black and his friendship with Dumby Red. Set in Port Victoria in South Australia, Blacky’s evolving relationships with the Indigenous kids in the community inspires him to question the underlying racism that exists in society. In this essay, the author’s methods for conveying the theme of belonging to the reader will be evaluated. Subsequently, Gwynne’s generation of racial segregation in the community, followed by the contrasting types of racism demonstrated by the characters, will be analysed.

Australian people and culture are often stereotyped in the media in different forms, one of them being film. The two films being examined, ‘Red dog’ (2011) and the ‘Sapphires’ (2012), are an example of the Australian identity but from different points of view. ‘Red dog’ shows the kind and positive side which exemplifies mateship and loyalty. The film ‘Sapphires’ ,which takes place in the 1950’s through to the 1960’s, shows a negative and racist view towards the indigenous people. Both the films show different aspects of the Australian identity, not all insights of the films accurately represent contemporary Australian identity as the Australian identity has changed by the evolution of people and their lifestyle.

“Is that you Ruthie?” brings to light the negative aspects of these camps and, in particularly, how Aboriginals were taken advantage of throughout their working careers as well as how they were lured onto the reserves.

This essay is about the short story “Traplines” written by Eden Robinson. In the story “Traplines” it talks about the daily struggle that the young aboriginal protagonist Will must endure when exposed to violence, drugs, and white culture. Eden Robinson uses the element of characters such as; Greg, Eric and Mr. Smythe demonstrate how the actions conducted by them, the male role models in Will’s life can have a negative effect on Will’s decisions and well being.

An individual’s search for identity is fuelled by a need to find a place in the world where we belong, thus not belonging consequently leas to a feeling of alienation and isolation. This notion is explored through May’s journey seeking to connect with her racial heritage, her idea of understanding and acceptance. The old man Graham, May encounters at the mission expresses an Aboriginal perspective on the contemporary relationship between the two societies. “no one to talk about it. And they die, kill em selves, than those governments just put another numba, nother cross in they list. They still trying to do it, kill us of, tell us that its always been they plan.” They hybrid vernacular communicates the hatred through the ethnolect strongly marked by the non –standard features of the pronouns in “they list,” “they plan.” Graham’s diatribe reflects him as an individual demonstrating the marginalisation of the minority groups. Similarly, Armin Greder’s picture book The island demonstrates the notion concerning the duality of belonging with its inherit prejudices and xenophobic attitudes expresses the majority’s deliberate exclusion of ‘the other’ outside

The recent Australian film, Rabbit Proof Fence, similarly condemns the social, political and cultural mores of colonial and post-colonial Australia in relation to its past treatment of indigenous Australians. Like To Kill a Mockingbird, it too, is set in the 1930’s and reflects similar attitudes and values whites have to black people. The film is a true story based on the book by Doris Pilkington Garimara, the daughter of one of the half-caste children in the film who, together with two other Aboriginal girls, was forcibly removed from her family in Jigalong, Western Australia. These children form part of what is now known as the “Stolen Generation”. They, like many others who lived in the first part of the 20th century, were the victims of the official government assimilationist policy which decreed that half-caste children should be taken from their families and their land in order to be made “white”. The policy was definitely aimed at “breeding out” Aboriginality, because only half and quarter caste children were taken.

The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.

Jack Davis’ ‘Honey Spot’ outlines the interaction between the Winalli family and Peggy and the Ranger, and the media article ‘Brisbane Tent Embassy battle goes on as Elder stands up for his rights’ by the National Indigenous Times Online discusses the arrest of an Indigenous elder after practising his culture at the Tent Embassy site in Musgrave Park. There are many common themes discussed throughout both ‘Honey Spot’ and ‘Brisbane Tent Embassy battle goes on as Elder stands up for his sovereign rights.’ Whilst both very different styles of text the themes of stereotype-driven misconceptions, Indigenous cultural practices being frequently frowned on by non-Indigenous Australians and rigid beliefs about environmental protection inhibiting Aboriginal

In this essay, it has been shown that the burnt stick is a novel about inequality. Throughout all the paragraphs it represents three points relate to inequality: The stolen generation, The big man think aboriginal don’t have emotion and kids in Pearl Bay are restricted not do anything relevant to their culture. As a result sum up these three main points above shows the inequality between the aboriginal people and the white people in the last

The poet Oodgeroo Noonuccal, draws the realistic image of the confronting realities of alienation and displacement of Indigenous Australians. It is because of such experiences that has empowered Noonuccal to express and advocate learning from experiences by positioning the audience to view the horrors that occurred, creating a platform for her poetry. Through the emphasis of identity, it allows the audience to deeply connect with the past, determining and illustrating a profound link between the ancient past and contemporary present. Oodgeroo’s deep connectivity with art and poetry highlights the importance of learning from experiences, for not only the Aboriginal culture but, for all cultures, and that colonisation does not destroy self-identity. Through the poems The Past and China…Woman, it has allowed the individual to promote change, encouraging the survival of cultures through learning from past experiences

The film ‘Rabbit Proof Fence’ conveys the importance of family, belonging and country to the Aboriginal people and provides the audience with an insight of the division between the Europeans and the Aboriginal people. The Director, Philip Noyce displays these themes by the use of symbolism and motifs. Symbolism is the use of one object to represent a notion or other object, whereas a motif is the recurrence of an object, theme, and subject throughout the film. The ‘Rabbit Proof Fence’ is based on a true story on how Aboriginal families were treated by politicians and government. It follows

How each character’s relationship relates to native Australians grows for better or worse throughout the novel. The novel also shows how Grenville has incorporated each personal lifestyle and how it co-exists with the other. The novel incorporates past and modern views about each society and brings to attention controversial issues about Australia’s convict past and how Aborigines are being ostracized for their way of life and skin pigmentation.

The representation of Indigenous Australians in fiction and nonfiction texts are influenced by a range of factors. In the contemporary world of multicultural Australia, there has been a variety of ways groups of people are represented in texts. The Indigenous population is often portrayed in ways that strengthen harmful stereotypes. However, there are also a variety of positive outlooks and portrayals expressing their strength and achievements. In texts studied in year 8 English, the representation of Indigenous Australians in Crow country are characterized as outcasts and reflect cultural distinction. Newspaper articles regarding “Adam Goodes” demonstrates how preconceived thoughts from many Australians destroys sporting stars outlook upon

Belonging comes from an understanding, or the knowledge that an external sense of being comes from an internal sense of connection and safety. This critical analysis will portray how the text “Stolen” by Jane Harrison relates to the concept of belonging. Stolen is a play that tells the stories of 5 Aboriginal children that were stolen away from their families and were forced to grow up in institutions, following the European way of life. The children were segregated from their communities and treated as inferiorly. Their worth was seen as minimal and only useful to Europeans as slaves. “Stolen” is an example of not belonging to the environment that one is living in. The children are stolen from their parents, their culture and traditions,