I. Introduction
The “China Doll” stereotype is a kind of stereotype wherein the west portrays the East Asian girls as a sexual object. Being diminutive, permissive, and coy are three main things the west sees in eastern women. This stereotype is not new, for it has been going on for 200 years. It began when Marco Polo began his journey. Aside from that, in 1839, in the opium war, these women were exported to the west. In the late 1800’s, French naval officer Pierre Loti loved writing about his trips.
In 1888, during his trip to Japan, he met a woman that became his temporary wife. He described her diminutive doll like appearance. He, then wrote a book about it called “Madame Chrysamtheme” and has become famous and was printed for more than a hundred times. However, that story did not stop there. Another American opera was
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Also, it is needed that Asian women take the initiative to be able to portray themselves and bring about their perspective culture and not allow Western influence to tamper with it. Slowly, it is through talent of Asian women that recognition is gained and culture is promoted, and so long as that continues to progress will it be possible to completely eradicate the objectification of Asian women suffering through the racial generalization that is the China doll stereotype.
VII. Sources
Uchida, Aki. (1998) The Orientalization of Asian Woman In America. In Women’s Studies
International Forum. (Vol 21, No. 2. P. 161-174). USA; Elsevier Science Ltd.
Said, E. (1979). Orientalism. New York: Vintage Books.
McLeod, J. (2000). Beginning postcolonialism. Manchester, U.K.: Manchester University Press. Cristen (2015) Stereotypology: Submissive China Dolls. Youtube:. Stuff Mom Never Told You -
As a result, the Asian females lost their sense of “individuality” and “diversity of what it means to be Chinese.” As Connie accents, the stereotypical representation of Asian women increased during “the US involvement with the Philippines wars, Japan and China in World War II, and more recently, the Korean and Vietnamese Wars” because the American soldiers saw Asian women “as prostitutes and sexual objects who provide rest and recuperation from the war zones” (as cited in sitemaker.umich.edu). As time passed and media came into existence, stereotypical names, such as “Dragon Lady” and “China Doll,” of Asian-American women began to represent the Asian American women as sexual and erotic objects in the media.
No matter where in the world you may find yourself, you almost certainly are always going to be judged or stereotyped. Being judged and stereotyped by people has been around for a while and will probably never change. In the essays “Size 6: The Western Women’s Harem” by Fatema Mernissi and “Mother Tongue” by Amy Tan, both women share their stories about being stereotyped and judged. Both Mernissi and Tan use the nonfiction elements of characterization, as well as point of view. Although both Mernissi’s and Tan’s essays have a relatively similar theme, their situations are completely different.
Shanghai Girls is written in the atmosphere of 1937 Shanghai, ‘the Paris of Asia’ . Where the Chinese were influenced by the westernization. The developing Shanghai features the rapidly growing influence of the west over traditional Chinese beliefs.
The first documented Chinese woman to arrive in the United States was Afong Moy, in 1834. She was brought by white people to be displayed in the American Museum. Dressed in Chinese clothing, she was meant to display Chinese customs, manners, and lifestyles, showing the Americans how different a “celestial lady” looked from a Western woman. This spirit of Westerners viewing Chinese people as separate from themselves would go on to isolate Chinese immigrants as they continued to immigrate to America. The Chinese would continue to be thought of as inferior, or part of an “other” group by white settlers. Chinese women in particular were fetishized and demeaned -- looked upon as a whole as prostitutes -- when in reality they played many different roles in society and in
Although Asian Americans comprise only about 5% of the U.S. population, this group is the fastest growing segment of American society. Despite such rapid expansion, Asian Americans are widely underrepresented throughout media, whether in television, cinema, or literature. Moreover, there are different stereotypes associated with Asian Americans. One of the most pervasive stereotypes details how Asian Americans are a “model minority”. In essence, this myth describes how anyone who is Asian American will become a successful individual able to achieve the “American dream”.
All women are too sensitive! All Mexicans are illegal immigrants! If you’re from the South, then you are ignorant! Most people have heard at least one of these stereotypes pertaining to a certain group. Some people believe them whilst others do not. American Born Chinese illustrates three stories depicting the custom of stereotypes surrounding society: “The Monkey King”, the story of Monkey King’s thirst for infinite power, and his quest for atonement; “Jin Wang”, the story an awkward boy who tries to “fit in” the community around from but constantly fails; and “Danny”, the story about a high schooler who feels uncomfortable by his stereotypically negative Chinese cousin Chin-Kee. In this day-and-age, stereotypes are what bring people
Chang’s writing is focused upon from the view of a sociocultural standpoint, with discovering the internal ideas beneath beauty from the external appearance. It included an experiment with nearly 500 Asian American female participants who took part in a questionnaire package regarding both one’s personal beliefs as well as on social relations with Caucasian-American women. The results of this showed that, there are little to none ethnic group differences in the internalization of the dominant White beauty standards among Asian American women. Despite the lack in differences, the findings made contributions by showing the importance of racial identity and beauty standards in Asian American women’s body image development and psychological well-being.
Even doctors took part in how the public viewed Chinese women. Rumors would spread that they were infected with diseases. The image of a Chinese women in America was that they were dirty, contaminated, and disease ridden. All Chinese women did not stand for this. Some attempted to resist the lives they were living by running away.
The media is often the only form of culture that many Americans are subjected to. Consequently, many stereotypes are formed from that medium. These stereotypes include the interfering Asian American woman that cannot keep her nose out of other people?s business. The Asian woman is also supposedly sexually active, exotic, overly feminine and eager to please. This character is termed the ?China Doll,? and appears countless times in popular movies. Hollywood tends to characterize Asian women as prostitutes, yet fails to portray the hardships these women face such as trying to support their families. Asian American women are also depicted as passive and indecisive, and often times are treated as though they want to have sex with white men, even when they are verbally not agreeing. ?Dragon Lady? refers to an Asian
In fact, I specifically chose this topic because I have witnessed the hyper sexualization of an Asian woman first-hand. Someone that I know is in a relationship with an American man, and after spending time with them and learning what I have from this class, I can clearly see how much he undervalues her. He has even said things like, “You should get yourself an Asian girl,” and, “Asian girls will treat you well.” Our interactions have made me realize that there are many issues that are not even limited to Asian women hyper
Studying Chinese sounds hard and I bet it made this book so much more interesting. The Chinese symbols on each page they were numbers or were they something else? I didn’t realize the Monkey King was a beloved folk figure in the Chinese culture. That is so interesting your cultural background probably helped you understand the story and when you read it you probably had a different prospect than me. I read the book and thought the Monkey King part didn’t make sense
Asian American are face some types of stereotypes in today’s society, and it may produce by media or historical propaganda. For example, from the economic views, the Asian American should be successful than other race. From the education view, the Asian American kids should be smart, good at the math or engineer etc. particularly, the stereotype of the Asian women we can easy discover in the media, such as the Hollywood movies. the Asian American actresses are viewed as sexual and erotic objects of the society. From the history, most the Asian American actresses limit in the roles, such as "Dragon Lady", and "China Doll", in addition, both two role's characteristics represent sexual and erotic nature of Asian women. Even in today, these stereotypical
Although not a political or historical book, Shanghai Girls exposes some of the intricate and complex political and social dynamics of some of the most turbulent times in world history.
I chose this topic because I view women as the backbone to the development or a nation, therefore the Chinese woman is paramount in one of the world’s great civilizations. The role of women in Chinese culture has changed over the years. When we consider the position that women held in ancient Chinese society we find that they have come a long way to be where they are today.
Shanghai Girls is a work of historical fiction, and apart from the well-known people, events and settings that figure into the narrative, all names, characters, places and incidents are the products of the author’s imagination. The work is clearly filled with research, yet has a nice balance between history and the story line.