Summary Of The Love Song Of J. Alfred Prufrock

In “ ‘Till Human Voices Wake Us and We Drown’: Community in ‘The Love Song of J. Alfred Prufrock’,” James Haba contends that the repeated use of “you”, “we”, and “us” in T. S. Eliot’s “The Love Song of J. Alfred Prufrock” creates a personal ambience around the reader and Prufrock. Because of this, Haba argues that Eliot’s use of personal pronouns and references produces a sense of community and intimacy between the reader and Prufrock (53), even though Prufrock seemingly struggles with emotions of intimacy and belonging on society, as exemplified throughout the poem. The title of the poem itself is ironic, as love songs are positive and gleeful, while Prufrock constantly describes his self-doubt, insecurities, and troubling anxiety, yet continues to keep his full identity and true desires a secrecy. Haba claims that the “you” in this “love song” refers to the reader and that “if we acknowledge that identity, then Prufrock has, in some way, reached out and touched us; he has communicated with someone beyond himself” (8). By doing so, it would appear that Prufrock is finally comprehending his fondness for human interaction, ignoring his anxiety and desperate approval from the seemingly uninterested and disapproving individuals who surround him.

When we read T. S. Eliot’s “The Love Song of J. Alfred Prufrock” you almost get the feeling that Prufrock is gay. In fact, when the story is read a bit more in depth you can conclude that he is gay.

J. Alfred Prufrock has internalized all comments others have made about him – regarding his appearance and age – which in turn influence his thoughts throughout the poem. J. Alfred Prufrock describes his dislike in himself, in his appearance, such that he feels he looks too old. J. Alfred Prufrock repeatedly returns to his appearance such as, while lamenting over his decision, when he describes “a bald spot in the middle of [his] hair” (Eliot 7. 40), demonstrative of his feelings that he looks too old. He then goes on to say “(They will say: ‘How his hair is growing thin’)” (Eliot 7. 41), in reference to others who have made comments about him. J. Alfred

The dramatic monologue “The Love Song of J. Alfred Prufrock was written by Thomas Stearns Eliot and published in June of 1915. Eliot was born in St Louis, Missouri on September 26, 1888, where he grew up and lived until the age of eighteen. After high school, Eliot studied at Harvard University in Cambridge, MA and the Sorbonne in Paris, France. Eventually, Eliot ended up in England where he married his wife Vivien and spent the remainder of his life.

T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that

The poem “The Love Song of J.Alfred Prufrock” by T.S Eliot is one extended metaphor depicting the trials the character must go through in his attempt to achieve his quest for the ideal. In this case, the ideal is the world inhabited by the ladies he wants to talk to. The perils the character, Prufrock, has to contend with are low self-esteem and his fear of rejection. The poet illustrates his character’s low self-esteem with the image that Prufrock paints of himself as a man “With a bald spot in the middle of my hair” (39). Prufrock’s poor self-image is also evident in his

Loneliness is a feeling that we have all felt here and there. A man in the poem “ The Love Song of J. Alfred Prufrock” by T.S Eliot feels trapped which caused him to have disorders. Nothing has never changed from living in the same city and not using his time wisely. He tried numerous ways to approach women but his low self esteem stopped him from moving forward. Although Prufrock seems like a miserable person, Prufrock suffers from obsessive compulsive disorder, depression, and paranoia that caused him to feel this way.

Day after day many of us look at ourselves in the mirror and reflect upon our appearances; however, J. Alfred Prufrock goes a step too far. Upon self reflection, it allows the reader insight of his insecurities, for instance, “With a bald spot in the middle of my hair— / [They will say: ‘How his hair is growing thin!’], this evidently is giving a description of a man that no longer has his youthful charm (Schilb, Clifford, Elliot 39-40). Yet this is not the only time points out to himself or the reader of his imperfections caused by time sucking the life out of him, “[They will say: ‘But how his arms and legs are thin!’] / Do I dare / Disturb the universe?” (Schilb, Clifford, Elliot 43-45). The idea that he is taking a while to go and confront the crowd

There is a line that is used quite a bit in this poem which reads “In the room, women come and go, talking of Michelangelo. (Eliot 13-14) This is interrupted as Prufrock being at a social gathering, such as a tea party. The use of the word Michelangelo is used to describe how the event is most likely one of scholarly presence where the guests are discussing famous artists. Prufrock does not fit in with this crowd, as read in these lines “And indeed there will be time, to wonder, “Do I dare?” and, “Do I dare?” time to turn back and descend the stair, with a bald spot in the middle of my hair (They will say “How his hair is growing thin!”)” (Eliot 37-40) These lines reveal a man who is fearful and insecure about his situation, he wonders if he should

When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.

He also says such things as the of his thinning hair and his resulting bald spot in order to indicate the passage of age and the importance he feels now that he is past his prime: "Time to turn back and descend the stair,/ With a bald spot in the middle of my hair--/ (They will say: 'How his hair is growing thin')"(39) This shows Prufrock's fear of being laughed at.

“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.

“The Love Song of J. Alfred Prufrock” by T. S. Elliot is a poem that tells a character’s story with the use of emotions and imagery. The character J. Alfred Prufrock is first introduced as taking a walk and describing the surroundings such as vacant streets and dreary sights. Women are also introduced as talking about Michelangelo. The setting is covered in a yellow fog that stretches over every detail of the town. Prufrock’s emotions at first seems to be confident with the ladies. As the poem progresses, Prufrock is seen more as an average middle-aged man, but also a sad honest man. He seems to stick to a routine and does not stray from it much. His bland personality is not much of an appeal to the women, thus making him pathetic. In “The Love Song of J. Alfred Prufrock”, T.S.

The poetry of T.S Elliot portrays the nature of human conditions through the use of experiences such as alienation and how this leads to spiritual vacancy and paralysis which allow his poems to retain an enduring value. In Both the ‘The Love song of J.Alfred Prufrock’ (Prufrock, 1915) and Prelude (1917), poetic language convey the loneliness of humankind in a physical and moral way. Through a study of Eliot’s poetic forms, features and critical reception, we can better understand the message portrayed.

This lack of willpower is displayed in line 111 where Prufrock states: "I am not Prince Hamlet." He will not, like Shakespeare's famous character, shake off his doubts and "force the moment to its crisis" (80). Prufrock feels more like the character Polonius from the same Shakespearian work. He feels that he is only able to dream of romance, and never truly experience it for himself. Instead he will have his trousers rolled at the bottom as a statement of fashion and "walk upon the beach" (123). He follows up with a romantic vision of mermaids singing to him from the sea, but deep down he knows they will not sing to him. Prufrock is caught in a sort of paralysis where no matter how much he wishes to, he finds himself unable to act on his own impulses and desires. Because of this affliction, Prufrock will continue living in a world with daydreams of romance until he finds himself awakened by the human voices of real life in which, as very grimly states in the final line of the poem, he will drown.