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Stranger In A Strange Land Mentorship

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On the importance of Martians and mentorship:

A Literary Analysis of Stranger in a Strange Land by Robert Heinlein

From Socrates and Plato in Ancient Greece to Albus Dumbledore and Harry Potter, mentorship has had a huge impact on not only the story's protagonist but also those who follow the protagonist through their journey. While mentorship creates the driving force, religion makes the basis for the ethical and moral code that will dictate how the protagonist acts. In Robert Heinlein’s science fiction novel Stranger in a Strange Land, Valentine Michael “Mike” Smith is the Man-from-Mars come to live on Earth. Mike learns what it means to be human while simultaneously teaching his friends and followers what it means to be Martian. Jubal …show more content…

‘Son, you've got something on your mind.”

“Yes.”

“Do you want to talk it out?”

“Yes. Father, it's always a great goodness to be with you, even if nothing is troubling me. But you are the only human I can talk to and know that you will grok and not be overwhelmed.” (Heinlein 414)

Summing up the unique relationship that both Mike and Jubal share is placed in one word, mentorship. Mentorship is when one person, normally an elder or older individual, takes someone younger under their wing and teaches them about a certain subject. Until the point when the mentor has taught the mentee all that is possible for them to know and when the continued partnership is no longer beneficial to both parties involved. Even when Mike is revered as the savior he still turns to Jubal when he is unsure.

“Mike, what in hell led you to believe that I was infallible?”

“Perhaps you are not. But every time I have needed to know something, you have always been able to tell me- and fullness always showed you spoke rightly. (Heinlein …show more content…

Going as far to call out Stranger in a Strange Land as, “lacking clear political perspectives, the novel ends on a note of extreme cynicism… The mystery of life is reduced to it's ultimate absurdity.” (Hull 255) Fellow critic and author, Ronald Cansier, of Stranger in a Strange Land: Science Fiction as Literature of Creative Imagination, Social Criticism, and Entertainment, agrees with Elizabeth Hull and adds that, “...concerning Heinlein’s irreverent, satiric swipes at almost every sacred value held by western society in general and America in particular.” (Cansier 227)

On the other end of the spectrum is critic John Holmes who believes, “This plot line allows Heinlein to critique his own culture indirectly” (Holmes 2170). Author of Youth Against Space: Heinlein’s Juveniles Revisited, Jack Williamson shares a similar opinion on Heinlein’s less than optimistic look on humanity. “What I admire most admire about them is Heinlein’s dogged faith in us and our destiny. No blind optimist, he is very much aware of evil days to come.” (Williamson

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