Streetcar Named Desire Essay: Themes in A Streetcar Named Desire

A Streetcar Named Desire is focused almost completely on its three protagonists: Blanche, Stella, and Stanley. It could be suggested that this play was influenced by Williams’ own upbringing: his sister Rose was mentally ill, and Williams’ was a doting older brother. Potentially, Blanche was inspired by Rose and that this play uses his unique perspective to comment on the treatment of the mentally ill. Williams may be using Stella’s conflict to highlight this.

A Streetcar Named Desire by Tennessee Williams uses setting to illustrate various themes and messages as they pertain to the events of the play. The setting plays a crucial role in the story line and the outcome of the play.

“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further

A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of

In Tennessee Williams’ play A Streetcar Named Desire, Blanche’s character believes that the opposite of death is desire. Throughout the play Blanche fills her desires in order to escape from the death of people and things that surround her. Williams uses Blanche to further develop the theme because she copes with death by filling her desires, which slowly results in the self-destruction of her character. Although the theme is mostly developed from Blanche’s character, Stella, Stanley, and Blanche’s husband all suffer from desire.

The next major theme of the book is the relationship between sexuality and death. Blanche’s fear of death manifests itself in her fears of aging and of lost beauty. She refuses to tell anyone her true age or to appear in harsh light that will reveal her faded looks. She seems to believe that by continually asserting her sexuality, especially toward men younger than herself, she will be able to avoid death and return to the world of teenage bliss she experienced before her husband’s suicide. Blanche’s lifelong pursuit of her sexual desires has led to her eviction from Belle Reve, her ostracism from Laurel, and, at the end of the play, her expulsion from society at large. Sex leads to death for others Blanche knows as well. Throughout the play, Blanche is haunted by the deaths of her ancestors, which she attributes to their “epic fornications.” Her husband’s suicide results from her disapproval of his homosexuality.

In the opening two scenes of ‘A Streetcar Named Desire’ by Tennessee Williams, the audience has its first and generally most important impressions formulated on characters, the plot and the mood and tone of the play overall.

I agree that characters in the book A Streetcar Named Desire by Tennessee Williams, use lying and deception to fuel their social status. These lies develop trust and relationship issues and threaten the wellbeing of everyone involved. Blanche, was a high school english teacher in mississippi who was forced to leave her life behind there. With nowhere to go Blanche moves in with her sister Stella and husband Stanley, who has a suspicion about Blanche's past life which lead to some unwanted events.

“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche

Have you seen the plays Skin of Our Teeth, Home of the Brave, All My Sons, or Lost in the Stars? Probably not. Why is it that today, it is still common to hear references to Stanley’s “STELL-LAHHHHH” in a Streetcar Named Desire, while few other plays of the 1940s remain relevant? First, Streetcar dared to delve into sensitive social topics, from mental illness to homosexuality to addiction, and even mortality. Tennessee Williams’ story of a young couple, Stanley and Stella, whose seemingly happy marriage is disrupted when Stella’s sister, Blanche, comes to town and brings her disastrous history with her, has captivated audiences throughout time with its highly developed characters, thoughtful stage directions, and intense dialogue.

In both The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams makes use of very specific light cues. In his works, Williams uses lighting to declare relationships, portray moods, and connect with the audience. Tennessee Williams uses light in The Glass Menagerie and A Streetcar Named Desire to make the audience feel the characteristics of Blanche, Laura, and Stanley, the relationships between characters, and to show that The Glass Menagerie is a memory play.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

A Streetcar named Desire- a play analysis We are in 1946 in New Orleans, the Second World War has just ended and the men have returned from the military, to reclaim “their jobs” that in their absence the left behind women had taken over. Many women were forced to go back into the kitchen and to their roles as stay-at-home wives, but not all! As some pursued new careers, a feminist movement began to rise once again. However, for both men and women, the social expectations of the genders were still very prevalent at this time.

Like many people in the world, the characters in Tennessee William’s play, A Streetcar Named Desire, are troubled by anxiety and insecurities. Life in New Orleans during the 1940s was characterized by the incredible variety of music, lively and bright atmosphere, and diverse population, while in the midst of the ongoing World War II. Culture was rich and fruitful because the city developed into a “melting pot” of people from all over the world. Due to the wide-range in population, the people of New Orleans adopted an identity like no other. Instead of their identity being entirely pieced together, almost like a puzzle, the people took on one that was shared by the entire community. However, with this being said, people had the ability to use this to their advantage and mask their true selves. This idea translates well into the play A Streetcar Named Desire, and is exhibited through the character Blanche. In A Streetcar Named Desire, Tennessee Williams uses the theme of vanity to reveal the importance of appearance, and the insecurities of Blanche and how they influence her actions.

This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.