Summary Of Kellie Young's 'The Undercurrent'

In addition, the importance of risk taking in In the poem “Mother To Son” by Langston hughes is shown by the mother. in lines 3- 9 it states “It had tacks in it, and splinters, and boards torn up, and places with no carpet on the floor-bare. But all the tie I’se been a-climbin’ on,.” his mother had to climb on or keep going even when times were very tough. In lines lines 12-19 it says “and sometimes goin’ in the dark where there ain’t been no light. So boy dont dont you turn back. Don’t you set down on the steps ‘cause you finds it’s kinder hard. Don’t you fall now- for I’se till goin’, honey, I’se still climbin’,.” when she says “and sometimes

Jeanette was thinking this to herself while in her apartment. She had just seen her mom rooting through trash on the street and had hurried home out of fear. This quote is important because it shows that Jeanette has passion for her parents but is too afraid to address them in a realistic manner. It shows that she doesn’t have extreme care for her parents, being embarrassed by them, and ashamed of them but not doing anything to really help them.

Thomas Hardy, a famous novelist once said, “Fear is the mother of foresight”. This quotation may be interpreted in many different ways, one being that by experiencing fear, an individual begins to develop an ability to predict possible outcomes of their decisions. In Kari Strutt’s short story “Touching Bottom”, the protagonist decides to overcome her fear of murky waters, an action that results in her ability to foresee her future as being very independent. The main character’s fear affects her decision making process for much of her early life; if not for the interplay between the protagonist’s distressing emotions and inability to see her life as an independent woman, her choices may seem foolish and insignificant. The unnamed woman’s act of overcoming her fear by literally “Touching bottom” results in her movement away from her husband to enjoy a life on her own.

The most complex relationship one could ever try to understand is the relationship of a child and his or her parents. In the poem, “Our Son Swears He Has 102 Gallons of Water in His Body,” by Naomi Shihab Nye, the speaker effectively portrays the damaged relationship between a child and his parents. The son in the poem believes he knows everything, and his “know-it-all” mentality is the source of the family’s troubles. Through details, imagery, and a shift in the last stanza, the speaker conveys the son’s stubbornness.

The American Presidents have a distinct aura that surrounds them and covers their true identity with a faulty exterior, only portraying stoic, standup men. Elizabeth Keckley in her memoir Behind the Scenes gives us an inside look at President Lincoln and his wife Mary Todd Lincoln, as well as a look into her own life. Elizabeth Keckley was a black slave who bought her freedom, and worked for rich families as a seamstress, including working in the White House for Marry Todd Lincoln. She became close friends with Mrs. Lincoln and one of her only confidantes in the time after President Lincoln was

Rose Mary, from the memoir The Glass Castle, is a naturally self-centered woman; this can be viewed as a bad quality for a mother to possess, but in her case it does benefit her children in a certain way. Although Rose Mary’s selfishness is the reason she never provides for her family as a mother, the positive twist on this unmotherly characteristic is that it helps teach her kids not to conform to social norms. Children naturally look up to their parents, and when Rose Mary’s kids see how freely she acts when other people obviously are judging her, it influences how they perceive the opinions of others. An example of this was when the Walls were living in Phoenix. It was so unbearably hot one day that Rose Mary told her children to swim in

Jeannette’s thoughts are revealed in this quote about being associated with her mother, who is homeless. While in a taxi on the way to an upscale party, she spots her mother digging through garbage on the streets of New York City. Her “secret” that she fears colleagues will find out about foreshadows the fact that she was once homeless and poverty-stricken, just like her parents are now, and had to work her way up from the bottom.

As human beings evolve from infancy to elderly stages in life, times of struggle and hardship continually challenge their kin and personage; as life tests their mental fortitude and survival dexterity. In essays “My Father’s hands” by author Daisy Hernandez, and “Beginning Dialogues” by author Toi Derricotte, life and its whirl wind of ups and downs are expressed and exemplified. Both authors’ upbringings share various similarities on their evolutionary road trip through life. Struggling with hardship and abuse, how both authors’ dealt with their hardships, and how they ultimately survived/overcame these trying events, show similar correlations.

Her Mother seemed to be more put together than her father at times, even getting a job at one point helping the family out. Though her mother was a hedonist and did not contain the motherly love and sacrifice for her kids, this job helped Jeanette’s future. She helped grade papers which increased her knowledge of the outside world and “...the world was making a little more sense” as she read the papers and projects of her mother’s students (Walls 205). Her parents had such an opposition to the outside world that she hadn’t gotten every aspect of

While it may be tempting to leave society in order to pursue one’s dreams, severing the ties with those whom one knows can result in a world of chaos and instability. One such example can be found in Jeannette Walls’s, The Glass Castle. In this memoir, Walls recounts her volatile childhood that was the result of her parent’s strong beliefs in the importance of self-sufficiency. While it is not looked down upon to be dependent on oneself, when we evaluate individualism through the scope of Jeannette Wall’s dysfunctional life one can tell that more often than not individualism brings instability and results in the negligence in regard to those around them. Thus, the consequences of individualism profoundly outweigh any benefit that is reaped because

The daughter is bored with her mother's dreams and lets her pride take over. She often questions her self-worth, and she decides that she respects herself as nothing more than the normal girl that she is and always will be. Her mother is trying to mold her into something that she can never be, she believes, and only by her futile attempts to rebel can she hold on to the respect that she has for herself. The daughter is motivated only to fail so that she may continue on her quest to be normal. Her only motivation for success derives from her own vanity; although she cannot admit it to herself or her mother, she wants the audience to see her as that something that she is not, that same something that her mother hopes she could be.

"You think because I am her mother I have a key, or that in some way you could use me as a key? She has lived for nineteen years. Over and over, we are told of the limitations on choice--"it was the only way"; "They persuaded me" and verbs of necessity recur for descriptions of both the mother's and Emily's behavior. " In such statements as "my wisdom ! came too late," the story verges on becoming an analysis of parental guilt. With the narrator, we construct an image of the mother's own development: her difficulties as a young mother alone with her daughter and barely surviving during the early years of the depression; her painful months of enforced separation from her daughter; her gradual and partial relaxation in response to a new husband and a new family as more children follow; her increasingly complex anxieties about her first child; and finally her sense of family balance which surrounds but does not quite include the early memories of herself and Emily in the grips of survival needs. In doing so she has neither trivialized nor romanticized the experience of motherhood; she has indicated the wealth of experience yet to be explored in the story’s possibilities of experiences, like motherhood, which have rarely been granted serious literary consideration. Rather she is searching for

The mother-daughter relationship is often scrutinized, publicized, and capitalized on. Whether from tell-all biographies, to humorous sit-coms, or private therapy sessions, this particular relationship dynamic gives some of the most emotion-activating memories. When female authors reflect and write about their relationships with their mothers, they have a tendency to taint their reflections with the opinions they have as an adult, reviewing the actions of their mother when they were young. These opinions set the tone of the story independently and in conjunction with the relationship itself and manifest in creative literary styles that weave an even more intricate story. Case in point, when reviewing the two literary works “I Stand Here

Doing so, she uses her grandchildren as a ploy to get her way, setting aside the wishes of her family. Speaking to O’Connor’s mother’s self centered behavior and lack of care for others, even in the face of adversity.

As a mother, Amanda Wingfield had always encouraged her children to be all they could be. When Laura asked about clearing the table, Amanda’s responded by telling her to “…go in front and study your typewriter chart. Or practice your shorthand a little. Stay fresh and pretty! It’s almost time for our gentlemen callers to start arriving” (Williams, Scene 1, 976). This quote showed two aspects of the nature versus nurture debate. Amanda intended to nurture Laura’s success by encouraging and pushing her to study hard, to practice her writing, and look pretty while naturally, Amanda was concerned about taking care of herself and making sure her children make the right decision so that they may provide for her all the things she never had.