preview

Summary Of The Fatal Environment By Richard Slotkin

Good Essays

This painting shows a Native American tribe on a snowy hill. They are watching a train pass by diagonally below them. The party appears to be travelling somewhere together. Several of the individuals are horseback riding while the others are walking. It´s looks like they are fleeing from something, almost as these people are vanishing away from reality. This “Trail of Tears” that they are riding/walking on was the the path that displaced North American Indian tribes from their land east of the Mississippi River to the Indian Territory, the area that later became Oklahoma. The term "Trail of Tears" comes from a text that describes the movement of the Cherokee, Muscogee, Seminole, Chickasaw and Choctaw Nation. Several thousands of these Indians …show more content…

Slotkin illustrates the emergence by 1890 of a myth that was redefined to help Americans answer the misperception and conflict of the industrialization and grand extension. In The Fatal Environment, Richard Slotkin proves in what way the myth of frontier growth and defeat of the Native Americans helped to validate the progression of Americas final stand as a symbol for whatever Americans feared might occurred if the frontier were to be closed, and the "violent" part be allowable to rule the "civilized," Slotkin displays the rise by 1890 of a fable redefined to support Americans answer to the misunderstanding and contention of industrialization and grand extension.

Sweeney is comparing The Fatal Environment to The Morning of a New Day.
He argues that the reason why Farny’s “Morning of a New Day” attract few imitators is because of the ambivalent image of the fatal environment within it. The fact that it represents “the genocide of the Native American tribes- was the result the dominant bourgeois group’s belief in its self-proclaimed manifest destiny to take the West from the Native Americans by military conquest, through technological and entrepreneurial superiority, or if necessary by outright theft.” (Page 141)

Taylor, Lonn. "The Open Range Cowboy of the Nineteenth Century." The American Cowboy (1983): 16-29. Library of Congress,

Get Access