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Summary Of The Autobiography Of An Ex-Colored Man

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In the 1920’s during the Harlem Renaissance, the Autobiography of an Ex-Colored Man was first published anonymously, and later published by the author, James Weldon Johnson. The Autobiography of an Ex-Colored Man, grapples with the concept of modernism by questioning the idea of reality, form, and introducing the notion of an unreliable narrator. While, the title of the book refers to the work as an autobiography, the book is actually a work of fiction that ‘passes’ as an autobiography, similar to the concept of the book. In the Autobiography of an Ex-Colored Man, the book follows an unnamed narrator whose born into a black household and struggles with his own racial identity. The narrator pulls racial notations and white supremacist ideals into his own idea of blackness causing him to struggle with internalized hatred towards his own race. With the death of his mother, the narrator is no longer tethered to his black identity, he leaves home and is able to effectively pass into the white world due to his lack of family relations. The narrator’s decision to pass becomes intertwined with his experience of watching a lynching occur. After the Reconstruction Era, Ida B. Wells, an African American journalism, released an Anti-lynching pamphlet during the 1890s, theorizing the various effect of lynching. Her 1st pamphlet, titled Southern Horrors, shows the history of lynching and the reasons why African American can be lynched. While, her 2nd pamphlet, shows vivid descriptions of lynchings because she wants the reader to witness to atrocity occuring (James 8). In her pamphlet, Wells writes, “Lynching was not simply a spontaneous punishment for crimes but an act of terror perpetrated against a race of people in order to maintain power and control” (Wells 3). Using Wells’ theorizes about lynching as a tool, what can be examined with the narrator’s decision to pass after experiencing a lynching?
In the Autobiography of an Ex-Colored Man, the narrator begins at a young age internalizing hatred towards his race. The narrator’s epiphany towards the concept of race is shown with his realization that he’s black in the first chapter of the book. When the principal calls for only the white scholars to stand, the narrator is

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