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Struggle And Disillusionment In Shakespeare's Hamlet

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As with the majority of Shakespeare’s works, the 1601 tragedy of Hamlet still remains as an acclaimed source of inspiration for complex interpretations and in-depth criticism. Its values lies not within its plot, but rather within the constituents that gives rise to the textual integrity of the play. Hence, such thematic concerns of Struggle and Disillusionment are dramatically explored through elements of the dramatic form to impart an effect on the audience that allows the play to transcend contextual barriers. Such elements include the characterisation of the eponymous protagonist, various soliloquies, character foils, and the structure of the play. Edgar Johnson, expresses in his text “The Dilemma of Hamlet” (1956) that Hamlet’s …show more content…

Additionally, this would lead to an internal struggle unique to the audience as the notion of ‘antic disposition’ becomes blurred as the play progresses. This is further supported by the presence of the Ghost in Act 3, of which only Hamlet notices. Gertrude assures Hamlet, “This is the very coinage of your brain/This bodiless creation ecstasy/Is very cunning in.” (Act 3 Scene 4). This gives rise to the suggestion that the Ghost is a manifestation of his newfound madness and hence the authenticity of Hamlet’s apparent madness is a source of conflict within the audience. Johnson, however, views Hamlet’s madness as an innate quality that encompasses ‘the temptation to wreak justice for the wrong reasons and in evil passion…’. He does not consider the audience’s knowledge of Hamlet’s ‘antic disposition’ which allows for the interpretation that the dilemma is perhaps his progression to madness. Accordingly, the peculiar dramatic treatment of struggle through the multifarious and inwardness nature of Hamlet directly engages the audience continuously. The internal struggles and disillusionment of characters are conveyed to the audience in an intimate manner through the use of soliloquies. His core dilemma is revealed to the audience in his first soliloquy in Act 1, Scene 2 where he expresses his disillusionment with the world and life upon his mother’s swift remarriage to his uncle, describing it as “…weary, stale, flat, and unprofitable/Seem

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