In Anne Sexton’s poem “The Abortion”, she uses literary devices to reflect her heart wrenching decision of whether or not to abort one of her children, which reflects the style of confessional poetry because she is sharing her personal feelings and experiences. Anne Sexton was a famous poet of confessional poetry, where the poets write about their private experiences with feelings about death, trauma, and depression in their lives. Anne Sexton wrote from the point of view of an upper middle class woman. She had two children, and the stress of having them, gave her life long depression. Sexton was sent to a psychiatric hospital after the birth of her second child. “The Abortion” displays all of Sexton’s feelings that she has about her abortion.
Sexton sets off the poem “[driving] south” (Sexton 5). She is describing her trip to go and get her child aborted, and she sees the “road sunken like a gray washboard” (9). The road is extremely rough and bumpy, which is often an unpleasant surface to drive on. The negative connotation of her car ride there is making her trip start off horribly and she has not even gotten to the worst part of it yet. The ‘gray’ description of the road makes it seem lifeless, which reflects how Sexton is feeling on her trip. She also sees “grass as bristly and stout as chives” (14). Chives are a tall green plant that look like grass, which she describes as ‘bristly’. Indicating that the grass is rough and scratchy. This gives it a negative connotation
In exploring this poem the tone of the opening line – “Abortions will not let you forget” – can be viewed as regretful and as offering a kind of warning. As we move through the poem the tone of line four, might be called literally imaginative, as she say; “The singers and workers that never handled the air”. While in lines 5-6 the tone seems at first brutally honest and realistic and then affectionate and realistic. As she continues to lines 7-10, as well as in many lines of this poem, the mother expresses herself as a person who is fully familiar with all the small, subtle realities of parenting. She even expresses her attitudes toward her abortions even more complex.
Bertha, M. (2014). Pro-Life, Pro-Choice : Shared Values in the Abortion Debate. Nashville: Vanderbilt University Press. https://fortlewis.idm.oclc.org/login?url=https://search- ebscohost-com.fortlewis.idm.oclc.org/login.aspx?direct=true&db=edspmu&AN=edspmu.9780826519924&site=eds-live&scope=site Throughout this book, Bertha claims that she is for pro choice, but at the end of the reading, she states that she has changed her beliefs to pro life. This specific author performed studies, exams, courses, and clinicals and discovered the facts about the harm that takes place to your body after having an abortion. Bertha discusses the hard, mental griefs and traumas that follow the procedure, as well as the uneasy argument about the virtuous worth of the human fetus. The author brings experience to the discussion through the psychological department, being an Associate Professor of Philosophy in the School of Humanities, Arts and Cultural Studies at Arizona State University, as well as having written many informative and knowledgeable articles.
In this paper I am going to critically evaluate “A Defense of Abortion” by Judith Thompson, a moral philosopher and metaphysician, who argues that is morally okay to abort a fetus even if the fetus is considered a person and contrast it to another moral philosopher and utilitarian, Peter Singer who deems her argument to be flawed.
Abortion is the ending of a pregnancy before birth. An abortion results in the death of the embryo or fetus and may be either spontaneous or induced. For years, abortion has been an extremely controversial subject. The history of abortion reaches back not just decades, but centuries, and even milleniums. Today, policies regarding legal abortion in the U.S. is being debated everywhere. Many myths and misconceptions confuse this issue. A better understanding of the history of abortion in America can help provide a context for an improved policy in the future.
"The Mother," by Gwendolyn Brooks, is a sorrowful, distressing poem about a mother who has experienced numerous abortions. While reading the poem, you can feel the pain, heartache, distress and grief she is feeling. She is both remorseful and regretful; nevertheless, she explains that she had no other alternative. It is a sentimental and heart wrenching poem where she talks about not being able to experience or do things with the children that she aborted -- things that people who have children often take for granted. Perhaps this poem is a reflection of what many women in society are feeling.
In the paper titled “A Defense of Abortion” Judith Thomson uses several premises to bring the readers to the conclusion that Abortion is not morally wrong. After reading her paper I have concluded, that abortion is in fact morally wrong, excluding extenuating circumstances. In this paper I will show that abortion is morally wrong by way of the following argument:
The authors use of imagery paints a disconsolate scene of the struggles of young women. Anne Sexton grew up in a rather dismal home, noting abuse and neglect. Her parents were moderately wealthy, but mentally unavailable. Her depression took a turn for the worst after the birth of her first child. Since that severity wasn’t always there to haunt her, it
Brooks creates a horrific imagery that abortions are terrible; and in the poem “The Mother “,she mirrors herself to reality to show the missed opportunities of a child, that women who have aborted their children, will miss. In the poem, it pinpoints a woman’s experience of aborting a child, and then feeling guilty about it, as a mother. In contrast to the author of the poem, Gwendolyn Brooks is a woman who has also aborted a child numerous of times, feels relentless. She communicates with her audience, women, through the poem to recap what the unborn children would become in the future such as singers and workers. “You were born, you had body, you died. It is you never giggled or planned or cried.” When Brooks talk about the missed opportunities that women will never see, she refers to a mother with treacherous experiences. Symbolically, she reflects as a role model for all women who have undergone the situation.
In Mary Anne Warren’s “The Abortion Issue,” children are not persons in the empirical sense. Warren believes that prior to a certain point in a pregnancy, the child does not have “the capacity to understand” the ramifications of what an abortion would be, therefore the abortion does not infringe upon the rights of the unborn fetus. She states that: “…in the ways that matter from a moral point of view, human fetuses are very unlike human persons, particularly in their early months of development”(152). In essence, personhood as defined by Warren can only come after the first trimester. Before that time, the fetus does not have the sentience that would make it a person. Warren’s main criteria for
The poem “The Mother” written by Gwendolyn Brooks in 1945, is a poem that focuses on the immeasurable losses a woman experiences after having an abortion. The poems free verse style has a mournful tone that captures the vast emotions a mother goes through trying to cope with the choices she has made. The author writes each stanza of the poem using a different style, and point of view, with subtle metaphors to express the speaker’s deep struggle as she copes with her abortions. The poem begins with, “Abortions will not let you forget” (Brooks 1), the first line of the poem uses personification to capture your attention. The title of the poem has the reader’s mindset centered around motherhood, but the author’s expertise with the opening line, immediately shifts your view to the actual theme of the poem. In this first line the speaker is telling you directly, you will never forget having an abortion. Brooks utilizes the speaker of the poem, to convey that this mother is pleading for forgiveness from the children she chose not to have.
Judith Jarvis Thomson proposes her argument in her article, A Defense of Abortion. There, she explains to her readers during what circumstances is abortion justifiable. Thomson uses the argument by analogy strategy to explain to her readers her argument. She tries to reach her conclusion by comparing it to similar cases. The point she is trying to make is to tell her readers that abortion is morally permissible only in some cases, like when the mother has been a victim of rape, when contraception has failed or when the pregnancy is of danger to the mother. She explains to her readers that abortion is justifiable only in some cases, not all. Thomson uses the case of a violinist to show her readers that abortion is morally permissible when a woman has been victim of rape. She also uses the people seeds story as an analogy to explain that abortion is morally acceptable when contraception has failed. Thomson also mentions the right to life in her article. She uses the right to life to explain to us that it is morally justifiable for the mother to abort the fetus when the fetus is endangering the mother’s life. In order to help her readers understand the notion of right to life she is trying to propose to us, she does so by using the Henry Fonda example. In my point of view, I find most of Thomson’s analogies irrelevant to the argument she is trying to make. I will explain to my readers why I find Thomson’s analogies irrelevant.
The word "remember" in line two may be considered a play on words; re-member, or dismemberment as in the case of an abortion. "Damp small pulps" in line three sounds animalistic, as if Brooks is saying "pups" instead of "pulps." If the word "pulp" was in fact intended, it is then part of the poem's imagery, indicating something that is crushed,
Sylvia Plath (1932-1963) and Anne Sexton (1928-1974) both explored similar themes such as tone, structure, and symbolism. Many of their poems were cries for help, which resulted into metal illness, depression, and suicide. In 1958, Anne Sexton and Sylvia Plath met, and much to their surprise had a few things in common. They both were fascinated with death and suicide. Both Sexton’s and Plath’s poetry are considered as confessional poetry in which they were very honest, depressed, and had suicidal or homicidal tendencies. Sylvia and Anne’s views on what happened in their life and on independence, are what nearly separates them from other confessional poets. Sexton and Plath’s poetry range over a variety of topics such as death, suicide, rage, and mourning. They both utilize a convincing use of symbolism, deep image, metaphors, and soul-searching. Plath’s “The Colossus”, “Full Fathom Five”, “Daddy”, and Sexton’s “And one for My Dame” and “All My Pretty Ones”, are very enraged and different feminist perspectives, giving different views on the relationships with a father and a husband.
'The Abortion' by Anne Sexton is a first person narrative poem in the style of a stream of consciousness and conveys a woman's emotional and physical journey whilst undergoing an abortion. I intend to discuss how through the effective use of imagery, tone, symbolism and word choice the poet successfully builds up an atmosphere which adds to your appreciation of the poem.
Being a mother is one of the best gifts from a life. A mother gives her children unconditional love without expecting anything in return. Being a mother means more than having given birth to a child. It is an invisible connection between mother and child; it is a blessing, a relationship that never ends and the love that never dies. However, for some women, motherhood might be challenging in ways they did not expect, forcing them to choose between having an abortion and keeping the child. The debate over abortion is an ardent and polarizing issue as there are those who believe that all humans including those unborn should have a right to life, and on the other side of the spectrum are those who believe it should a woman's right to choose whether she wants an abortion or not. This topic relates to Gwendolyn Brooks's poem, "The Mother", where the author describes the painful thoughts, heartbreak, and awful feelings that a woman experiences after having an abortion. Brooks lays out a helpful framework for understanding the difficult situation of facing unplanned pregnancy. In "The Mother", a woman recollects her inner conflicts as she laments over the guilt of having had an abortion and the future she never gave her would be child. Brooks's poem provides insight into the research which reveals how abortion affects women morally, psychologically, and religiously.