Suffragist: The Black Feminist

The Wesleyan Methodist Church in Seneca Falls was the site of the first women's rights convention in the United States. The meeting took place on July 19-20, 1848.1 On the first day, only women were permitted to speak, and men joined in on the second day.2

The American women’s rights movement started in 1848 at the Seneca Falls Convention when 100 people, 32 male and 68 female signed the Declaration of Sentiments. The inequality was no longer acceptable. During the civil war, women began to fill the work, mainly

Patriarchy’s Scapegoat: Black womanhood and femininity – A critique of racism, gender inequality, anti-blackness, and historical exploitation of black women.

Women have always been fighting for their rights for voting, the right to have an abortion, equal pay as men, being able to joined the armed forces just to name a few. The most notable women’s rights movement was headed in Seneca Falls, New York. The movement came to be known as the Seneca Falls convention and it was lead by women’s rights activist Elizabeth Cady Stanton during July 19th and 20th in 1848. Stanton created this convention in New York because of a visit from Lucretia Mott from Boston. Mott was a Quaker who was an excellent public speaker, abolitionist and social reformer. She was a proponent of women’s rights. The meeting lasted for only two days and was compiled of six sessions, which included lectures on law, humorous

When the women’s right movement began in the antebellum years in the northern United States, it seems to be sparked by the abolitionist struggles against slavery. A Women’s Right Convention at Seneca Falls, New York in the late 1840s was one of the biggest emergence of women’s rights. Leading this convention were many prominent women including Lucretia Mott, Susan B. Anthony, and Elizabeth Cady Stanton, who were all trained in the school of

The battle for suffrage was a long and slow process. Many women tried to initiate the fight for suffrage, like Alice Paul and Lucy Burns. “These were the New Suffragists: women who were better educated, more career-oriented, younger, less apt to be married and more cosmopolitan than their previous generation.” (pg 17) Eventually, in 1920, the 19th amendment was ratified; allowing women to vote, but it was not any one person or event that achieved this great feat. It was the confluence of certain necessary factors, the picketing and parades led by Alice Paul, militaristic suffrage parties and the influence of the media that caused the suffrage amendment to be passed and ratified in 1920. But most importantly, they successfully moved both

The first women’s right convention was held in Seneca Falls, NY with about 300 attendees which include women and men, such as Frederick Douglas. Whereas the agenda was clear to abolition all social, economic, and legal discrimination against women.

There are hardly any films involving African-Americans that accurately represent black culture and it is something that has rarely been accomplished in the mainstream film industry. In the 30s, black film had an extraordinary presence as they were shown to large segregated audiences. However, by the 80’s black film was seen as simply comic relief with no true depictions of real life. In 1986, She’s Gotta Have It was introduced by director, editor and actor Spike Lee who wanted real people with real lives in his work. The film offers a new perspective on sexuality and the double standard that is applied to men and women. This portrayal allowed audiences to visualize African-Americans as any other race when it comes to loving one another and

When thinking about black actresses in the 1930s through 1950s, a few names may come to mind like Nina McKinney, Lena Horne, Dorothy Dandridge, and Hattie McDaniel. However, many other black actresses have graced the big screen including Suzette Harbin, Theresa Hams, Ethel Moses, Mae Turner, and Hilda Simms just to name a few. Many of these talented actresses differ in their career paths, but they all endured some form of racism and sexism which made it laborious for them to thrive in their careers. By the Way, Meet Vera Stark represents the hardships of black actresses during the 1930s through 1950s. The protagonist, Vera Stark, persistently tries to prove to the people around her that she has star quality for show business. However, she does not reach her potential because of her race. Although she obtains some gigs, the gigs demean black women during that time. The offensive parts for black actresses vary from mammy to slave woman to seductress. The following roles offered black actresses’ opportunities to one day acquire star making roles. Unfortunately, those roles did not apply to black actresses. Only white actors and actresses experienced that fortuity. By the Way, Meet Vera Stark exposes Hollywood’s misconduct of black actresses and further explains the lack of black representation today. Indeed, roles for black actresses have increased since the 1930s through 1950s; however the roles have become more stereotypical like the obnoxious black woman, the token black

The inclusion of Black women and their vital roles within Black press also improved the film’s

The Seneca Falls Convention of 1848, the first women's rights convention in American history, was an outgrowth of almost twenty years of female activity in social reform. Elizabeth Cady

On July 19—20, 1848, the first gathering for women’s rights in the United States was held in Seneca Falls, New York.

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

In history, women have always struggled to gain equality, respect, and the same rights as men. Women had had to endure years of sexism and struggle to get to where we are today. The struggle was even more difficult for women of color because not only were they dealing with issues of sexism, but also racism. Many movements have helped black women during the past centuries to overcome sexism, racism, and adversities that were set against them. History tells us that movements such as the Feminist Movement helped empower all women, but this fact is not totally true. In this paper, I will discuss feminism, the movements, and its "minimal" affects on black women.